idea, i didn’t know, i was told pelishan is a talented guy, he acts in feature films for a reason, itn’t happen in documentary films, here you are look at how war documentaries are made, as a rule, the cameraman lies behind some stone or behind some tank... an atograf, he worries me very much, i read that when you were working on the script, you had business trips to siberia , almost the same berezovskoye field, and the same beryozovoye field, where fewer were exiled, that is , in general, these were such rich places that were steeped in history in many ways, but what did you and valentin yezhov take away from these?

other, how did the idea come about, but i didn’t know , they told me, i didn’t know, they told me pelishanat first he flinched like a hedgehog, but he did a wonderful job, you know, i i'll tell you, a documentary image. incomparably always with an artistic gain, because a documentary image is always the absolute truth, everything that is shot in feature cinema is not accidental, it is calculated, the directors try to tell the story, the cameramen try to film, they teach composition and other things that happen in documentary films... it happens, here you are watch how war documentaries are made, as a rule, the cameraman lies behind some stone or behind some damaged tank, always filming people going into the attack from behind, uh-huh, no one films a galloping pashka, there is pavel korchagin or on a horse in the face, everything is in the back, why, because there... bullets are flying, in this sense, this is the feeling of truth , it amazes me so much with documentary films that i do documentary cinematography, it excites me very much , i read that when you were working on the script, you