always on our way he’s standing there, the lord heard me, he gave a sign, drag his son away, wait, basmanovut that, as if for mamonov , the film set was not limited to the film set, but he continued to play outside of it, i read somewhere that when he was on the island, yes, that is, his antagonist there was job, yes, whom dyuzhev played, and dyuzhev said in some interview that he tried to establish some kind of relationship with mamonov human communication and absolutely ran into a blank wall, then, well, i read that when the filming ended, mamun said, now you and i can become normal friends. and what you say about yankovsky is very similar, but i want to be with you here in the dining room of the restaurant, i also want to get into your soul, he has already come as ivan the terrible, he already, but in this i want to love you, this there were already some iron pincers that were supposed to tear the inside. it was a podcast life of the wonderful, i am grateful to you for this conversation, dear friends, the guests were a wonderful director and screenwriter a wonderful conversationalist, a

you arrived, the lord heard me, he gave a sign , bring laura, wait, basmanov, wait, maybe you’ll haveorders, i read somewhere that when he was on the island, yes, that is, his... there the antagonist was job, yes, whom dyuzhev played, and dyuzhev said in some interview that he tried with mamonov establish some kind of human communication and absolutely hit a blank wall, then, well, i read that when the filming ended, mamuna said, now you and i can become friends and communicate normally, but before i couldn’t, because since we the film is like enemies, but so different, then behind the set i’m with you i won’t communicate either, and what you’re saying about yankovsky is very similar, but that’s it. life is wonderful, my guest was a wonderful director, screenwriter, wonderful interlocutor, sincere person, pavel semyonovich lungin. thank you, i was also very interested. hello, this is a podcast. psyche and we continue to open the boxes of our souls to look for various hidden problems there so that they don’t exist. today with clinical psychologist nikita yanochkin we will talk about a

arrived, has arrived, filipushka, dear, has arrived, heard me, lord, gave a sign, drag him away, wait, basmanovlm set was not limited to the film set, but he continued to act outside it. i read somewhere that when he was on the island, yes, that is, his antagonist there was job, yes, whom dyuzhev played, and dyuzhev said in some interview that he tried to establish some kind of human communication with mamonov and absolutely ran into a dead end. thank you, i was also very interested. hello everyone, this is a podcast deception of substances, this is zosh for the desperate, and it is hosted by me, olesya nosova, editor-in-chief of komsomolskaya pravda endocrinologist zyukha pavlova. well, today we’ll probably talk about that. what people really don’t realize about proper cooking of food, because with the help of proper cooking you can improve a product, make it more useful, or actually make it worse, for example, the easiest way is to add extra salt - to the dish being prepared, there is this is a trick - for example, do not add salt to the dish at all during cooking, but for the vast majority o

arrived, arrived, filipushka, dear, arrived, the lord heard me, gave a sign, drag his son, wait, basmanov? but it turns out that for mamonov , the film set was not limited to the film set, but he continued to play outside of it, i read somewhere that when he was on the island, yes, that is, his antagonist there was job, yes, whom dyuzhev played, and dyuzhev said in some interview, that he tried to establish some kind of human communication with mamonov and absolutely ran into a blank wall, then, well, i read that when the filming ended, mamun said. now you and i can make friends and communicate normally, but before i couldn’t, because since in the film we’re like enemies, and so different, then i won’t communicate with you outside the set either, and what you ’re saying. about yankovsky it’s very similar, yes, i want to be with you here in the dining room, in the restaurant, i also want to get into your soul, he already came as ivan the terrible, he already, but in this i want to love you, these were already some kind of iron pincers that were supposed to tear apart the internals, it was