artistic director of the boris eifman ballet theater, people's artist of the russian federation, boris eifman, theater and film actor, artistic director of the moscow provincial theater, people's artist of the russian federation, sergei bezrukov. choreographer, director, honored artist of the russian federation, alla sigalova, well, the participant of the couple or duet will win the tournament, received the maximum number of points based on the voting results of all jury members. depending on these points, the winner of the tournament will take home a prize fund of 5 million rubles. 3 million rub. the silver and bronze medalist will receive 1 million rubles. but these are not all the prizes of the tournament. we have also prepared special prizes of 500,000 rubles. in separate categories. however, first things first. be patient. not only will the jury manage the points and reward the athletes, but until the end of the tournament there is a spectator vote on the 1tv.ru website, you yourself can choose the one to whom you are willing to give the audience choice award. well, if you are afr

federation, boris eifman. ideas. on your art, on your technique, this is a very difficult and long path, i wish you success, and now i want to say my opinion, i gave alexei yagudin one point, victoria senitsino and nikita kasalapova two points, and i gave three points to elizaveta tukamyshevo. well, finally, the choreographer, director, honored artist of the russian federation, alla sigalova, will distribute the points and maybe change the location of the seats. firstly, i want to greet the fantastic audience of my hometown, i am simply delighted with you, how temperamental you are, how you fight for your own. well, we invite olympic champion from st. petersburg anton sikharulidze to present the prizes. three winners of the russian tournament challenge, but who is more important, we know the name of the winners. so, third place, bronze. ksenia senitsina. oksana domnina, maxim shabalin. maria petrova and alexey tikhonov. three participants at once, i think that you all need to come to anton, you shared third pl

japan in minsk is hosting a tour of the famous boris eifman ballet theater, a combination of classicalperiments in eifman’s productions, belarusian audiences know and love him. report by anastasia sakhovskaya. going beyond the usual boundaries, an obsession with new forms, the experimenter treplev against the recognized maestro trigorin eifman's seagull is a ballet within a ballet, where the heroes compete not in the estate, but in in the rehearsal hall warming up at the barre and a ballet about ballet as a search and labyrinth of philosophical ideas. for a viewer who is accustomed to the classics, what we brought, this particular performance, will be very, very interesting, because boris eifman’s production is quite dynamic, very interesting, very bright. parts on the fingers, that is, ballet dancing on pointe shoes, there are also... delicate tutus for laconic black suits, bright contrast and eternal debate, trigorin’s classics with treplev’s innovation, the charm of youth beyond the river with based on arkadina’s experience, the main thing is that there is precisely this dramatic mo

theater, people's artist of russia boris yakovlevich eifman. o music by pinfloyd, in my opinion, music and dance today can unite the world, and i think that the future lies with our art, i myself was amazed when we staged russian classics in a play in st. petersburg. then we show it in america, asia and africa, and people perceive this art almost equally. it is amazing. russian literature is the storehouse of thoughts, ideas, wisdom that i feed on and which i try to realize on stage. but i want to note that this is not an attempt to illustrate the plot of chekhov's seagull or anna karenina and tolstoy, but i am trying to discover what is, as it were, between the strictures of these novels. i know that you are now preparing a new premiere. this is a performance based on dostoevsky's novel crime of punishment. of course, this is the novel that i have followed, one might say, my entire adult life. and today , the professional conditions, capabilities and technological capabilities of my theater give me the opportunity to still realize it. therefore