important, that school, starting with shemelev, then the school of enormous development, at the vashchenko institutenovsky, they gave this fundamental, strong base, on the basis of all this, well, my vision was built , so for me it all gave me a huge spatial path that i took in life. i want to stand strong on the basis of national culture, skill, necessarily, and the vision in which i live. we get to know you about architecture. we remember belarus from different eras and centuries. here we are laughing lynxes of the french baroque with elements of saxon embellishment. the palace itself is unpainted, velmi. floated on the old-fashioned russian style, and all that is right from the beginning of the 19th century, this is also the main palette of the project. let's look at their history and basic facts. gets cartouche, not looking at changes in time, wars, different penal codes, could acquire two heraldic plots. softened not so much. the cartouche was just like a business card. pseudarus style these people have their own rules, the theater as a center, public events in the city, which means that the ru

institute of applied and decorative arts. in the sixties he moved to minsk at the invitation of gabriel vashchenko. on at the department of monumental and decorative art of the belarusian theater and art institute in minsk. at the same time, the artist was actively involved in creativity and organization of tapestry production in the bssr. firstly. in turn, kishchenko earned his national worldwide fame as the creator monumental works. his unique canvas of the gabilen of the century is included in the guinness book of records as the largest gabilen in the world and is recognized as a national treasure. also for this work, kishchenko was awarded the state prize of belarus. 11 weavers worked on gobilen for 5 years. it is hand-woven from natural sheep wool and weighs 270 kg. the canvas depicts about 100 people, almost all the great people of the planet who left their mark in the 20th century. unfortunately, it is impossible to see the work in full size so that it can be a very tall building needs to be hung, because the height of the tapestry is more than 18 m. kishchenko’s works entered the treasury of