of course, then he ended up at the art institute in moscow, yes in khutimas, where at that time favorskyn, at the same time he did things that fit well into the aesthetics of the thirties, as a world one. and can talking about some stages of his work, we can talk about how he improved there, evolved, moved somewhere. at first there was cubism and he was carried away by it, yes, some cubistic broken ones, such, yes, tense, somehow he did it. then it was a different time, then he moved to ost, joined the ost group, and before that happened, look how strong his collaboration with mayakovsky was, the growth windows, these posters, all this period. they were all important to him, because for him it was easy to illustrate magazines in the twenties, he really worked a lot there, the atheist at the machine, he has a huge number of illustrations for deneka, but he was in his twenties, i'm not mistaken, 24, 25 , 26, 27, he just worked for this magazine, or was it a contract? well, artists, well , well, as it were, an order does this, listen, well, we need to get rid of these already. especially in