it's always good to go to the basic — what did tchaikovsky write?s is the problem that we... dah—dum, ba—dah—dum, ba—dah—dum... it's so easy on piano or some other instrument. but we have difficulties with. .. ..is too light here, too heavy here. so we have to really even it out. mm—hm. 0k. sorry. no, it's very clear. it's good. but you play every note with much effort, and it's not very efficient. 0k. — should be more... not... stay near the string with the fingers. mm—hm. then you have the possibility to play it very fast and relaxed. mm—hm. what mr honeck was talking about is to think in bigger phrases, because i know that i have the tendency of playing in a too detailed way, and therefore losing the bigger context. yeah. look. it's much more easy. still, i would love to have more direction. sometimes you take a little bit too much time. mm—hm. one last time. 0k. i like very much your playing. you have to work on this juicy sound, this very tight sound. you will have much more power in your playing. 0k. thank you so much. thank you very much. eve

the artists brought only the best: rimsky-korsakov, mussorgsky, tchaikovsky. from the first notes we feel the tension from the confrontation between the montecchi and capulet clans, this is the romeo and juliet overture, and then the entire amphitheater was covered with its magic wing by stravinsky's firebird. for the orchestra , playing in the ruins of ancient cities is, one might say, a habit. only during the current turkish tour, the musicians performed in another ancient amphitheater in aspendese. maestro gergiev knows this venue very well, it is not the first time he has given a concert here. there are high walls, about 30 meters, a huge number of devices, projections, such that help the sound to remain here, not to go completely into the sky, these walls have seen the birth and collapse of empires, the repertoire is worthy, ravel's blero awakens in the audience both the highest and the most frantic. and the incredible impression from the fact that the mariinsky theater is here in the open air, in an ancient amphitheater, it is pleasant to see our russian

i do it under tchaikovsky, well, i'm really terribly pleased that you name all these names, that's howms to you, you said, we live in 2024, that you can't argue with what is leo tolstoy today, in our agitated, our crazy, unhappy world, that's what he means today? he is a cultural center, he is tolstoy naturellement, it is translated into all languages, there is a cultural center, you say, it is always a new experience. all the time new, now people are somehow absent-minded. life changes so quickly, but i talk too much, no, you speak wonderfully, it's just that i really listen to you, you, fekla, somehow sometimes even forget that you have a relationship with tolstoy, you are so simple, accessible people, i don't know what he was like in communication, they say that he was also a very simple person, many different memories have been preserved, but you are right, of course, and the colossus of a father and a man, what was instilled in us at school, is a mirror of the russian revolution. i need to know who chose football, who chose tennis, in general it does not matter, but this is our li

the artists brought only the best: rimsky-korsakov, musorsky, tchaikovsky. first notes we feel the tension from the confrontation between the mancheki and capulet clans. this is the romeo and juliet overture, and then the entire amphitheater is covered with its magic wing by stravinsky’s firebird. it’s an incredible impression that mariinsky theatre is here in the open air, in an ancient amphitheater, it is nice to see our russian culture here in antalya. it is simply amazing, an extraordinary performance in an amazing place with a thousand-year history, my family and i have never had such impressions. channel one, that's all, thank you for being with us, right now on air is fashion verdict.

the best works of belarusian and russian composers were performed the day before at the tchaikovsky moscow this evening the belarusian public will enjoy them in minsk. the belarusian-russian project united young musicians of the union states, conducted by maestro yuri bashmet. about classical music, which unites talented youth of the two countries in the report by daria belousova petrovskaya. and honesty, taste, the main thing is that we have always been together, are and will be, i mean our countries, also in the program number two from the ballet. igor borodina. for this, the composer specially studied the folklore of the turkic peoples songs of the ancient polovtsians. therefore, the choir , combined with a snystny dance, became one of the most striking episodes of a large-scale musical epic. by the way, this musical marathon did not end there. ended, minsk took up the baton, this evening these beautiful works performed by the belarusian-russian youth symphony orchestra will sound in the belarusian state philharmonic. darya belosapetrovskaya alexander lyubiteley in the first information

the first concert took place yesterday evening in the large hall of the moscow tchaikovsky conservatory. on stage is the belarusian-russian youth symphony orchestra. the total number is 90 people. 60 from russia, 30 from belarus. these are talented musicians aged 17 to 23 , performing only classical music. the audience heard a waltz from the opera "the king's wild hunt". taha, the author, belarusian composer vladimir soltan. the piece was written in the late eighties, then he was only 36 years old, and it was the composer's first large-scale work. here he combined the original belarusian folklore and the musical style of a grand opera. belarus has always had very strong teachers. this orchestra has great prospects, because the youth is growing up, studying. are and will be, i mean our countries, also in the program syuvita number two from the ballet romeo and juliet by prokofiev, concert number 3 for piano and orchestra by rachmaninov and the famous polovtsian dances from the opera prince igor borodin. for this, the composer specially studied the folklore of the turkic peoples , the son

petersburg philharmonic, as part of the tchaikovsky reloaded festival, a concert featuring alexander the boris eifman ballet theater presents the premiere of the ballet crime and punishment on the stage of the alexandrinsky theater. based on dostoevsky's novel, to the music of gustav mahler and boris tishchenko. the state theatre of turkey continues the alexandrinsky festival with the play "mashina chekhov" based on the play by matej visnik. stage director petru vuktareu. the paris national opera continues to broadcast the opera by the 19th century italian composer gaspare spantini, whistle, written in 1805. directed by lydia steyer, musical director and conductor bertram debie. korngold's opera, the dead city, is given at the bavarian state opera. directed by simon stone. the leading roles are performed by klaus florian vogt and vida miknevic.

the international pacific theatre festival ends brightly, today the stage will feature works by tchaikovskystorsky, rachmanin and sviridov and they will read evgeny anegin. this is both a performance and a concert. he bowed to the men from all sides, then looked at the stage in great distraction, turned away and froze and said, it's time for everyone to change, i have tolerated ballets for a long time, but i am tired of eating too. a... lyrical digressions, the title of the performance. evgeny mironov and marina aleksandrova reads fragments from the famous pushkin novel, namely pushkin's reflections, which frame the well-known plot line. in the year it was important to confirm that vladivostok is waiting for us, as it turned out, not only vladivostok, from other cities, not only primorsky krai, i meet muscovites on the streets here who came especially for this festival, because the program that our wonderful curators are making here, and the chekhov festival is making, you won't see it in moscow, cyrano de bergerac in chinese performance, the first puppet show of the theatre of nations hadj

the music of mozart and shostakovich will be performed in the tchaikovsky concert hall by the russianangel vaughan. conductor yuri bashmet. the musical theatre of the republic of karelia continues the festival to see music shows the stage of the russian youth theatre one-act ballets based on ostrovsky's play the snow maiden, vertical victoria archaya and what then alexandra safronova. in the chamber theater sreda-21 shows the premiere performance volodya based on stories by anton pavlovich chekhov, director ekaterina polovtseva. in the title role vladimir zomerfelt. the exhibition pushkin at tropinin is held in the moscow museum. artist. more than 70 works of painting, graphics and objects of everyday culture from museum collections of moscow and st. petersburg tell the story of the creation of the lifetime portrait of pushkin, made by vasily andreevich tropinin in 10. be the best dog about the fate of a simple dog. the masterskaya theatre is playing the premiere performance based on the novel tender is the night by francis scott fitzgerald . director, producer, and performer of the r

place when the girl was only 13 years old, in china she performed the dance of the little swans in tchaikovsky'slet, in minsk lyudmila. got there by chance, having gone for the company with her boyfriend, he was invited to the troupe of the great maestro elizariev. later , ikhitrova was invited to the main theater of the country, first for a probationary period in the cardyballet. now the ballerina dances the main parts in such iconic productions as corsair, vitovt, cinderella romelo and juliet giselle, and detta adilia in swan lake part. which in the theater world is considered a test of professionalism, lyudmila khitrova, enthusiastically applauds the audiences of russia, great britain, italy, mexico, germany, spain, she is a laureate of the international competition of ballet dancers, the owner of the francysk skaryna medal. next, we will get acquainted with the pearls of belarusian cinema in the section about cinema. this time we will hear the story of a girl who experienced all the hardships of post-war life. every saturday on the belarus tv channel 24 broadcasts masterpieces of belarusian

place when the girl was only 13 years old, in china she performed the dance of the little swans in tchaikovsky'slet. lyudmila got to minsk. having gone for the company with her young man, his invited the great maestro elizariev to join the troupe. later , ikhitrova was invited to the country's main theater, first for a probationary period in the cardyballet. now the ballerina dances the main parts in such iconic productions as le corsaire, vitovt, cinderella, romelo and juliet giselle, and detta adilia in swan lake - a part that... in the theater world is considered a test of professional suitability. lyudmila khitrova is enthusiastically applauded by audiences in russia, great britain, italy, mexico, germany, spain. she is a laureate of the international competition ballet dancers, and the winner of the francysk scarina medal. next, we will get acquainted with the pearls of belarusian cinema in the about cinema section. this time, we are. the story of a girl who experienced all the hardships of post-war life. every saturday , the belarus 24 tv channel broadcasts masterpieces of belarusian cinem

let me remind you that it was igor tchaikovsky, the head of the robotic complexes project, the company supplies the ant robotic platform to the armed forces, ant and soon this ant will have relatives with a combat load, all this will help. our armed forces to more effectively destroy the enemy, these were the main military results of this day, vasyl zima will continue the broadcast, so stay tuned to the espresso channel. i thank serhii zagorets, i thank his guests, these were the military results of the day, i will do it later i will say a few words about the situation at the front, there is fresh information about the heavy battles being waged by the armed forces of ukraine in kurakhivsk. direction, the enemy is aiming there and the enemy is now accumulating equipment, forces and means in the zaporizhia direction, heavy artillery, heavy mortars and also armored vehicles, there is also a certain activity of the enemy, well, the activity of the enemy can be substantially reduced if you help the armed forces of ukraine, individual units that they turn to us for help in buying things that

listen to something, for example , from what he liked before, for example, he says that he liked tchaikovsky, but now he can't listen to him, but myroslav barchuk says that on the contrary, there are many things... she tries to refuse, but they both come to a conclusion enough obvious about the fact that when we now reread, for example, some russian works that we liked before, we begin to find toxicity in them that we did not see before, for example, masters margarita is one of the most popular, mass culture, but if we read it all now and if you know that stalin was meant by the image of woland, for example. and that in general this whole novel was written for an agreement, that's why it turns out to be quite different, which was before, yes, when we imagined that it was some kind of novel, about a romantic story, about philosophy, about something so interesting, which can be used as a quote book, and also from here now, by the way, danylo mokryk has passed many language courses here, for example, he usually asked questions about the russian language, and this is also quite a difficult quest

with which we have never dealt in the history of our theater, this is the opera by pyotr ilyavich tchaikovsky the orlyanskaya maiden, it will be staged by the artistic director, chief director of the natalia sas musical theatre, georgy isaakyan, here is another joint project and the team that he... mostly positive, because what i do, i love very much, and, let's say, i have dedicated my entire life to studying music in the theatre, in the ballet theatre, of course, i am very happy when there are festive, elegant, beautiful productions, and such are, in general, all productions of classical ballet, i love modern dance, when it is colored, such pronounced artistic tones, if we talk about opera, then here for me of course it is... attention, we have preserved schools and approaches russia of course pays great attention to this to art education, academic education including, here is the fund that you also head, you already know how to consider future talent. the true power of cinema. smolensk and minsk have become centers of attraction for documentary lovers. the eighth festival eurasia doc. was

the corps de ballet and as soloists, this is... the theater - this is the opera by pyotr ilyevich tchaikovskyle maiden, it will be staged by the artistic director, the main director of the theater, the musical theater of natalia saz, georgy isaakyan. here is another joint project and the team that he will bring, yes, also from the russian federation. therefore , it seems to me that this will be such an interesting phenomenon, and powerful, and necessary and binding, as if in general in all our senses. i am very happy when there are festive, elegant, beautiful productions, and such are, in general, all productions of classical ballet, i love modern dance, when it is colored, such expressed some artistic tones, if we talk about opera, then here of course for me such valuable, fundamental phenomena are, of course, verdi's opera, this is certainly the opera puchine, we have a wonderful production of the opera turot, i really love prince igor. and the way we staged it today thanks to the efforts of alexander anisimov, it seems to me that this production deserves to be addressed repeatedly, and of

glinka was friends with berlios, and tchaikovsky admired mozart, it seems to me that such connections cemented the whole world. finally, the symphony orchestra performed strauss's the bat. it is amazing that the walls built more than a thousand years before the appearance of the violin or trombone, as if they were created specifically for symphonic music, it broke out of the amphitheater and freely flowed over the entire ancient city, as a symbol, art simply cannot be cut. olga pautova, alexey labyshkin, batyana shilina, yuri rybev, channel one. that's all, thank you for being with us, right now on air is a fashion verdict. russian tennis player mira andreeva repeated the record of her compatriot maria sharapova at the prestigious wta tournament in beijing, defeating magda linet from poland (61-63) by 18, she became one of the two youngest quarterfinalists in the history of the chinese open. and andreeva and sharapova made it into the top eight at the age of 17 years and 156 days. incidentally , the china open was held for the first time 20 years ago and sharapova lost then. because w

the international pacific theatre festival ends brightly, today the stage is filled with works by tchaikovskystorsky, rachmaninov and sviridov and they read eugene onegin, this is both a performance and a concert. as it turned out, not only from vladivostok, and from other cities, not only from primorsky krai, i meet muscovites on the streets here who we came especially for this festival because the program that our wonderful curators are doing here, and the chekhov festival is doing it, you won't see it in moscow, cyrano de bergerac in chinese performance, the first puppet production of the theatre of nations hadj nasreddin, an indian performance based on shakespeare's king lear, and the educational program, master classes, lessons in various areas of theatrical art, everything. it has incredibly captivated primorsky theatergoers, they are already talking about the festival and waiting for the next one. ksenia kolchina, sergey svestnikov, vadim telegin, far eastern bureau of vesti, vladivostok. this is the news, here's what's next in our program. the russian army inflicted fire damage on thi

petersburg philaronia as part of the tchaikovsky reloaded festival.r continues the program of the 34th international baltic house festival and shows andrei prikotenko's play based on nikolai vasilyevich gogol's poem "the dead" souls". the russian youth theatre is showing the play "son" based on florianseler's play on the stage of the uzbek bolshoi theatre named after alisher navai. the stanislavsky and nemirovich danchenko musical theatre is finishing its tour in china with the ballet swan and lake staged by and... hitler's loyal comrades from all over europe. it is documented that there were austrian divisions, a croatian regiment, czechs, slovaks, poles, and whoever else was here. they came to our land to rob and kill. spain made its contribution to the leningrad blockade, that is , the genocide of the soviet people, the bulgarians remained on the side of the opponents of russia in general and, to a large extent, the opponents of the slavs. they did not know that they were going to meet their death. the history of our country shows that it is imposs

petersburg philaronia, as part of the tchaikovsky reloaded festival, a concert featuring alexander ramm, angel long and ravil islyamov. the boris eifman ballet theatre presents the premiere of the ballet crime and punishment on the stage of the alexandrinsky theatre, based on the novel by dostoevsky to the music of gustav mahler and boris tishchenko. the state theatre of turkey continues the alexandrinsky festival with the play machine. chekhov based on the play by maty vishnik, stage director petru guctareu. the opéra national de paris continues to broadcast the opera by the 19th- century italian composer gaspare spantini, the whistle, written in 1805. directed by lydie steyer, musical director and conductor bertrandi. korngold's opera, the dead city, is given at the bavarian state opera, directed by simon stone. the leading roles are performed by klaus florian vogt and vida miknevicuda. ​​listen, i have nothing new to tell you, oh, nikolai mikhailovich, hello, how are you, things are bad. one thing is good, for you it will be even worse, nikolai mikhailovich, you're being old again, h

nutcracker is a ballet, oh, now you know, everything is fine, angelina, it could be an excerpt from tchaikovsky'ss an opera, evgeny onegin, evgeny onegin is an opera, but alas, that's not our question, dmitry, sky, i'm not exactly sure, let's say the seasons, no, well... in 10 days masha read a book of 250 pages, how many pages of the book did masha read, if 250 pages in 10 days, then she reads 25 in a day. god, when did he even have time to read and count all of this? yes, that's the right answer, masha would have read 175 pages in a week. question 8: evgeny kibrik's illustration depicts a legendary russian hero, he is holding onto a plough that no one else can move. what is his name? angelina? absolutely the right answer: mikula seleninovich, question 9, pay attention to the screen, solve this puzzle? dmitry, a waterfall, a waterfall, what did you think? and the last letter o - this is water, the second is a spider, remove the last two and you get a water poopa and the last d - this is a waterfall. well then, let's see how our computer handled this task. waterfall. brilliant answer, good speed.

this exhibit will sound, two concerts will take place here, in this space, this is tchaikovsky's fayeober of this year during the exhibition. sondra radvanovsky performs the main part. performance of 500 artists of berlin choirs. together they walk through the forest, collect pine cones, together they sing songs, sing and read books, make these naughty crafts, together they will inflate the children, bears, be-be-bears, bears, bears, invisible teddy bear. hello, kesha, hello, why is your scooter squeaking? let me fix it. oh, the scooter is fine. well, what do you know, kesha? you should wash yourself, you're all dirty. i need to wash myself again. i washed myself yesterday. i'm tired of washing myself. i need to invent something so i never have to wash myself. oh, that's an idea. finally, here it is. i've invented the elixir of cleanliness. now i'll never be dirty again. it worked, the dirt is gone. i'll pour the elixir on myself in advance and i'll never have to wash myself again. kesha, we're going to play tag. will you join us? kesha, where are you? everyone. hello! what is this? m

told him, comrade dobrynin, you are a genius, you are a genius, he said, but he said, but he said, tchaikovskymust tell you one thing, that with all that is natural, he pays tribute to the genius of the human race, he was a genius in that he found a key in almost every song to the soul of the people, a large number of people, this is the greatest talent, he had great taste and intellect, after all, he graduated from the faculty art history of the history department of moscow state university, they only accept people there, there was such a competition, i wanted to at one time, you have to get three a's in three exams, 5.5, to get in, here about the great composers, whom he, by the way, was well versed in classical music, he really loved this joke, which i really loved to tell, when a composer comes on stage and says: chikovsky, it's nice here, rachmaninov, we sat together, the choir of butyrka prison performs, about the key, leonid, you remember, for example, even here is the song farewell from all the stations to the trains, yes, because there is absolutely brilliant this lai-la, we are glad

we are not surprised if we have works by tchaikovsky or prokofiev at a concert, packed halls, we think, well of course, these are outstanding great names. we also need to know the chinese philosophers. yes, let some of them write 10 centuries ago, someone may be more. incredibly intense melancholy and incredible success. natalia lyublinskaya, sergey shilin, viktor averin, channel one. macau, china. in ulyanovsk, the grand opening of the new educational complex of the guards suvorov school was attended by deputy defense minister enusbek yevkurov. he inspected the administrative residential buildings, also assessed the sports facilities with a swimming pool, skating rink and spacious halls. now the cadets have everything for study, training and leisure. built in just 8 months, another sports complex parade ground will appear next year. in this school, as in other schools in sovorovsky, in omsk, in tula, just dozens, all the conditions have been created for our children to study. here, conditions have been created for sports, and for recreation, and for study, and for cultural development

i am sure that if tchaikovsky had a chance to come today, to see our performance, he would be happy,ke it, because after so many years people are trying to find new meanings in his work, uzhen dan says during the ballet on... in the shoulders feels calm and support of her husband, here the viewer cannot follow what is happening on stage without excitement, when a girl touches her partner's head with her pointe shoe, the audience freezes, holding its breath. chinese wisdom, incredible tricks classical ballet will inspire anyone to spread their wings. ekaterina gritsyenko, alexander popovtsov, sergey vasiliev, vesti petersburg. magadan fish farmers have grown ositra fry for the first time in the region. in the future, they plan to release this valuable commercial fish, which is difficult to breed, into the kolyma river. at the same time, fish farmers plan to to breed carp, which adapt well to the northern climate. a report by our correspondent lyudmila shcherbakova. the sturgeons have already been given names here, and their character is known. fish farmer oleg maiboroda calls himself

we thought for a long time about how to tell about the poet's stay... will be performed in the tchaikovskyconcert hall by the russian national youth symphony orchestra. soloist angel wong, conductor yuri bashmet. the musical theatre of the republic of karelia continues the festival to see music shows the stage of the russian youth theatre one-act ballets based on ostrovsky's plays snegurochka, the vertical of victoria archae and what then alexandra safronova. in the chamber theatre sreda-21 shows the premiere performance volodya based on stories by anton pavlovich chekhov. director-producer ekaterina polovtseva, in the title role vladimir zomerfelt. the exhibition pushkin at tropinin is held in the moscow museum of the artist. more than seventy works of painting, graphics and household items. culture from the museum collections of moscow and st. petersburg tell the story of the creation of the lifetime portrait of pushkin, made by vasily andreevich tropinin in 1827. at the thirty-fourth international festival baltic house, a south african theater company shows the play seifem matsviri, be

as a child, i heard tchaikovsky's swan lake and wanted to dance. i fell in love with this music.the full version of the concert of the orchestra of the china national center for the performing arts on the culture channel on october 6 at 12:45. lidiya aleshina, alexander zubarev. culture news. kino bravo. the first festival of audience cinema is taking place in sochi at the krasnaya polyana resort. the program includes events for industry professionals, business sessions and screenings. there are 12 films in the competition. details from stanislav anisimov. cinema in search of a universal language. the kinobrava festival focused on films that are understandable to everyone, in the so-called audience cinema. more than 10 countries presented the review. after the films, and i already understand, i already see it, that these films really resonate in the hearts of people from other countries, and our viewers certainly have the same. the film hijacking flight 375 is based on real historical events that took place in brazil in 1988, an unemployed tractor driver, trying to achieve justic

glinka was friends with berleos. and tchaikovsky admired mozart, it seems to me that such connections have cemented the whole world. finally, the symphony orchestra performed strauss's the bat. it is amazing that the walls, built more than a thousand years ago, before the violin or trombone, seemed to have been created specifically for symphonic music. it broke out of the amphitheater and freely flowed over the entire ancient city, as a symbol of art simply. there may be boundaries. olga pautova, alexey labushkin, tatyana shilina, yuri rublev, channel one. and right now, cinema and also music, which connects generations. choir, the final series dramatic stories about young talent and his teachers. together it is fun to walk across the open spaces, across the open spaces, across the open spaces. of course it is better to sing, better than a choir , better than a choir, better than a choir, sing with us, quail, quail, once a needle, two needles, there will be a christmas tree, once a board, two boards, there will be a ladder, once a word, two words, there will be a song, it is not fun t

>> well, the first thing was a production of tchaikovsky's opera eugene onegin at the royal opera housecovent garden, which i saw last week and has one performance left tomorrow night. there are tickets left. it was a supremely good production. the director is the american ted huffman. it's quite sparse staging, but not it doesn't get in the way. really excellent performance. i want to single out of olga by the young mezzo soprano avery amaro. gordon bintner a very, very good eugene onegin , and a eugene onegin, and a particularly fine performance from the principal ballerina, lauren bridal. the opera has, along with most of tchaikovsky's operas, a balletic scene because it was at the time necessary for performance both in russia and in france, to have a balletic scene. and the i can't remember, i'm afraid , who the producer is i'm afraid, who the producer is of this balletic scene, but the elegance with which it is done, the mixture of classical ballet with a very modernistic stage and i thought worked exceptionally well . fantastic. exceptionally well. fantastic. and the conductor is

the artists brought only the best: rimsky-korsakov, musorsky, tchaikovsky. from the first notes, we feel the tension from the confrontation between the montecchi and capulet clans. this is the overture of romeo and juliet, and then the entire amphitheater was covered with its magic wing by stravinsky's firebird. for the orchestra playing in ruined ancient cities is a common thing, one might say, only during the current turkish tour the musicians performed in another ancient amphitheater in aspendes, maestro gergiev knows this venue very well, it is not the first time he has given a concert here. i was even there, right at the top, there are such high arches and from there i listened to my orchestra, the orchestra of the mariinsky theater, which is still here today, i was amazed. here are the highest walls about 30 meters and a huge number of devices, such projections that help the sound to remain here, not go completely into the sky, these walls have seen the birth and collapse of empires, the repertoire is up to par, bolero awakens in listeners both the hig