in may 1962, at a meeting with the first secretary of the central committee of the communist party of belarus mazurov , the discussion of the film concert project was ending. in general, it was liked, original, large-scale, the decision to begin its construction was agreed upon, it was a great success for the young architect sergei filimonov, he was only 25 and had such trust, unexpectedly he asked for the floor, addressing mazarov. i must say, everyone expected gratitude to the belarusian leadership for the trust shown, but filimonov spoke very emotionally about something completely different. a few words about the red church. the church, of course, is not an architectural monument, but since it survived the fighting, it will definitely become one. it is beautiful in itself, the bricks for its construction were brought from poland itself. there is no need to demolish it. unfortunately, the course towards modernist regeneration of the environment had its consequences. an example of such modernist regeneration of the environment was, for example, nemiga. today we have the vankovichi house in the cente

in may 1962, at a meeting with the first secretary of the central committee of the communist party of belarus mazurov , the discussion of the project of a cinema and concert sports hall on the park highway was coming to an end. according to the documents , the sports palace was called under this name. overall, it was liked, original, large-scale. the decision to begin its construction was approved. this was a great success for the young man. he was only 25 and had such trust. suddenly, he asked for the floor, addressing mazarov. can i say something? everyone expected gratitude to the belarusian leadership for the service rendered trust, but filimonov spoke very emotionally about something completely different. a few words about the red church. the church, of course, is not an architectural monument, but... since it survived the fighting, it will definitely become one, it is beautiful in itself, and the bricks for its construction were brought from poland itself, there is no need to demolish it, and the cinema can be located elsewhere, unfortunately, the course is towards modernist regeneration. altho

in may 1962, at a meeting with the first secretary of the central committee of the communist party of belarus mazurovdiscussion was ending.

the first secretary of the central committee of the communist party of belarus, kirill mazurov, correspondedets in verse. his correspondence with petrus brovka has been preserved. it became multi-genre, korotkevich, adamovich, bryl. but the main theme in all types of art remained the military-patriotic theme. it sounded powerfully through the rethinking of the terrible events of the war in the national cinema. belarusian cinema has a fundamentally new level. the connection of literature with other arts was on the highest level of our authors' best works were screened, some of which, along with some outstanding literary works , were dramatic works. films shot in belarus in the film based on the works of belarusian authors were released on the wide screen of the soviet union and foreign countries, and were released with themes close and understandable to millions, the main one of which was military. a man does not surrender, alpine ballad, the third rocket, the ruins are shooting. partisan film this name was firmly established then for the film studio. bright, memorable works filled with love