robert falk could breathe soul even into the treetops. say about his portraits, which turned out to be deeply psychological. we are now standing next to a portrait that, in my opinion, is absolutely beautiful, in our mood and in our state. this is a portrait of the artist lev zevin. we probably see him like this. falk wanted to show him to us, yes, but he wanted to show us a man, perhaps melancholic, perhaps prone to a state of some kind of internal, deep immersion. robert falk along with the largest avant-garde artists of the 20th century jewish origin was part of the league's unification of cultures. most of the new exhibition at the jewish museum and tolerance center, more than 100 paintings and graphic works from the main russian museums and private ones, is dedicated to the artists of this organization. lecture , we were interested in showing the russian avant-garde in this phenomenon, but a separate page that took only a few decades and which was created by artists not because they simply had jewish roots, but because they were reth

muted palette, twilight colors, thick brushstrokes, robert falk could breathe in the soul.ociation. the artists of this organization are the subject of a large part of the new exhibition at the jewish museum and tolerance center, more... graphic works from the main russian museums and private collections. it was interesting for us to show the russian avant-garde in this phenomenon, but a separate page that took only a few decades and which was created by artists not because they simply had jewish roots and were jews by their nationality, but because they professed a very interesting theory, they were engaged in rethinking their cultural code, it is no secret that many artists. here altman, and chagall, and rabak, they traveled, made sketches of synagogues, sketches of tombstones, sketches of synagogue objects, and then, as a certain touch, they added genre scenes, some individual elements, to their work. an entire building was erected in the exhibition space; this is the first floor of a house that belonged to the kulturliga artists’ association. in 1922 , this house hosted

hundred paintings and graphic works by marc chagall, nathan altman, david shterenberg, el lisitsky, robert falkmaster creates using a unique welded sculpture technique. the premiere at the omsk drama theater by georgi tskverava staged the play fruits of enlightenment based on the play by leo nikolaevich tolstoy. this is a comedy, it arose in such an interesting way that it seemed out of character for tolstoy, he made some sketches, his daughters found it and decided to make a home performance. and in general, this performance arose, played on his estate, played by his children, friends before. acquaintances and so on, that is, such a kind of modern skit, as it were for him then for that time, when i re-read it, i thought it was interesting, a lot of the action. for the troupe, when they are busy and so on, well, they decided to make some noise. at the trans-siberian art festival, the world premiere of kuzma bodrov's second violin concerto performed by vadim repin and the novosibirsk symphony orchestra conducted by dimitri sabotinis. the krasnoyarsk drama theater named after pushkin continues th

descriptive and graphic works by marc chagall, nathan altman, david shterenberg, el lissitzky, robert falkre's comedy a midsummer night's dream directed by gennady shapushnikov. set design and costumes by boris shlyamin. this play falls out of all the layers that i know. it turned out that time does not exist in it, that is, it exists in different manifestations, in different eras, they exist, pass, different things pass in the same place, one is superimposed on the other, it turns out very it’s such an interesting mixture of the same thing, we add any. on love, its different manifestations in different places. this is a quantum play by shakespeare, it also implies the introduction of some other space. this is a play about love in quantum. its understanding, dismantling it to the distraction of desire to the smallest detail and to self-sacrifice and sacrifice in the end. the samara opera and ballet theater presents pyotr ilgevich tchaikovsky's opera evgeny anegin in the premiere production by georgy saken, set design by vyacheslav okunev, music director and conductor evgeny khakhlov. in th