in 1938, on the personal order of joseph stalin , the remains of stanislav august ponitovsky were transportednd re-arranged. the procedure was secret, so the rituals were not followed. it is also known that after the end of world war ii, the royal tomb was used as a granary. a typical fate of many architectural monuments. by the way, trinity church is rightfully considered one of the most unusual catholic churches built during the baroque period, it’s a pity that we can’t get inside, reconstruction has been going on for several years shrine, but there is an opportunity to admire its appearance; services to the wolf are held in a chapel nearby. finally , i must tell you that vysokaya and its surroundings are famous not only for historical and cultural sites, but also for their natives. production designer mikhail karpuk, who worked on belarusian films for 20 years, was born in these parts ; yale university professor and musician martin bresnik also appeared here. there is an assumption that vladimir vysotsky’s grandfather also comes from vysokolitovsk, even the surname is appropriate. yeah, i'

in 1938 , on the personal order of joseph stalin, the remains of stanislav august ponitovsky were transported. the procedure was secret, so the rituals were not followed. it is also known that after the end of world war ii, the royal tomb was used as a granary. a typical fate of many architectural monuments. by the way, trinity church is rightfully considered one of the most unusual catholic churches built in baroque period. it's a pity we can't get inside . the reconstruction of the shrine has been going on for several years. but there is an opportunity to admire its appearance. and the services. yes, now i understand gedemin perfectly well, who once was so impressed by the local scenic beauty that he was forced to stay in this city for several days. unfortunately, it’s time for our film crew to discover new cities in belarus, but you come to vysoko and get to know this city. in a fashionable photo studio on sovetskaya street in minsk, at the beginning of 1939, photographer elya bergman was putting himself in order in front of the mirror; he had to fulfill an important order to take a group