financed this too, it’s even more systematic, but, when they say that there is a sheptytskyi patron,, firstly, it is a myth that sheptytskyi was a patron of novakivskyi, it was not so, and secondly, sheptytskyi, in fact, created the system. which could then support art, culture and education, and very often it was the case that these were not his funds, but it was a certain system that helped exactly, well there there with studies, with trips and so on , yes, because, for example, when they went out for plein air, because plein air is when artists go out into nature and paint, they actually paint in nature, novakivskyi brought this fashion to lviv, he. .. took his students out into nature, because, well, if you make a photographic story, then you can sit there in the room and draw, he said that if you really want to catch the spirit, and learn to catch the true spirit of what you depict, it is necessary to go and and to draw, but this is how leonardo da vinci walked there with a notebook, and they did the same, he taught his students in the same way and did so himself, that is, there

tsytskyi , who was invited by sheptytskyi to become the director of the museum, he tried, well, as aned to constantly lower the price of paintings, and since novakivskyi, he knew that he was in favor of it, well, that is, it was his opportunity to keep the price and to live for it, and in addition to living, well, in maintaining the school as well, because very often it happened that those who came there, they came, well, let's put it this way. often it was a story when novakivskyi fed and provided, and there were, there were, it was different, and therefore it was important for him, and his, his paintings were expensive, and he kept this brand of expensive paintings, but at the same time, if he did not hold this mark of an expensive painting, then his students would also not have become those successful ones and would not have been able to feel that the painting can be sold expensively. listen, what does it mean when diana kolychko says that novakivskyi is the most expensive ukrainian... artist, what does she mean, but actually, she is exactly what she means, that in his time, what h

we do not actually belittle all the contributions of andrey sheptytskyi, but we do understand... that chervonograd itself has a somewhat fleeting, i would even say, maybe, well, not quite so, relation to the activities of andrey sheptytskyi, and has its own history, and this is important to remember and understand and actually hear the people who live there, because the townspeople themselves are not very excited about such a potential name of the city, yes, yes, yes, well, let's talk now, well, one from the versions of the workers, it was to name the city , to return it to the historical name khristinopil or krystynopil, well, in the polish version, that is... in 1692, until recently, chervonograd was called khrystinopol, so the city was named in honor of christina from the lubomyrsky family, who was the wife of felix casimir pototsky, the founder of this city , he loved it very much, well, for more than one hundred years, the city was called that, well , it was in the second place in terms of popularity among the residents of chervonograd until recently, actually the city was on...

that this villa wonderful, where, where later i went to the museum and it is, yes novakivskyi, sheptytskyie it to novakivskyi, no. not true, oh my god, such a beautiful story, many, many myths , well, first of all, i don’t say, i don’t support, i wouldn’t say, i don’t support, i would finance from the point of view, yes, vila, actually, exactly, this villa, it was actually excavated by sheptytskyi, but also donated, but not to novakivskyi, but donated to the ukrainian national museum, which he created. yes, of course, and novakivskyi paid for the school, well, that is, for this premises for the school, and for the accommodation that was there next to him, he paid, he paid with his paintings, and this was one of the reasons why he had a very close relationship with the museum, and he never once in his life had a personal exhibition in lviv, not once, because actually it was svintsitsky who was invited by sheptytsky to ... director of the museum, he tried, well, as an enterprising man, he tried to constantly lower the price of paintings, and since novakivskyi knew what he was for, well, that

art museum, this is the national museum of decorative arts, this is the national museum of andrei sheptytskyiiv, this is the sixties museum, the museum of literature, that is, in soviet times it was like that, they were somewhere in the reserves or somehow after that, after the murder. we will talk about her death later, but what happened to her works, when she was killed in the 70s, in fact, some works, they were already in state collections, but there were not many of them, after that her son oleksiy zaretskyi handed over part of his works and archives to museums, this is a museum of literature, a museum of sixties, and again i want to say that there is a lot. we will show works from the actual family collection, this is a works from the collection of olena zaretska, she is the granddaughter of zaretska-uhorska, and she is actually also the co-curator of this exhibition, and now we will talk about prorska, about her life, and now i want to ask you about her story with her terrible death. which happened in the 70s, i once talked about it with yevhen svertyuk, because it was he, he came to th

this is the national museum of decorative arts, this is the national museum named after andrey sheptytskyin lviv, this is the sixties museum.

is the national art museum, this is the national museum of decorative arts, this is the andrei sheptytskyiional museum in lviv, this is the sixties museum, the museum of literature, that is, in soviet times it was as it was, they were somewhere in storage or somehow after that, after the murder, we will talk more about her death, but what happened to her works, that is, when in the 70th year... uh, she was killed, actually, some works, they were already in in state collections, but there were not many of them, after that her son oleksii zaretsky handed over part of his works and archives to museums, this is the museum of literature, the museum of the sixties, and again i want to say that we will show many works from the collection of his own family, these are works from... the collection of olena zaretsky, this is zaretsky's granddaughter - uhorska, and she is actually also the co-curator of this exhibition, and i, now we will talk about ala gorska, about her life, i now want to ask you about this story of hers with her terrible death, which happened in the 70s, i i once talked about it wi

andrei sheptytskyi national museum in lviv, this is the museum of sixties, the museum of literature,t is, the soviet times, they were in storage somewhere or somehow, after that, after the murder, we will talk about her death, but what happened to her works, when in in 1970, she was killed, in fact , some works were already in state collections, but there were not many of them, p... after that, her son oleksiy zaretsky handed over some of the works and archives to museums, this is the museum of literature, the museum of sixties, and again, i want to say that we do a lot of work we will show from the actual family collection, these are works from the collection of olena zaretska, this is the granddaughter of zaretska-uhorska, and she is actually also a co-curator of this one. bets, and i, now we will talk about ala gorska, about her life, and now i want to ask you about this story of hers with her terrible death, which happened in the 70s, i once talked about it with yevhen svirtsyuk, so what exactly was he, he came to this place and he actually saw this painting in the cellar in vasy

small town, city, city, big city in the lviv region chervonograd, rename it soon to the city of sheptytskyi. the final name change will be approved. by its vote, the verkhovna rada , people's deputy of ukraine roman lozynskyi reported this , he says that the city of chervonograd was included in the list of settlements that the national commission on state language standards proposes to rename, this city got there due to inconsistency to the lexical norms of the ukrainian language, which in particular concerns the russian imperial policy, but we do not know why they are renaming sheptytsky, no, it is clear why they are renaming sheptytsky, so to speak, the name of the metropolitan deserves everything. novations or metropolitans, even bishops of the union church, but if we are talking about chervonograd, then since 1692, well, it had its own history. the name, therefore, was founded by the great crown hetman, felix kazimir pototsky, so, in honor of his wife, khrystyna lubomyrska, it was called the city of khrystynopil, when after the second world war soviet troops invaded chervonohrad region,