was greatly reduced, because at the time of filming i was very pregnant, as my teacher olek pavlovich tabakoves in parallel, yes, this is the ninety-third year of filming the limits, the ninety-third year, and you are in what served in the theater? in the artistic bamkhat with oleg nikolaivich iflem. has there already been a split? yes, the split occurred in eighty-seven, i think, eighty-eight, eighty-seven. i’m ashamed of not knowing exactly this date, but i don’t remember now. again, what i read in on the internet, yes, what i looked at from some reference materials, in addition to the fact that you were engaged in acting, you also began to be involved in social activities. do you mean at the time of my dismissal from the artistic that you created a trade union there or? a trade union was created there , in which you played some role, oleg nikolaevich efremov, he was an innovator, and he always came up with something in the theater, he wanted the theater to live, for the theater to seethe, there were many wonderful young people in the theater artists, he came up with what was needed create