“zhanna bichevskaya, if anyone doesn’t know, she traveled a lot not only abroad, but throughout our countryrussian folk songs, how you made contact , what you moved on, on your own, i didn’t have money for tickets, i was a student at a similar school and i see a train with sand, with pebbles, somewhere under i climb with a guitar, i didn’t know, where i was going, i stopped at some point, in general, in short." i traveled a lot, even went as far as the urals, you know, everything was different, but everything was very interesting, and you know, i have to tell you, i i thank you, gentlemen, that god sent me very good people into my life after my father, in general, such a monster, and it consoled me so much, it encouraged me in life and gave me meaning in my life, and i realized that there are more good people in life than bad people, this is natural, and then i realized one more thing, this is pure... that’s why he’s with you, but the thing is that sometimes you stumble upon, you stumble upon such blackness that it’s even scary to enter it, from life, i realized that what kind of person you

we continue the conversation about music and life with zhanna bichevskaya and gennady ponomarev. konstantin aleksandrovich mikhailov and alexander are still in the studio anatolyevich belonogov. can i tell? first time. tell us how you met bulat makudzhava? oh, this, this, this is a separate song, it was in the house of writers, and before that i sang bulatjava’s song, some songs of bards, too, and they let me down. they put the damask steel in front of him, i say, hello, it’s me, i’m singing your songs, he says, what am i saying, i’m zhanna bichevska, i sing your songs with a guitar, he says, yes, but it’s interesting to listen, and she was standing next to his wife olga, a wonderful person, generally a beauty, i i say, i can call you, he says, yes, of course, olya gave me a phone number from kudzhava, then time passed, i called him, we became friends, then we met many times, he gave me his collection of poems, when... then your prose. i also accepted him into myself, into my soul, so the horror didn’t have a single bad song, they are all, they are equal, regarding the travels, n

, we met, on sunday at the first, we continue the conversation about music and life with zhanna bichevskayady ponomarev, konstantin aleksandrovich mikhailov and alexander anatolyevich belonogov are still in the studio, i can say, maybe for the first time. tell me, how did you meet bulat makudzhava? oh, this , this, this is a separate song, it was in the house of writers, and before that i sang the song was so ujava, some songs were also bards, and they brought me to bulat and put me in front of him, i say, hello, it’s me, i, i sing yours songs, he says: what, what, what, what, he says, i’m zhana bichevskaya, i sing your songs with a guitar, he says, yes, but it’s interesting to listen, and next to him stood his wife olga, a wonderful person, generally a beauty, i say : here i am, can i call you? he says: yes, of course, olya gave me her phone number, then time passed, i called him, we became friends, then we met many times, he gave me his collection of poems when... i was so hot, i also accepted him into himself, into his soul, so not a single bad one uzhava didn’t have any songs, they are

this song came to life from me, zhanna bichevskaya, if anyone doesn’t know, she traveled a lot not onlyhave money for tickets, i was a student at a similar school, and i see a train with sand, with pebbles, somewhere under i climb with a guitar, i didn’t know where i was going. some point stopped, in general, in short, i traveled a lot, i even went as far as the urals, you know, everything was different, but everything was very interesting, and you know, i have to tell you, i thank you, lord, for me in my life after my father, in general it’s like that the monster, he sent me very good people, it consoled me so much, encouraged me in life and gave me meaning in my life, and i realized that there are more good people in life than bad, this is natural. and then i realized one more thing, this is purely philosophical, in life, i realized that what kind of person are you with a person, he is like that with you, but the thing is that sometimes you stumble upon, you stumble upon such blackness that it’s even scary to enter it, you want to run away from this person, well, probably the young br

today we have a wonderful guest, whom we are so pleased to introduce, zhanna bichevskaya, legendary,d gennady panomariov, husband, composer, author, nadezhda and opora, in general, your everything. the sound engineer is my everything, and by the way, zhanna bichevskaya performs bulat okudzhava’s songs, a whole album has been released of her performances, his songs, and bulat kudzhavi turns 100 years old this year, it seems to me that you were the most traveled artist, that is, until 30 i traveled to more countries, i was very popular, i received a prize in polish in 1980 - festivals, knowledge, the poles very rarely give this title to theirs, when i was in the polish-lithuanian commonwealth, yeah, poland, russia and belarus were united, my ancestors father's line they defended poland from the swedes, and for this they received, that means, noble titles, and then they came here, and my grandfather konstantin bichevsky, he served in the tsarist army, he served as cavalrymen, the life guards of the tsar's regiment. was, you and your father, i know, had a difficult relationship, your mot

that’s all for now, until we meet, we continue the conversation about music and life with zhanna bichevskaya, in the studio as before, konstantin aleksandrovich mikhailov and alexander anatolyevich belonogov, i can say, maybe for the first time, but tell us how you met bulat makujava? oh, this, this, this is a separate song, it was in the house of writers, and before that i sang a song. was so, uh, some songs from the bards also let me down -

we continue the conversation about music and life with zhanna bichevskaya and gennady ponomarev.onogov are still in the studio. can i tell? first time. tell us how you met bulat makudzhava? oh, this, this, this is a separate song. it was in the house of writers, and before that i sang bulat takujava’s song. some songs are also from bards, and they brought me to bulat and put me in front of him, i say, hello, it’s me, i’m singing your songs, he says, i’m saying, i’m zhana bichevskaya, i’m singing your songs. with a guitar, he he says, yes, but it’s interesting to listen, and next to him stood his wife olga, a wonderful person, generally a beauty, i say, here i am, i can call you, he says, yes, of course, olya gave me okudzhava’s phone number, then time passed, i told him i called, we became friends, then we met many times, he gave me his collection of poems, once upon a time, his prose, a breath of freedom, in general, this was a special page in my life, it was such a shame that he rarely praised anyone, it was so... khujava, but jean zhanni on her record with his songs, he wrote

folk style, you know, when i listened to it, i remembered that as a child i listened to zhanna bichevskaya’ss are just that, right now you sang something so multi-voiced in one voice , you sang that too, she could probably do that too, of course, it was a stylization of an old cossack song, yes, yes, let's listen to the food. far away to be performed in a podcast 20 years later, i’m traveling far, easily, easily, i should take someone, i should take someone with me, but there’s no one, there’s no one. he travels far, easily, easily, if only he could take me, so you would take me with you, but i’m neither him, i’m neither him, what kind of song is this across the river, who is singing it with me, where somewhere across the river, somewhere across the river. lana selle acorde. we continue the conversation, this is a podcast 20 years later, we are its host alexander anatolvich, konstantin mikhailov, our guest, let's talk about eurovision, what do you remember, but you somehow missed it, and it was a big preparatory moment and a big performance, the tenth year, and there was also something so sa