so fyodor ivanovich told us who fyodor ivanovich was? as it were, a platoon assistant. it’s clear, i’ll give oaks, so add my name on the monument, this is my place, this is where my platoon lies, that’s what he says, well, just another cup of tea, no, thank you, thank you, i’m looking better you, yes, yes, have become prettier. well, why didn’t mom come? yes, she couldn’t, you can’t leave one, but yours keeps flying, flying, flying, lusting, oh, i’ll come now, so what about the garbuzanka, he didn’t wait, just as he felt, our last meeting, he says, valyukha , anna, girls, gather everyone, if i die, all my relatives, from all of you... well , here we are with the local chairman of the collective farm with valyukha, this is the girl who saw the soldiers before the battle, she was valyukha then, now she is valentin ivanovna , well, that's all collected, and most importantly, the men are lying there, real ones, they knocked out 18 tigers, so 18. “i’m really not a local, but the ilinskys told me how they tore up tanks here, they didn’t have g

according to polls, red army soldier fyodor ivanovich sukhov from vladimir motel's film "white sun ofliant image created by anatoly kuznetsov was so loved by the audience that the actor himself complained. what did he lose because of this picture? his real name, everyone called him nothing other than comrade sukhov, universal recognition is evidenced not only by phrases that have passed into the people, but by countless performances, anecdotes, caricatures and literary adaptations. in second place in the audience rating is georgy ivanovich, aka gosha, aka zhora, aka the main intellectual of the ussr, alexey botalov from the film moscow doesn't believe in tears. zhenya lukashin also made it into the top three thanks to a new year's irony of fate, practically. from the gap he is followed by semyon semyonovich gorbunkov from the diamond hand and vasily kuzyakin from the comedy drama love and doves. a good film is one that you want to return to again and again. the movie tracker asked visitors leaving the cinemas to name the soviet films they would like to see on the big screen. there wer

the most beloved mosfilm hero among viewers, according to polls, is red army soldier fyodor ivanovich of the desert. the brilliant image created by anatoly kuznetsov, the audience loved him so much that the actor himself complained that because of this picture he lost his real last name. everyone called him nothing other than comrade sukhov; his universal recognition is evidenced not only by phrases that have passed into the people, but by countless performances, anecdotes, caricatures and literary adaptations. in second place in the audience rating is georgy ivanovich, aka gosha, aka zhora, aka the main intellectual of the ussr, alexey botalov from the film moscow doesn't believe in tears. zhenya also made it to the top three lukashin from the new year's irony of fate. semyon semyonovich gorbunkov from brilliant follows him almost without a break. hands and vasily kuzyakin from the comedy drama love and doves. a good film, one that you want to return to again and again. the film viewer tracker asked visitors at the exits of cinemas to name soviet films that they would like to see on

once upon a time, fyodor ivanovich chaliapin, if we recall at least his great predecessors, successfullyheaters. it never occurred to anyone then to limit the great artist, choose one or the other. kokoshniks and olga, that’s right, shishak, look in detail, starting with the costumes, restored from the drawings of the first historical production. dmitry grigoriev poskovityanka appears briefly in the prologue, noted that the spirit of the historical scenes, of course, is imperial, this is where the commonality ends. at the marinsky theater i had the opportunity to go on stage many times, there already. acoustics are more unraveled, here we still have to understand it to understand at what points in the stage you need to stop for singing, the beginning of the opera i sing, or rather, well, vera sings from another room, from the next room, and here i am now i’m worried that i didn’t check it a little acoustically, it’s simpler here, you can sing literally, that is, just to the side back, it will be heard very well, but here it’s not, there’s a moment, we’ll see how it goes. stanislav trafim

once fyodor ivanovich sholyapin, if remember at least the great predecessors who successfully sang onhe stages of two theaters. it never occurred to anyone that it is your choice to limit a great artist or you. look in detail, starting with the costumes, olga’s kokoshniks, that’s right, shishak, restored according to the drawings of the first historical production. dmitry grigoriev poskovityanka appears briefly in the prologue and noted: the spirit of the historical scenes, of course, is imperial, and that’s where the commonality ends. at the marinsky theater i had the opportunity to go on stage many times, there already. more unraveled acoustics, yet to come understand it, understand which points in the stage you need to stop for singing. i sing the beginning of the opera, or rather, well, vera sings from another room, from the next room, and now i’m worried that i didn’t check it a little acoustically, it’s easier here, you can sing literally, that is, just sideways back, it will be very good you can hear it, but here it’s not, well, there is such a moment, let’s see how it will be,

now let’s get closer, fyodor ivanovich, you’ll explode, but after filming he really drove everyone awayto the sea for an hour. the film was released on the screens of the country in march 1970, but pavel luspekayev could not find out the full strength of the people’s love for this picture and vereshchagin, in particular; he died in while filming his next film, the entire royal men, not having had time to play even a third of their scenes, his life suddenly ended from a rupture of the cardiac aorta in a hotel in minsk. april 17, 1970, the actor was only 43 years old, before the revolution, panyakovsky was blind, shura, if not for the revolution, would i, look at me, shura, i would have become the child of lieutenant schmidt, revolution. oh, shurochka, before the revolution, i was a rich man, i had a house, a family, zinovy ​​kert, it’s impossible to look at his panikovsky without tears, without tears from laughter, no matter who he played, be it a judge or a cemetery watchman, his appearance in the frame always raised the degree of humor. zinovy ​​gert, fought in the sapper troops, his e

fyodor efimovich, is your testimony? mikhail andreevich, the punishment is excessive, the soldiers have repented, talk to the sovereign. sorry, sergei ivanovich you now? there is no excuse for lawlessness. and under what law were we punished? the highest will is the law, accept your fate as happiness. mister captain, allow me to shake your hand, the whole guard is proud of you. morning, lunch is coming, they came to invite my niece to marry, i understand correctly, yes. anna petrovna is at home, her majesty is not feeling well, well , since it happened, it happened, sergei ivanovich, it happened that you broke your fate, your career, the guard is over, i am sure that the decision about the incident in the regiment semyonovsky will not be reviewed , and if not, will you invite anya with you to little russia, no , under no circumstances, i’m not going there for long... for a long time, as far as i know, emperor alexander pavlovich has never canceled his decisions, even mistakenly . do you think he will make an exception for you? sure? i have any request for you, alexey grigorievich. pass on these colors, petrovna. it's myself now. it’s importan