flight in the middle of the night in the ears of the decade the fingers are ringing, i am nariman mehdi nariman from the work. that simorgh placed the best film on the shoulders of agha rasool, agha rasool molaghlipour, that line of social justice that was clearly seen in the works of rasool molagholipour, well, if you consider this point, it shows how much this filmmaker belongs to that class and his social base was loyal, crazy, all 85 tomans, so how much mr. maleki. my friend has had an accident, refugee, sir, let me open saeed's hand for help, and then we were shown the horizon, which sakhtir was shown. tell me about you, mr. masrat, maybe it can be said that you are conservatism. which in a way belongs to our culture, basically, we are not people who hide our words, unfortunately, he had learned to narrate the hardships of war poetically, for the people of that day, today and tomorrow, the blackened war grip is a good trick. i insisted from the beginning that you should not come to this area, so he poetically made hiwa to make us sure that he is looking for the people of his memories , he

the flight in the middle of the night is still ringing in the ears of the eighties, i am nariman mehdi, nariman, a work by simorgh agha rasool placed the best film on the shoulders of agha rasool. mulla qalipour, that line of seeking social justice, which is evident in the collection of rasul mulla's works qalipour could be seen. well, if you consider this point , it shows how loyal this movie salz was to that class and his own social base. it's crazy, it's all 8500 tomans, so what a property, my friend has had an accident, a refugee, sir. would you allow me to open saeed's hand for help and then we were shown the horizon , which was shown to us. our culture belongs to us, basically, we are people. he had learned to narrate the hardships of war poetically for the people that day, today and tomorrow, the war has turned black, come back guys, i insisted from the beginning. that you don't come to this area, so he poetically made hiwa to make us sure, he is looking for the people of his memories, looking for the bakris , read this passage with me, it is simple, this chapter is very funny, we are ro

i am nariman mehdi nariman.k that simorgh placed the best film on the shoulders of agha rasul, agha rasul molaghlipour, that line of social justice that ablution was seen in the works of rasool melakolopour . well, if you consider this point , it shows how loyal this filmmaker was to his class and social base. majnoon is 800 tomans, so how much mr. maliki. my friend has had an accident, refugee, sir, let me open saeed's hand for help, and then we were shown the horizon, the storyteller of the war, told you nothing . he can't come to the city today. something has happened to you, sir . please tell me, maybe it can be said that he is a protector. . he had learned to narrate the hardships of war poetically for the people of that day, today and tomorrow. it's late war blacked out i insisted from the beginning that you should not come to this area, so he poetically created hiwa to make us certain that he is looking for the people in his memories, looking for the virgins, read this verse with me , it is left to the pr