so the circuitry was appealing. also ilived on an electronic junk street, canal street in new york. so a lot of old stuff, you would try to fix it and make it do something that it wasn't made to o. >> in fact over time you invented a lot of things that became part of your performancess you know -- >> yeah. >> famous [indiscernible] violin and talking stick. can you talk aboot that, developing these things and incorporating them into your work. i think a lot of people associate that with you. >> well, the talking stick i did a -- something called songs and stories rom moby dick. ú&d it was -- i guess i fell in love with melville. the talking stick was a way to give musicians something very physical to do. because i love the physical instruments, you know. the ones, keyboards and laptop things, it's pretty dreedful to watch, sit there watching ppople play that stuff, you know. you are watching somebody play keyboards, it's kind of like watching somebody iron, you know. [laughter] it's like that -- you know, so when you throw

i love that, so it has influenced me. for example, in london, i saw a black trench coat, and in the front, you say black is not for children. black is bad, and everything like that that is ridiculous, so i told them. i must say that one for me was a learning experience. i love it. >> london has changed, as every city has. you certainly will not have any of those bankers wearing bowler hats and numberless. more to the point, london out is tremendously diverse. paris is becoming in admitting that it is more a diversity, and there's a little line for me quite hidden away the says i'm very much a parisian or i'm interested in parisian women, but not quite sure that i ever met a parisian woman. what do you mean by that? >> what i mean is that my education, i have been looking at old movies that i love. we speak about the reputation of the parisian, which was supposed to dress very well. i think that, you know, in france, the eccentricity -- for me, eccentricity is very chic and it is what i love. it is so much about the good ta

so i can hear her dog snoring, i can hear everything she does. so of course i thought she heard me saying stop. because for me i think i was very loud. >> so you thought she heard you say just a single shouted word stop? >> yes. >> ok. >> mr. keith, we're about at your time estimate, or i guess it wasn't really your time estimate, it was my imposed time estimate. how are you doing, though, on -- >> i think i'm moving along. i mean, i -- it's hard to tell how much longer it's going to take. i'm far more than halfway done, i can say that much. but i don't know whether i'm 2/3 done or 3/4 done. i'm giving the best estimate i can. >> ok. well, you did say 2 1/2 yesterday. i think we're going to hold you to that. i understand you should get a little bit of leeway because i know you and the witness have not been communicating that well on certain issues and you've gotten answers you didn't ask for. but i mean, i don't think you should expect to go another hour. >> i don't think it will take another hour. >> yeah, well, i'm saying i think you should plan

to me, i was like, oh, my god, she is so beautiful. for me, if i want to be friends with someone that i admire, i have to be like him or her, cannot have the red hair. so i say, i also come from nigeria and i am like you. [laughter] i do not think she believed me so i was inventing names. anyway. so she influenced me. she had white skin. you could see her veins. she was very strange but beautiful for me. i was always attracted by different beauty that i saw everywhere. i remember some movies called guess who's coming to have dinner tonight with sydney party. i remember i said to my parents -- i was 12. if i come with a black girl, what will you say? and they say, if you love her, that is perfect for you. years after when it told them what i could say about the fact was going with a guy, they said if you love each other, that is wonderful. so i think i was lucky to have parents like that. very modern. very open-minded. unlike for some, there's no question of religion, of color of skin, or anything like that. people can be all beautiful.

so i think that would be a good opportunity to say the runoff elections, and i think that three years ahead of the mayoral race gives the department of elections and the city enough time to prepare with how they're going to respond to that type of voting, so we have time to prepare and are not waiting to the last minute and responding at election time. chiar: thank you, supervisor. supervisor mar? supervisor mar: thank you. my approach to this is i am looking at election reform. i was a strong supporter of choice of voting will what we are calling it because i thought it would increase participation, especially of disenfranchised communities and to have maximum participation in any election, whereas others have said runoff tends to be at the time of lowest possible turnout, except for unusual situations, like the gonzales race or the ammiano write-in campaign. i am appreciating that we're talking about the mayor's race only now, but still i do not want to see a system that is going to be based on two different elections, which privileges the more wealthier, funded candidates over gras

i love the work so much so i chose to stay on and i'm going to be a volunteer just to be able to learn the advance production skills and help the next generation of interns, so after graduating from college at sf state they offered me a job. they were employed me and have a real career in media and technology and actually make a living doing what i love. three years later i have been able to accomplish a lot more and continue to produce great videos, improve my skills, i continue to improve my skills but more importantly i am able to mentor the next set of interns and providing the support and training i received and i am able to give back in a way that feels good, and i think ultimately now i'm able to hire them for studio media work, so a typical day for me -- i'm the production manager at bay cat is going to pacific heights and for filming and award video and then back to the office, work with a program team to assign the next sf tech internship and mentoring bernie king who is here in the audience with us. he's one of the graduate interns and mentor him in his production company st

see what those projects are that i am interested in, so let me scroll down to where those are. i can see exactly what their status is, and i have conditional use, and i can see where that is as well, so i want to see more information, not only as a project, but also the supplications that go along with it. they will be able to see the details for this project. this is all coming in real terms from the permanent project tracking system, so we are looking at this project, and we can see who the applicant was, and the project description. more importantly, i can see what the fees are as far as what has been paid. this is where i can see exactly where this application is and the approval process. this happens to be simple. this is just three steps, the initial intake that has been accepted, and it is currently in the analysis stage. what about all of the related applications that are part of the project? if i expand that, it will show the related applications, being conditional use, environmental rodeeview and dba permits and anything related in this hierarchical structure. i can na

so i was like, let's say, killing the french fashion. i should say france in general. so absolute. it has to be like that. things that i did not feel like. i think it's time i was going, i felt really in love with london. i felt more freedom. when i was going there, it gave me -- [unintelligible] sending like, yes, go on to do the things you feel are good. because it is very conservative in paris. >> only you had come to san francisco. >> yes. >> i can only imagine what you would have produced. [applause] >> that is true. >> here is this good little boy who is be heading classically and is very charming and wonderful and working hard. how did you turn into a bad boy? [laughter] and tell us about the whole business of putting sexuality on the map, as it were. when you go into the exhibition here, it is still shocking to see some of the clothes which are suggesting a kind of pervert petit, never against women. you see a lot of flash and tattoos and in the clothing. it must've been completely taboo when you started doing the mine in 1970's and early 1980's. >> i think it was, yes. it w

they just took it from me no i actually said that in our morning meeting and so this year i did not really thought of myself i don't know we're talking about now ok we can go but anyway it was a red flag to me as. you know sometimes you see a story and it seems so you think you understand it and then you glimpse something else you hear or see some other part of it and realized everything you thought you knew you don't know i'm tom hardy welcome to the big show. download the official location so choose your language stream quality and enjoy your favorite. t.v. is not required to watch on t.v. all you need is your mobile device watch r t any time.

i love that, so it has influenced me. for example, in london, i saw a black trench coat, and in the front, you say black is not for children. black is bad, and everything like that that is ridiculous, so i told them. i must say that

and so i think that four years were lost. and i have my own views about whether it was smart to isolate arafat. i happen to think that he regained stature of being a victim and a martyr rather than being somebody that even my own sense was the palestinian negotiators were feeling was not doing anything, that they were concerned about the fact that he wasn't proactive. so i think time has been lost, and a lot of people have died. and i hope very, very much that this is a time that the administration will get more involved, that the gaza withdrawal is a big opportunity, but it can't be the last. and it will require a very active american presence, and i do think that i believe in a bipartisan foreign policy. i said to myself over and over again when i was secretary, and i said it publicly, that i had all my partisan instincts surgically removed. they have clearly grown back. but i -- i do think that the only kind of policy is one in which there is some continuity from administration to administration. because while we don't spea

so i said, all right. well, we ended our conversation. it was good to speak to you, and just as i hung up was when i think my husband called me, and my brother-in-law's a pilot. he said, you know, cathy, have you heard. unbeknownst to me i guess enough was going on that one of our administrative assistants had already left the office, but my deputy, jeanie figg, was still in her little outer office, and he said, cathy, a plane has hit, you know, the world trade center, and then i think maybe he knew a second plane had hit, so he said stay in touch. i said i will, and i hung up the phone, and then i looked up and there was russ appleyard, this darling uniformed secret service agent, they were the ones in the blue blazers who had conducted tours, and i knew him for over 20 years, and his face is beat red and he's a redhead himself, and he said, cathy, you know, two planes have hit the world trade center, and a third, has hit the pentagon, and we're evacuating. i yelled at jeanie, and that's when jeanie and i grabbed our bags, and we ran down

so i appreciate president chiu taking this on. and i think and i know that you know this, that it's important that we treat folks equitably. so i think it would be important that if we're going to allow, say, tenants to have certain ability to rent out when they are away for vacation, that we treat tenants and owners equitably and don't do something that favors someone because they are a tenant to be able to do something that a property owner can't do. i do see the [stk-eufrpgs/] between keeping units vacant, so that they are permanently hotelized, if that is a word. but i want to make sure that we're treating folks equitably. i also want to make sure that landlords should have some role here. so i know that i have heard is of some property owners who will see their building listed on air b & b, because a tenant is renting it out and they had no idea. and that is something that i think needs to be addressed. by the same token, i already had a recent situation in my district, where a woman had went on vacation and rented out her uni

so i did not attempt that, so we can do that. maybe we need to do that in realtime and i have that -- i think i can find that document you sent. >> if i may interject just briefly, so the agreed pong format was the member schreiber, actually had that conversation with regard because there were multiple options all viable and we just termed for consistency sake we used one and it was member schreiber, which was d-2. so that was the agreed upon format for that section. mr. leigh? >> ok. so the next section was section five, section five deviations in excess of 1%. this is where i think i need a little bit of clarification. so i was not quite sure whether this format that appears in this main draft in that document is what we intended to include in our draft or whether it was meant to be substituted with this other document which is on a separate page in our handouts, s.f. redistricting task force, neighborhoods in fact for 2011 or they meant to be two different things and i want prepared for that? >> sure. let me try to represent wh

>>> i don't think so. ybe they told me to -- if i had too many finches in a cage, i said i'll move the finches. the regular thing a store has. you also get people who like to call, you know. >> mr. yorck, you're not instilling a hell of a lot of confidence in the guy that just put your name forward. >>> i'm sorry. i never -- >> if you want to be -- if you were an animal store owner, you would be able to tell us exactly how many times you received a citation. >>> i don't think i ever. >> finches? >>> no, someone would call the animal control would come out, and they wouldn't cite me for it. they would say, yeah -- no. sorry. >> i was looking for a stronger answer, mr. yorck. >>> i'm not good at this. >> again, i have no reason to know that any of this is true. that's why i wanted to simply ask. >>> do you have a name or did someone give a name or anything? was it just a nasty rumor? >> what i think would be best is perhaps if we can take -- continue this item till a later portion of the agenda and we can --

so i tried. i worked

so i went up looking for him. and his people were all sitting down smoking, scratching, lying down, some taking a nap. and i asked him where's lieu tenant gentleman mjeanette, oh,. and that's when i was wounded.l there. and that's when i was wounded. >> ak or m-60? >> i don't know. one of them i thought it was an m-16 because this came from behind. >> but the round didn't stay in your leg? >> no. both went right lithrough. that was the segtd round. second round. while i was lying down, it came up somewhere just -- went in here. i saw the leg go up. and got broke in a whole bunch of many pieces there. and there's another one down here from my

so i want to be honest, i did have somehow. i handed in my manuscript. i was so proud. it was an amazing feeling to push the send button. in a high started doing it? i was getting so distracted i would go to sleep at 7:00 and wake up at two in the morning and read until 6:00 and then go to the gym, work out a mac can go my god, what is that? but i wrote 90,000 words, handed in my manuscript and they said was that to get you an editor. and it got me this wonderful woman who really helped me and somehow she found 75,000 predicted words do matter and that's how i got the book. anyway, i know we're going to spend some time together. thank you so much. i really hope you enjoy it. listen, i really mean it. i do apologize to every teacher i've ever had. [cheers and applause] >> said the way we had originally set this up as we had passed out no cars. tony wanted to do this more impromptu. so keep it alive. but she'll have to say tonight, otherwise i'm not going to hear it. so if you raise your hand, we look at micu. we only have 20 minutes. >> because he's in the book. [laughter

she said, i am so sorry this happened to you. you do not deserve this, and i said, of course i do not deserve this. i think this is wrong, and this is a warning call, and i was very clear about that, and we made a decision. i think finally he understood, we need therapy and counseling, and she offered to look into counseling on january 1. now she switched from january 1 until january 4 from you have to call the police -- it was not even she was afraid of my safety at all. she was not concerned about my safety. i was there. i talked with all the people i wanted, so she was not afraid. she was trying to -- the words that she used, screw him. >> you have made references to that. it is idiomatic and does not mean something horrible. it means, you take care of yourself and do not worry about him. did you make it sound as if you felt she had ulterior meanings. we do not know, do we do? >> as a family, i cannot talk that way to my family. >> your husband, even if you are in the middle of a potential divorce, you would not think of him th

i don't think so but i think that i mean forget about what is really society wide so we need to talk about what the leaders want because i feel at this point that that i mean as someone who lives here and is a citizen and drinks the water and pays taxes i feel like i'm on a roller coaster ride right now that i don't know what these leaders are going to do and what they're going to drag the whole country into you and perhaps america as well so i mean forget about what society wants to talk about with the leaders why and the leaders here i don't think are interested in a peace process you know we said something earlier someone's it's like earlier about. using diplomacy as a way to stall and i think that absolutely applies to israel as well i mean diplomacy has got israel time to build more settlements to you know really clamp down on gaza on the blockade on gaza which is cruel and inhumane and so no i don't think that you know israel will this arm if we have peace i mean it's not it's not going to happen we won't have these. before israel disarms it's the catch twenty two of it valerie

so i know you're going on to great things. and i look forward to seeing what comes out of your work at the state level. i also want to acknowledge while you're working on supporting these programs in the sunset district, i know you're a father of kids and your kids live far away and you have been a determined dad to make sure you can give to your family as well and i think it's also a big part of who you are that i want to acknowledge you today as well. thank you very much and i wish you god speed. >> it's been an honor and a privilege to work in this city works the city that has a commitment to children, to work with my team and representatives of the sun set. i've been working in the sunset for 20 years. in one fashion or another. hard to leave. this is the last week. great to leave it in good hands asing me sandusky now the new director of the sunset neighborhood to be considered. thank you so much for the honor to come here today and for the kind words, everyone. sun-- president chiu: thank you, supervisor chu. with that, c

starting next week, we have a joint project together to hire a city hall so alone -- fellow, and i am greatly appreciate them making this possible for us to begin our report t, so the first thing we are going to have them do is an analysis on a business portal page, and this will assist in the tire and for demonstrating the need for additional funding -- the tie -in for demonstrating the need for additional funding, and depending on time, expanding it beyond that for any citywide technology and infrastructure that will assist businesses in interfacing with the city, so that is something i am excited about, because we have not have the capacity to come in and do some strong analysis around the businesses first engagement with the city and what we can do to improve upon that process, and last, for this particular session, i think you have been forwarded an announcement about the change in directorship about the office of economic workforce development, and who they are going to take on some specific matters around the waterfront, and jennifer is great at doing that, sir she is going to

i told everybody about the show. sohe show would get packed and it'd became like kind of this big thing. but i would say -- so i did it like once once every two months for a couple of years and then eventually i was like, i got kind of burned out because i -- there were always -- my goal was if just one business person would come to our show, then i'll be good and maybe this can get me somewhere. >> smith: yeah. >> shannon: but after a while i was feeling a little discouraged because i was auditioning and i wasn't really getting a break and i remember seeing this casting director -- i was like almost 30 and she was like you've been around. she was like you need a break, and i was like, i know. and then it turned out that snl was looking for people and marci klein flew in and my manager said marci klein's coming in from saturday night live. can you set up a show? and i had not done a show for a year and i was like alright. so i got the musicians, packed the house and she came and she, the show was great. >> smith: yeah.

i am so happy. i just left a lunch meeting before i came here and they still gave me a standing ovation, and i was blown away. this is the type of response i have been getting. >> folks care about this round. they see you as rescuing it. since you are our businessmen, how do you make decisions to attach your name to a brand and try to resuscitate a brand that has been damaged? this has been damaged over the years. why put your name on something? why spend $2 billion to buy something you know was tarnished? >> that is the reason you spend $2 billion. you could take it, and the competitive nature is to build it to where it was. people of this theme -- love this team. you are in a good place, because all you need to do is invest money into it, invest money into the team, make sure you have a good product, and we are taking the stadium to another level, and people will come back because they want to come back and support this team, and then when you think about it, the dodgers is a world team in the worl

downie: well, i think so. uh, but again as i say, we're not just a newspaper anymore, we're a multimedia news organization. smith: you're a news organization. downie: so, so my concern is will the newsroom survive, your newsroom, our newsroom, the newsroom of the dallas morning news, not necessarily to put out anything in print, you don't put out anything in print. all you do is supply it to other people to put in print. smith: right. but i guess i'm asking that specific question. downie: yeah. smith: will there always be a print version? downie: well, certainly as far as, certainly as long as you and i are around i think there will be. smith: yeah. downie: in part because our generation still reads newspapers. smith: right. downie:and when they, and that audience is getting smaller, and we're going to charge more for it. it will become a more elite audience unfortunately, because we, uh, the price of newspapers has never covered the cost of a newspaper. smith: right. downie: and it's going to have to cover mor

he came in, but i want so say one thing about entertainers, because we had -- i don't know, did you all have the brits that came just twice a year, three or four times a year? so prime minister wilson was coming, and we didn't have a week's notice, so i thought it's not a big deal and i'll just call bob merrill, who was a baritone for the metropolitan, and he had done so many things at the white house, and it was easy, and his wife was always his accompanist, so i called bob and asked if he'd be available at "x" time, and he said, yes, i think i can, i have a rehearsal, but i think i can juggle that, which he did, he said, yes, we'll come down on the shuttle, as usual, send a car for us, okay, good. i said when you get the program organized of what you're going to sing and play and so forth, just call the office and we'll have the program printed up, so all is sweetness and light, the invitations are out, this time by telephone because there's not enough time to send them out properly, and i get a call from walt rossdale, who was then the president's national security advis

did grew up around these stories i didn't really make the connection that they were so instrumental in the fabric of the middle class and america in general but i was fascinated you know i did early age by just the storytelling the thing the impressed me is is how few people know these stories. i just most of my life just assumed everybody knew this having gone to elementary school in lansing michigan and in the in the late fifty's we actually took a labor class there was actually a class the history of organized labor in like porth great i mean we we knew the story we they had news reels and things that i'm assuming the u.a.w. probably provided to the schools at no charge but i remember watching you know the great flint sit down strike itself we knew of we knew the time line of things and it seems that with the reagan revolution and taking over their part of education and just this whole change in america's attitude toward organized labor at least much of america's attitude toward organization that history has vanished. my sense of it and you're much younger than me tell me if this

en know at i would do that. so you just have to go with if. >> something else you said was you said i tried to emulate the english because i was so impressed by their work and their style. but it was not really me. >> it's tough to be somebody else, you know. people are always asking me what would you suggest a young photographer do. and i always say find who you are. because we try to be like so many people. i remember when i started being a photographer i wanted to take photos like richard, but i wasn't them, you know, so how could i take them. and very bad at copying. some people manage to reproduce other people's work and they do it beautifully, sometimes even better than the one before. but for me, i'm not good at that. so -- >> you had always said i take this was-- before i met corine you said i didn't rolize that i'm not english. i am not french. mi peruvian. so what does am mean to you to be peruvian. >> i grew up in a society where we used to look up a lot at europeans and americans, you know. erians and e

and so i brought this, this is the ineligibility clause. i wish i had a mirror. but anyway, so i'm going to hold it up here, and i'm going to keep talking. this, by the way, is the bat-eared fox -- [laughter] the odd clauses' mascot. i'm the odd clauses. i'll bite you! sorry. so the ineligibility clause basically says -- maybe i'll put it here, huh? i don't know if you'll be able to see it. anyways, it says that if you're a member of congress and an executive position office is created while you're in congress or if salary for that position is increased while you're in congress, then you can't take that position. you can't be appoint today that position. it's in order to stop self-keeling, right, you remember of congress, and you know you're going to be appoint today a particular position, so you vote to raise a salary by $100,000, the framers thought that was a very bad idea, so they put this ineligibility clause in the constitution. now, it's come up several times over history, and, um, there's a little move that the government had used to sort of get around thi

want to learn so i think i'm still a little more like aggressive but i played a little smart so my caddy helps a lot. >> rose: really? how does he or she help new. >> i mean he is a strategist, sometime i want to hits a driver he said no i think we can hit rescue mere. it's not a long hole. you hit a rescue and i still have maybe 1, lunn -- 20. i yeah that makes sense so i hit a rescue so we have been work together about two years and i think he helps a lot. >> rose: tiger and hoggan used to say they knew where the club was at every moment. they had a sense of -- down have that feeling you know exactly where it is? >> yeah, i do. i mean like sometime you feel like you just want to go for it. this is the way you feel. you feel like you can get there. you feel like this imagined shot, you can hit it and sometimes you just do what your instinct, i mean just really pray for it. >> rose: other than grip and rip what's the best advice you have received? >> like i say, i think the face-- then annika was showing me that you always need

that, i would likely drown. so you get this extra energy and. i forced myself up on this bumper. and as i did that, one of the other fellas had gone to the after end of the ship and we had some 30-foot launches tied up there. he got one of those launches and started it up and brought it around by us. he told us to jump in. he said i'm not stopping because there's japanese fighters all over the place so i jumped into this launch and i hit one of the benches. and since i was so oily, i just about slipped out the other side. this is the third time i've been back. and the first time was the hardest because it's kind of like facing all your friends that you don't have anymore. if anybody talked to me about the arizona or whatnot, it wasn't that i didn't try, but i had a real hard time trying to talk. but this time, that wasn't the case. i've been able to kind of get over that. and. i prayed for all of these men on this ship. there wasn't a man that i know of that wouldn't have fought to the death to preserve our nation.

so i like the quality. i did that on purpose this one. ry, very light from the top, so it run down all the way. so her headdress, her jewelry, everything just embedded, almost, with the background. i could never imagine i could have done this in china, because of the way i was trained. i like to surprise myself. that's why i think it's a sense of liberation, of freedom. another day, another dollar. another day, another penny, but i feel great. i was somehow energized by the other painting. sometimes i feel like the writer's block. i have a painter's block, too. i felt yesterday i just couldn't do this anymore. today i came in the morning, and somehow i just felt i changed my attitude. i was not too frustrated. also, i i felt i was ready this morning. it's good i don't have a phone here. i don't need the interruptions. the dog and the train sounds enough for me. i want to finish this painting in time for the new york show. [ sighs ] hello. everybody, i'm home. okay. all right. how did you feel about what you did today? i'm proud of myself.