one day they settled in the roman viktyuk theater. viktyuk, an outstanding director, a cult master of the stage, he worked in theaters in russia, europe, america, roman grigorievich's directorial credits included more than 200 performances, which each time became an event in theatrical. world. once roman grigorievich said, i quote: “i will be watching from heaven, if you do not save the russian theater, i will come back and give you an op.” after the death of the director in 2020, his students are trying to save the roman viktyuk theater. my colleagues, evgeniy radimov and denis morozov, met with them. you see, the hands are like this, one, pocket, tap, hand, bye, that’s it, this, an open tog without it. one organism, wonderful, well done, well done, he brought light, he carried his charge, his energy, his love, he came, she here it was pouring out with these beautiful multi-colored streams, bravo, if not paradoxical, in the novel viktyuk. year it became the home of roman viktyuk, or rather his theater, after the death of the founder’

well, in about the same way, i was offered to become the director of the roman viktyuk theater, because.. we seemed to be friends with him, we were quite close, a situation arose in his theater that it was necessary to replace the director, the rector is not even the artistic director, and not the main one, well, it was impossible anyway . life role, life role, it’s so funny, well, it’s kind of ridiculous, in mine everything is an actress, if anything you were not just an actress, but you were an actress who, well, in a sense, spoke out against the authorities, yes, that is, you were on the other side of the barricade, well one way or another, that is, you became on the other side of the barricades, you realized it, no, to be honest, you didn’t realize it. not for a single minute, i can do it, great, i can’t, no big deal, i won’t be able to become a rector, well, well, it didn’t work out, of course, he wasn’t there, but how many of you, i’ve been working as a director for 11 years already. i don’t know how to try very hard, you know, no, no, no, yes, irina, alexey, okay, when someone co

director for 11 years, a little bit and a senior, that’s how i became the director of the roman viktyuk theaternot a secretary, i can’t try very hard, you know, not to turn into a manager, by the way, we’re there, yes irina, alexey, it’s good, when someone comes to your office, they call you by your first name, patronymic or just by your first name, they call me by your middle name, well, of course, young artists, this is for me it was very... well , it seemed to hurt my ears very much, then i realized that there was no escape from it, more and more like artists and theater workers of the older generation, of course they treat me like you, ira, and so on, but somehow young artists irina viktorovna, well , where to go, there’s no way to do anything about it, but you’re such a tough leader, i don’t know, i probably need to ask, but you have some rumors, the theater is where everything lives like well, i’m probably tough in some ways. boss, because i really don’t like it, when theaters turn into social services , firstly, i categorically do not accept it when people sleep, eat, and so on in the th

play, then i didn’t know that the theater could either go on tour or go on vacation, the stage could be rented out, that evening, that means there was a play by roman viktyukke belmando, belmondo, let’s take it, let’s take it, he showed up in 186 films, an interesting thought, yes, no one has him says that he flashes, no, no one, i didn’t star in 186, yes, they tell me i’m tired, alexandrevich, when did your duet with mikhail berzhanin take shape, what year was it?” “it took shape a long time ago, i had, he’s the youngest, a sack, me for 2 years, and it was all there, where the alma mother is, almost everyone sitting here, this is the shchukin school, and next to this house in this house are the apartments of the artists of the vakhtan theater, yeah, and mikhail stepanovich lived there, derzhavin’s dad mishka. a wonderful artist, we don’t remember, they still lived in this apartment, and the rochka stayed there now, but next to them they lived, reimezova, nikolai zhuravlev and everything there, children’s parties, count from the age of 10, from the age of 10, well, because. waiting for you, well, firstly, you were shown in all the lights, then, well, at al