this formulates tsvetaev’s concept in relation to the museum, and what is a museum?rary, is already at the stage of its opening. grows into the egyptian collection, which the king buys and transfers it to the museum of fine arts, he buys it from the beholder, and then suddenly , first one collection of genuine monuments, not copies or casts, appears, then a painting collection appears when it was disbanded after tsvetaev’s death, the western european collection comes to the rumyantsov museum, and we want do about it. yes, several, because i have a book at home that my great-grandfather bought, it’s such a thick volume that i read as a child with the spine already torn off long ago, but which i read my mother, then i read it, now here are our dear interlocutors, you can’t talk about texts that you didn’t hold in your hands, you only saw or heard, yes, we recognize books in conversation, and books that have been published, well, this is the beginning of the 20th century , the very beginning, no, this is exactly the book i’m talking about now... years, it was the hit of

of a shakespearean sonnet, and here there is this is the one... the second one is not something tsvetaeviddle of the 19th century, many universities, european cities, european cities, started with gleptotheks, that is, copies. famous sculptures made for educational purposes, tsvetaev is not making a glyptotek, he goes to klein, they are building a museum whose architecture itself is an illustration of the history of art, not only do you enter through the greco-roman portico, you go up, which means you enter egyptian lobby, which is made in egyptian style, you go to a pink staircase, you have a greek courtyard on your left side, on your right side italian courtyard, this is the logic that you have on the left side. greek antiquity, and classicism, and the corner of the prophenon, and it was not a trivial task to push the corner of the prophenon into life- size, which means in a building in berlin, and on the right side. you have a courtyard of high italian revival, and there every object, in every cast, stands for a reason, for example , the portal in the italian courtyard led into the ha

give you for three, maybe one. so this museum would not have existed if the founder of the museum, tsvetaev one of the representatives of this dynasty, had not given 3 million rubles in gold, and thanks to this, that is thanks to the plant, this very plant in guskrustalny, we have a great museum in the center of moscow, this is another proof that this is not just our national, but a world heritage, let's just get to know the youth behind the scenes. let's talk about our hard work, your work is really not easy, because everyone who was at the stove said that the temperature there is 1,200 celsius and it’s really, really difficult to spend more than 3 minutes nearby, and they have shifts there, so it’s a big thank you for such a program, that you host it, that you don’t forget about us, well, what do we do, we come to work, as usual at 6:00 in the morning, everyone has their own plan, the shift master gives orders. for the day, we choose the glass product that needs to be made first, tell me, we saw an interview with the shareholder of the plant, alexey mikhailovich rusakovskikh, and he said