said there so and so, but let’s say that from the very beginning, raskolnikov, so to speak, was based written in literary language, but that they are written in a specific slang language, which combines journalistic expressions, expressions from the textbook. officialdom and so on, the literary language should still be more monolithic, for example, the language of a lawyer is an exemplary literary language, but if we talk about raskolnikov in the language of a lawyer or prosecutor, which porfiry petrovich speaks about raskolnikava, this is, in general , a literary language, well, look, pushkin quite calmly jumps from the language there , which refers to antiquity, to the language of a tipsy cab driver in a tavern, he does it organically, beautifully, and we say our... the same one, let's say , the film producer makes a report about it to the sponsor, he , of course, speaks differently, not at all in a stylistic mixture, you know, even producers have problems with conversations, and especially when they switch to written speech, i’m about to jump out a little beyond literature and push

is so bad there, but let’s assume that from the very beginning , so to speak, raskolnikov was based phrases from a textbook, officialdom, and so on, the literary language should still be like times more monolithic, for example, the language of a lawyer is an exemplary literary language, but if you talk about raskolnikov in the language of a lawyer or prosecutor, which porfiry petrovich speaks of raskolnikov, this is, in general, a literary language, well, look, pushkin quite calmly jumps out of language there turning to antiquity to the language. cool thing, and often this complex official style makes it difficult to understand, and by the way, there is a very good book by afanasy selishchy from 1928, the language of the revolutionary era, where he writes exactly how the soviet language arose clerk, he attributes this to the fact that a huge number of people who had not previously created any texts entered the elite, that is, they became soviet managers, journalists, heads of collective farms, enterprises, trusts, and accordingly...

well, remember all these people there and god, the same dostoevsky, even the old woman, also the raskolnikovs it’s easy to get, but sometimes probably such people, the majority get it through hard work, but this is a way to live, and not to live for money, but look around you, people who are not puzzled by these material values, they are a little different, who... he will never ask, he says: i need money, i say, give me so much, if she doesn’t ask for any reason, you will never give it, well, because i will give everything anyway, but that’s normal, they are a little different, people who live here without this hoarding, it’s clear that if you look around you, you see, this is actually the case for not very rich judges, this is also paradoxical, i sometimes communicate with... really rich people, well, realistically, they are also different, but people who are completely higher in terms of money do not wear expensive watches, don’t wear expensive pants, wear some ordinary things, don’t eat there, i don’t know, kilograms of trophy, and why... they don’t have to prove anything to anyone, they d