operators, fedosov. with whom i worked for many years, and not without my participation , yuri viktorovich klimenkorstood, some things i didn’t understand, we are very we quarreled because we had different views, well, as an actor who must experience doing something on camera, we had different ideas about how it was experienced, but was there soviet science fiction, or rather, were there soviet films? the story doesn’t match, which means rumata, who seems to want to change the life of this planet , it doesn’t work out, it doesn’t work out, not because he can’t, but because he ca n’t change people, he can’t convince them, he can’t do it either everything works out, why at all, oh, since we're already talking, i can tell you i can say that it’s my merit that for many years i tried to persuade herman to call the film it’s hard to be a god, and herman himself is a very jealous person. in addition, the gray castles here led to the idea of ​​​​the beginning of a revival, and three dozen scientists were thrown here, but there was no revival here, there was a reaction to something that almost never happene

joyful and healthy , i love this picture very much, it was shot by a wonderful cameraman yuri viktorovich klimenkoortunately, valerie is no longer there, in general this picture would not have existed if it were for anatoly grigorievich losenko. did not support this idea, and we were friends with him for many years, unfortunately, anatoly grigorievich is no longer there either, but there is his wonderful daughter maryana anatolyevna, who cured half the country during the pandemic, yes, yes, yes, a lot anatolna, everyone, zenaida yuryevna is the head of the department, where my mother was lying, note, they really saved my mother, that’s why the picture of the barracks is iconic, it’s somehow truly a turning point. this is from a comedy, i always say that for many years i have played such episodes or abnormal people or criminals, and these are already such roles, well then, so i say with pride, i will tell you myself, leonid dials me and says, valer, listen , out of friendship, your song is needed in a movie, the song is desperately needed, there is no money, i say, like there is no money, he says,

our domestic cinema, i love this picture very much, it was shot by a wonderful cameraman yuri viktorovich klimenkoector, unfortunately, valerie is no longer at all. but there is his wonderful daughter maryana anatolyevna, who cured half the country during the pandemic, a lot. zenaida yurievna, this is the head of the department where my mother was hospitalized. mutovina, they really saved my mother during covid. that i have been for many years played such episodes or abnormal people or criminals, and these are already such roles, well then i say with pride, i’ll tell you myself , leonid takes it for me and says, valera, listen, out of friendship, your song is needed in a movie, i really need a song , there is no money , i say, like there is no money, he says: well , you won’t believe it, todarovsky and i, everything, everything is in the picture, but you will like the theme, boogie on the bones, that’s what the film that we all know was originally supposed to be called, we love it like the film stelagi, i give what is needed, leon, i officially want the whole country to hear, i i know that the dud