and literature of russian abroad, institute of world literature, russian academy of sciences, elena iosifovnaich, i’m very glad to see you. you can’t talk about babel in a detached way, well, in my opinion, you can’t talk simply literary, as you think, yes, because babel, well, seems to require its reader. andreevna akhmatova, yes, in the ninetieth year of pasternak, in the ninety -first year of mandelstam, well, that is , centuries of writers followed each other who had such a difficult fate, as they used to say, if we compare the two anniversaries, now it’s 130 years, well, too anniversary, let's consider it this way, if we compare these two dates, what has changed in popularity, in reputation in... a four-volume, five-volume book is being prepared, yes, if we talk about reader popularity, hasn’t it decreased, because after all, in the year eighty-nine, in the year ninety, people just with their hands they tore off this two-volume book, which had a difficult fate, yes, because babels had not been published for decades before, there were like two editions, but in the late fifties, mid-sixtie

hello, elena iosifovna, hello!e reader. let's think, let's start with this: in the ninety-fourth year there was babel's centenary, yes, well, in the eighty-ninth year, we celebrated the anniversary at andrevna akhmatova, and in the ninetieth year of pasternak, in the ninety- first... mandelstam, well, that is, friend for centuries of writers who had such a difficult fate as it was it’s customary to say, if we compare two anniversaries, now it’s 130 years, well, it’s also an anniversary, we’ll count it this way, if we compare these two dates, then what has changed in popularity, in reputation, i’m talking about literary reputation, of course, in the degree of study, but this one... not just as it was celebrated, but celebrated for 120 years, but i will say that during this time, during these 10 years, it managed to come out, yes, now, in general, now, of course, babel is published quite often, often in these days in good circulations, and even in 2006 a four-ton collected work was published, but i now i’m talking ab

world literature, a senior researcher at the institute of world literature, academy of sciences elena iosifovnawill see you again in our podcast, to you, our dear friends, as i always say, read with pleasure, no evil will befall a good husband, after death there will be the good are rewarded, and the evil are punished. these words are inscribed on the scroll that our today’s hero holds in his hands on the fresco. the fresco is located in the annunciation cathedral of the kremlin, and the hero’s name is socrates. hello, dear friends, alexey pavlovich kozyrev, dean of the faculty of philosophy of moscow university, igor evgenievich surikov, chief researcher at the institute of general history of the russian academy of sciences, dear friends, i’m vladimir ligoydov, let’s talk about socrates. igor evgenievich, let's start with how, in fact, this fresco, you wrote a lot about it, how it appeared in... that's what i know, that in general all these sayings are like socrates, there and there are other sages, the so -called external sages, in general, the sayings on him are described quite well were arb

hello elena iosifovna. hello dmitry petrovich. i am very glad to see you.e. how do you think? yes, because babel, well, seems to demand his entire reader. let's think about it. let's start with this: in the year ninety was the centenary of babel, yes, well, in the eighty-ninth year we celebrated the anniversary of andreevna akhmatova, and in the ninetieth the year of pasternak, the ninety-first of mandelstam, well, that is , centuries of writers followed each other who had such a difficult fate, as they used to say, so if we compare the two anniversaries, now it’s 130 years. in 1990 it was very difficult, that is , it was not easy to publish, compile a two-volume set of his works in a fiction publishing house, thanks to the efforts of the widow of the writer antonina nikolaevna pirzhkova, this was done, and if we generally start from anniversaries, then every 10 years, naturally over the period of decades... well , quite a lot happened, but if, well, let’s say, we compare it with the last anniversary, yes, the 120th anniversary of babel, which, probably, yo

we continue to talk about isaac immanuilovich babel, and we are having this conversation with elena iosifovna institute of world literature. please tell me, babbel is still an inventor, a jerk, well, here’s a person who usually strives. make it unusual, i remember the story in the basement of the death scene of the dutch, dutch-jewish, if you like, philosopher benedict spenoza, well, spenoza came up with a lot, yes, pantheism, i was once very knew this well, natura naturans, natura naturata, creative nature, created nature, this man, immersed in philosophical abstractions, dies, suddenly at the moment of his... trigubu, semyon trigub tada, as it’s so well said, you need to know life, you need forget life, you need to give birth to it again, give birth to it, yes, absolutely right, something else, that means, in the thirty-seventh year on september 28, at a meeting with young writers, he says that if i found myself this smart reader, then i will immediately i’m thinking about how i can deceive him, that’s it yes, i guessed it. yes, you guessed it, you understand, in such a paradoxical way, her

we continue to talk about isaac immanuilovich babel, and we are having this conversation with elena iosifovna pogorelskaya, who is working now over the preparation of the collected works of babel in five volumes at the world institute. please tell me, babel is still an inventor, an ernik, well, here is a person who strives to make the ordinary unusual, i remember the story in the basement of the death scene of the dutch, dutch-jewish, if you like, the philosopher benedict spinoza, well , spinoza came up with a lot, yes, pantheism, i once knew this very well, natura naturans, natura naturata, creative nature, nature. created, this man, immersed in philosophical abstractions, dies, suddenly at the moment of his death the artist rubens appears, this clearly could not be, this is not that babel modifies his life, rearranges something, this is the 16th century, how to be here , why, why is this being done, well, yes, indeed rubins, who died, if i memory serves 37 years before spinoza's death, however, in babel's story. ends up at the philosopher’s bedside, but you know, babel said in the second ha

let there be a story, which i will later combine by... and we are having this conversation with elena iosifovnaelskaya, who is now working on preparing the collected works of babel in five volumes at the institute of world literature. i’ll ask you this classic question from the old days. well, babbel’s famous phrase that gorky sent me to the people, well , this is like an allusion to the ending of the story of bitter childhood, when grandfather kashirin: says to his grandson, you’re not a medal around my neck, go ahead into people, yes, then gorky’s other two stories begin, and babel changes a lot of occupations, at this time, i’ll ask you about this, and how he accepts the revolution, doesn’t accept it, well, how did he accept the revolution in soviet times? applies, yes, of course, we do not live in a time when, on this basis, people were assigned to the right or left, ours or not, well, it’s curious how he feels about this time, which mixed everything up, all classes, led astray, yes , created completely, remember, mandelstam says that people knocked out of the biography, like balls from bil

literature, senior researcher at the institute of world literature of the academy of sciences elena iosifovnaorelskaya. i thank you, dear elena iosipovna, for this wonderful conversation. thank you, i'm sure we'll see you again on our podcast, i tell you, our dear friends, as always. have fun, hello, dear tv viewers, you watch the labtiger podcast with you its host, tatyana krasnovskaya, psychologist and psychotherapist sergei nasebyan, our guest today is svetlana. hello, hello, svetlana, tell us how we can be useful to you? i have such a request, i already want a relationship, if i didn’t want it before, now i already feel that i want it, i’m ready for a relationship, but i can’t build a relationship, moreover, my life has been there for the last few years , well, men don’t come at all, that is, they don’t even just appear in my field, so that at least at least somehow interact with them, so i have this request, that you give me... a cry from the heart, because well, for the last 10 years i understand, it’s really possible to directly figure this out, because well, i really don’t there, star

hello, elena iosifovna, hello, dmitry petrovich, i’m very glad to see you, and you can’t talk about abelinety-fourth year there was the centenary of babel, well, in the eighty-ninth year we celebrated the anniversaries of andreevna akhmatova, and in the ninetieth year of pasternak, in the ninety- first year of mandelstam, well that is , centuries of writers followed each other who had such a difficult fate as this... a lot, for example, shortly before the centenary in 1990 it was very difficult, that is... to compare with the last anniversary and 120- anniversary babel, who is probably 125, well, 125 is not celebrated, but 120 years was celebrated, but i will say that during this time, during these 10 years, i managed to come out, yes, now, in general, now, of course , babel is often published, often, in these days, in quite good editions, and... even in 2006 , a four-volume collected works were published, but now i ’m talking about mass editions, there are already several three-volume collected works, several mass editions, i can’t now the exact number, well, about three or four collect