, we are now here... for the academy of arts, this period of my life was very important made a turn in general in my life before i decided to come here in syria in damascus i studied at the academy of arts or is called the faculty of arts this is after school uh my specialty was there painter, then suddenly i somehow wanted to change my profession and become, uh , a cameraman, when i made this decision, naturally my parents, they were very surprised, let's say, because i, so that i could enter the academy of arts in damascus, syria, to become an artist, twice and they were so surprised, that is, you wanted to become an artist so much, and i was in my second year, but they somehow tried to understand, to accept my desire, this is my life, i'm making... decisions here, uh, and maybe they somehow treated it a little normally, because they knew that, uh, they knew me, that i always have inside me some kind of desire to know something new, i'm not afraid, in my opinion, i think that the level of education that i received is very good, it always helped me in my practice in filming, we had te

, we are now near the academy of arts, a period from... life it was very important made a turngeneral in my life before i decided to come here in syria in damascus i studied at the academy of arts or it's called the faculty of arts , this is after school, my specialty there was a painter, then suddenly i somehow wanted to change my profession and become a cameraman when... i made this decision, naturally, my parents, they were very surprised, let's say, because i, so that i could enter the academy of arts in syria in damascus as an artist, twice and they were so surprised, that is, you wanted to become an artist so much, and i was on the second course, but they somehow tried to understand, to accept my desire, this is my life, i make a decision here, and maybe... with great interest, and for me it was a pleasure, this period of 5 years, i even began to feel sad in the last course, because i began to feel that this period was ending, when i finished my studies at the academy of arts, it was in 2010, i went home to work in my... specialty, as i planned, i began my work in cinema.

next work from his student's work, which he created within the walls of the russian imperial academy of artsfamous figure of samson, which was inspired by michelangelo's slaves, well , this is like the next page, this is this, yes, this is himself dream. sky academy of arts, that is, to receive a second education, yes, anticipating the joy of finding a brilliant student, kayunkov enters the academy of arts, and naturally becomes a magnificent, brilliant student who completes all classical tasks, associated with neoclassicism, the prevailing style and education at the academy of arts at that time, it was a program naturally associated with classical neoclassical sculpture, when the time came for the diploma, the horse closed in his workshop, even biklemisheva was not allowed to create the sculpture that he believes that it should amaze everyone and overcome all the established norms of classicism of academic requirements, he creates his famous samson, here he is in front of you, the chained samson, and naturally the model for him was internal, he saw michelangelo’s slaves, this is actually a

here is number 57, by the way, now this school - it was closed and it was transferred to the academy of artsat is, now it is the building of the academy of arts, this is the fifty-seventh school, i studied there in the first grade, and in the second grade they began to take me to the studio... then i entered the academy of arts to study advertising, oddly enough, but here it’s also like that the story is that i actually dreamed of going into graphics. it’s clear, here they give you a workshop for 3 years with large ceilings, bright windows, and at the same time they give you some art materials, free of charge, pay a stipend, well, just a dream, and at the same time every six months there is such a viewing, but this is a viewing, you know , not the same as in schools or in an art school there or in a college where they collect. and they can scold you there and so on, it was such a more creative meeting, that is, a commission headed by mikhail came savitsky, poplavsky, georgy georgievich , and many other interesting artists, wonderful masters, there was a discussion about where you are going,

he enters the academy of arts, and naturally becomes a magnificent, brilliant student who completes allclassicism, the prevailing style and education at the academy of arts at that time, it was a program naturally associated with the classical neoclassical. sculptures, when it's time for the diploma, little horse closes himself in his workshop, not even biklemishev is allowed in, and creates that sculpture that, as he believes, should amaze everyone and overcome all established norms of classicism, academic requirements, he creates his famous samson, here he is in front of you, chained samson, and naturally the model was for him internally , he saw the slaves of michelangelo, in fact this manifesto, he says i am michelangelo, i can do it. just like michelangelo, and this is precisely the manifesto, i am michelangelo or the manifesto, i’m a revolutionary, i’m for the revolution, for liberation with the revolution, of course, of course, but with his mood and his vision, this is 1902, three years before the revolution , a few more years, 3 years, well, actually a wonderful scene, i instant

starts with dark then. light sky it changes, and mosaics, you know, where they did it at the academy of arts, and he did the same, mozaich, well, how would he, well, he didn’t lay them out himself, yes, that is, he made sketches, several sketches of takhmozei have survived, by the way, in our academy, artists have survived simply, then mozaichsts, those who worked, by the way, before the revolution in churches, yes absolutely. isaac, well, not that isaac cathedral, they’ve probably already died, here, uh, a church the resurrection of christ, of course, here they are, that is, from the imperial mosaic, imperial, there they laid out, that is, icons. i like it very much, he looked at the old masters there, well, he was not very well there, he writes there, well, i don’t know, we read letters, why, yeah, well, he wrote there that it was hard, i was suffering there, suffering, i can’t do it, well, everyone complained, and maikovskiy, i think, complained about america, and yesenin, yes, yes, but nevertheless, as if he existed there quite well, his works and paintings and there, i don’t know, gouac

life, there is a guy from kozlov, he goes to visit varashilov, varoshilov elevates him to the academy of artblems, and the transcripts are printed discussing the stalin prize, they say, well, why is deineiki, no, well, they began to say, it’s graphic, it’s a poster, it’s as if there’s no such painting in it , he’s already like, well, what is he on, he’s on the posters, he has all the graphics and so on, that he’s not a painter, we’re painters here, you see, when you read this, you understand that these are fighting with these, it’s inside. the brightest, but of the post-war works, it’s probably, well, well, it’s not late, but in any case there is this tension in it, which he can’t achieve later, well, yes, well, because we’re later work, there we can take these huge figures, yes, this, but the strongest, yes, well, what kind of movement, yes, and, as it is written, it’s just some kind of levi’s paw. what are the features, they tried to copy this the work, it turned out, says that it is impossible to copy, it is impossible to repeat it, that is , where is such a brush and where is such power,

competition participant anastasia chadiy, fourth year student at the belarusian state academy of artsrtment of monumental and decorative art. she has dozens of republican and international exhibitions and plein air festivals to her credit. the young author submitted works to the competition in two categories: monumental and monumental-decorative art and painting. than in the second triinal she. this phase, everything becomes so melancholy, at the same time bright, this is one of my most favorite seasons, and i wanted to share with people my experiences, and stained glass, like no other material, can convey exactly this brightness of leaves, which come in different orange-yellow shades, i really like to watch the state when birds fly away , the first fog and ice appear, for me this is a real fairy tale. when i walk down the street, a smile blooms in my soul. why did you decide to depict autumn in the form of a triptych? i 'll tell you a little secret, in fact, this is a triptych, it's a fragment of one big work, i it was created and there were a lot of such rectangular formats, and my

start working for the new generation, for other people, this is the time, when i taught at the academy of arts with a lot of people, directors and musicians, because i wanted to know more and i want to know what they know, but now i can say i have a lot of things i know... before that, that i worked a lot and worked a lot where and worked with a lot of people, i received so many awards and prizes and won a lot of things, not only in belarus and the whole world, so let's start with this, it's called a file my life, that's all i'll do in life as good things here, here is my diploma, honors diploma , teacher and director, so written, here is what will show that my video clip, four wisers, four whispers took the prize, the festival is called 12 mf director of the months as director of the month, because the director would be there my brother dia, here we won the same thing. the medal is my agreement with google , google adsense, that i work with it, this is my diploma in russian at bntu, i got a 77, a seven, because, but how i learned russian was not because of the academy, not because university,

before it, and after that he entered the academy of arts . he was connected with the imperial academy of arts in st. petersburg; his whole life was spent in st. petersburg. it says here that biklemishev studied with representatives of ukrainian cultural art, yes, besperchiy and raevskaya ivanova are listed here, you already told us about raevskaya, and about the school, is it possible? in general, besperchev and raevskaya can be called representatives of exclusively ukrainian art, but all these people lived on the territory of an empire called russia, so besperchiy at one time taught painting and drawing to karl bryulov, all of them were representatives of russian art. and about taras shevchenko, you can find out more, because here it is stated that shevchenko was allegedly almost the key theme of his work. vladimir alexandrovich did. and are kept, i believe that he was a great russian sculptor, carrying tradition realistic art. thank you very much, all the best to you , goodbye, thank you, here, probably, we can put an end to this story, alt

"i'll correct you a little, i got married in my first year, at the academy of arts, we met, of course were no children, no, i'm getting ahead of myself, they appeared, my second son appeared in my last year, in the fifth, yes, but uh, when we met we very quickly decided to get married, i'm a first-year student, she's almost a student, well, of course, they helped, parents, by the way, who were the parents who helped? in this film, the son played for the father , i played a policeman there without any lines, and they bought a stroller for the child, and the family helped you so much, parents , well, as best they could, they helped on both sides, yes, i think that well, there is never a little help, yes, but there is some kind of such a line and independence, so that they themselves could still get their fill, well, and if it was necessary, i would come to my father at work and say, add money, he says, well, if you were an electrician, you would have been a boss a long time ago, but at the same time we are going along corridor, and he says, familiar. surely it was also somehow not easy

here it is belarusian academy of art, what do you know about the academy of art?dying now, and i see. a lot of lessons, it’s so very interesting, i want to work a lot, because i want to feel this atmosphere when the theater is here outside, also inside, and there is such harmony, then now you have now there will be an opportunity to try it for real with students. of course, but i really liked it, because i immediately entered the class, and in general the dance hall as a whole, it was well lit, in principle, when you entered.

a ukrainian theme, which took place in kyiv, and he became one of the first directors of the academy of artsheoretical works that were studied there, that is, he is one of the founders of the academy of arts, levitsky, borovykovsky, martos and all other people who made a fundamental contribution to the development of the academy of arts and in the development of the genres of classicism, sentimentalism and so on were. ethnic ukrainians, with a ukrainian, well, absolutely ukrainian background, and moreover, for example, the same borovikovsky, he was in ukraine for a very long time, accordingly, only then moving to moscow, and there again communicating in an apparently ukrainian environment, levytskyi painted st. andrew's church together with his father and other artists, once again distinguished himself as a super cool artist, was taken to the court, how can you refuse money, fame being , fame of the main artist. emperors and empresses, to claim that they were centurions or to write a cossack foreman and to write , they automatically became russian artists, carrying the ukrainian baroque trad

start working for the new generation, for other people, this is the time when i studied at the academy of artsrections in the arts, i worked with a lot of people, directors and musicians, because i wanted from... more and i want to know what they know, but now i can say, i know a lot of things, and because of this, they worked a lot of things and worked a lot where, a lot with whom i worked for, i received so many awards and prizes, and won a lot of things, not only in belarus, and the whole world , let's start with this, this is called the file of my life, this is everything i will do in life, like good things here, here, this is my diploma, honors diploma, teacher, director, so it’s written here that so far... i’m working with him, this is my russian language diploma at bntuy, i got 7-7, seven, because, but how i learned russian was not because of the academy, not because for the university, i taught and... because of my friends, because, as they say, life, the street, this is a short film festival, competition in america in los angeles, more precisely, we won three prizes for a film made by

here is number 57, by the way, now this school, it was closed, and it was transferred to the academy of artsthat is, now this is the building of the academy of arts, this is the fifty-seventh school, i studied there in the first grade, and in the second grade already they started taking me to the studio to see evgeniy nikolaevich sakovich, who was a student and a teacher at art lyceum number 26. they already started taking me there and i entered the second grade there, from the second to the twelfth grade i was already drawing there , trying to do something. learn, let's say, well i learned a lot, of course, then i entered the academy of arts to study advertising, oddly enough, but here is also the same story that i actually dreamed of enrolling in graphics, and my classmate and i went to show our work at the academy before entering, we were met at... departments like this stairs, can i show you my work, where are you from? well , we’re from the lyceum, he says: oh, no, no, no, i didn’t go , most likely, now i understand that he was just in a hurry somewhere, he had to, but for some reason w

education, but sculpture is too much, that is, the parents were against it, of course, of course. academy of arts, and naturally becomes a magnificent, brilliant student who fulfills all the classical tasks associated with neoclassicism, the style and education that reigned at that time at the academy of arts, it was a program associated naturally with classical neoclassical sculpture, when it was time for the diploma, the horse closes its workshop, even biklemisheva does not start creating the sculpture that, as he believes... should amaze everyone and overcome all the established norms of classicism of academic requirements, he creates his famous samson, here he is in front of you shackled in samson, and naturally the model for him was the internal, he saw michelangelo's slaves, actually this is a manifesto, he says i am michelangelo, i can do the same as michelangelo, and this is precisely the manifesto i am michelangelo or the manifesto i am a revolutionary, i am for the revolution for liberation with the revolution, certainly, of course, but with his mood. firstly, all the classical proporti

petersburg, when there is a screening at the academy of arts, they even come and buy some productionshe art schools in china are secondary specialized ones, they don’t teach like we do, let’s say surmot draw live, they teach them to draw from a picture, that is, they actually redraw and their first basics they redraw very beautifully, of course, but that’s when you come to the funds. skill, because in order to enter you need to buy a set at the academy, there tablet, canvas, paints, this one-time set, which costs $25 at cost, it costs $500, well, they make a budget at a time that allows them to teach and take out and practice, well, this is unique in china, what in a game of such serious ideological socialism, but their capitalism is already developing wildly, right? we should talk about cooperation with russia, because there is also a lot of joint work, you know, yes, over the last 2 years, the turnover and the pace that we have increased, and the projects that have already been implemented, well, this is a very significant project for the capital of the ussr, yes in the tretyakov ga

, he wrote. works studied there , that is, one of the founders of the academy of arts, levitskyrovykovsky, martos and all other people who made a fundamental contribution to the development of the academy of arts and to the development of the genres of classicism, sentimentalism, and so on, were ethnic ukrainians, with ukrainian, well, absolutely background, and moreover, for example, the same borovykovsky, he lived in ukraine for a very long time, accordingly, only then moved to moscow and there again communicating in ukrainian obviously among'. levitskyi painted the st. andrew's church together with his father and other artists, once again distinguished himself as a super cool artist , they took away the court, how can you refuse money, fame, being the fame of the main artist of the empire, opportunities to do what you want, go down in history , after all, he would live conditionally in his myrhorod, conditionally speaking, well , you understand the difference between writing centurions or writing a cossack foreman and writing emperors and empresses. claim that they are they a

europe, yes, he went with his wife, having received a large gold medal after graduating from the academy of artshe went with his wife to paris. there they lived for three pension years, that very pension that the academy of arts paid for. in parallel with the resurrection of his daughter aira, repin fulfilled his the famous work barge haulers on the volga. i read somewhere that - for repin it was such a very personal story, because when he was a child, a tragedy happened in the family, his cousin ustya died, she was his sister, yes, and here i would certainly start. these are some of the life events for most artists, especially artists of the 19th century, who relied on nature, on life impressions, and repin in this sense was... of the century, by him you can equate, so to speak, compare many events that took place in the domestic art of the 19th century, he, of course, pushed off from life from reality and the death of this sister usti, which was described in his memoirs distant and close, and there he describes how difficult it was for him to compose or, so to speak, to develop a compositional

here it is the belarusian academy of art. and what do you know? ademy of art, that you made an academy, then you built a school where i am studying now, and i see that a lot of lessons are so very interesting, i want to process a lot, because i want to feel this atmosphere when the theater is here outside, also inside , there is such harmony. then now you will now have the opportunity to really try with students, viktor vladimirovich, artist of the republic of belarus, our teacher in dance will now give you a task, give you tasks and you and the guys try to repeat it. when i arrived in the hall, all the students were ready, their clothes also impressed me, because they were ready, and we started classes, the teacher explained what to do, i just kind of followed everything, i felt a little lost, of course, but i really liked it because i immediately got into the classes. and in general, the dance hall was well lit, in principle, when you go into the dance, it seems that you are already a real dancer, it seems to me that this boy is quite talented, h

novakivskyi also headed the department of painting yes is it called art of art yes in essence in essence the story was such that at first he became a professor at the kyiv academyessor at the kyiv academy of arts, he became a co-founder of the ukrainian secret university, yes, that is, he taught here for what years, come on, let's say what year it is , what year it is, the kyiv academy, the kyiv academy - that's exactly where some of the people who came to well, from central ukraine, from one coast to the other, yes, well, for example, i wasn’t surprised, vrony taught screenwriting at this school, and peter kholodny, he came to read his own just sacred art, ugh, and relationships, it seems to me, this is also an unexplored story, how much these relationships generally influenced the way it was built... but i am sure that it was the relationship between the kyiv academy and the secret university and the secret university and this environment in general and if mixed mixed, what was not just galicia or just kharkiv or just kyiv, but it was these mixed environments that allowed them to communicate with each other and build human, human good relations. let's finish

the moscow school, konyunkov leaves for italy, where he meets with a teacher at the imperial academy of artsrogram was naturally connected with classical neoclassical sculpture, and when the time came for the diploma, konelka closed in his workshop, not even viklemisheva was allowed to create the sculpture that, in his opinion , , must amaze everyone and overcome all established norms of classicism academic requirements, he creates his famous samson, here he is in front of you, chained samson. naturally, the models were internal for him, he saw the slaves of michelangelo, in fact, this is a manifesto, he says, i am michelangelo, i can do the same as michelangelo, and this is exactly the manifesto, i am michelangelo or the manifesto, i am a revolutionary, i am for the revolution for liberation from the revolution , of course, of course, but with his mood and his vision, this is 1902, through several trivolutions of 3 years, well, actually wonderful scene, i see beklemy. how not to do it, for now there is no politics here, it will be a little later, politics will certainly be a little full-thi

museum this one belongs to the russian academy of arts. ch, because it’s clear why you are present in this studio, and as for oleg yuryevich, there is some intrigue, why are you why yesenin, please tell us about about your relationship to our main character, well, yesenin was a good friend of sergei timofeevich, konyunkov, and sergei timofeevich comes to me. great-grandfather great-grandfather, that is, you are konenkov’s great-grandson, yes, along which line can you restore your genealogy? yes, my mother, alla kirillovna konenkova, she was born in the very house where the sergei timofeevich creative workshop museum is now located on tverskaya street, gorky street, then my grandfather kirill sergeevich konenkov, he is the son of sergei timofeevich, and there was also an eldest son mark , but he died in infancy, and soon after mark’s death my grandfather was born. sergeevich, that’s great, please tell me, konenkov lived a great life, with this life there are many different myths, very different legends associated with it. now, if we separate

decided to change your life so radically, again i will correct a little, in the first year of the academy of arts, got married and of course there were no children, no, go ahead, they appeared, the second son appeared. in the last year, in the fifth, yes, but when we met very quickly decided to get married, i am a first-year student, she almost a student, well, of course, they helped, parents, by the way, who were the parents who helped, yes, for sure, when you were studying, there wasn’t enough money, no, well, i worked as a guard for children, and you worked part-time, yes, as a guard in a kindergarten, there was also filming, in this film the son is for his father. still, well, and if it was necessary, i would come to my father at work and say, report money, he says: here, and if you were an electrician, you would have been a boss long ago, but at the same time we are walking down the corridor, and he says, oh, meet my son, the director, you should have known that not every father would agree to such a decision as your father, to help and give you the opportunity to get. a second education, it

the academy of art is named after ilya repin. very famous in china, his the paintings are large, a lot of people are fans of his work. the national museum is the best museum in china. and negotiations took place, and now the title organizer is the trityakov gallery. trityakov gallery, but with the participation of other museums and the russian museum, the scientific research museum of the russian academy of arts. the best russian contemporary films, feature films, documentaries and animation will also be shown in china. for the opening of the years, the cultures of china and russia created an emblem: the russian brown bear. in the costume of a boyar of the 16th century, a panda in traditional phoenix crown, they hold hands. it’s hard not to notice the legendary alfabank credit card with a whole year without interest on everything. purchases: get super cashback in rubles every month, withdraw cash for free from any atm, not just profitable, alpha profitable, silent like a fish, shirimprol, shrimp, fishburger, a real sea of ​​​​tas

it is no coincidence that the tricentenary of the russian academy of sciences is celebrated in the halls of the russian academy of arts. this anniversary is common to them. in 1724 , peter i founded the academy of sciences. works by zurab tsiritelli, pavel nikonov, victor kalinin and others were brought from public and private collections recognized masters, this exhibition is a gift to artists and scientists. we cannot make any priorities for fundamental research; we conduct fundamental research in all areas, and it is very difficult here. to highlight some, say, sculpture, to separate it separately from painting, a painting or some other work, so i like everything, i first of all appreciate the skill of trying to understand the author. the opening of the exhibition was attended by outstanding russian scientists, historians, archaeologists, inventors, doctors, among them the famous doctor. a leap forward, this is art, human life, of course not, i can say about art that i really love it, of course, i myself don’t know how to draw. i tried many times, nothing ever worked, but my youngest daughter draws beautifully, she

can go, but i had already graduated from the polytechnic university at that time, maybe at the academy of arts say: well, okay, and i... even met, androsik, i took the course, i took it, i’m in october came to him, and he said: i didn’t read anything, and he looked at me like that’s it, let’s submit the documents. and i once submitted documents to the academy, but they told me that i have to pay for a second education, and i turned around and left, and there i could get a recommendation from my place of work that they would send me to get a second higher education, just like the railway would send me to the academy of arts, i had the same situation, yes, yes from the radio factory, well, i didn’t know this, but they didn’t give it to me right away, and i didn’t know this in the first place, but then don’t be upset. wife, i’m a first-year student, she’s almost a student, well, of course, my parents helped , by the way, who parents helped, yes, for sure, when you were studying, there wasn’t enough money, no, well, i worked as a kindergarten guard, and you worked part-time , yes, the kindergarten

be the heads of the museum of sergei konenkov’s workshop, this museum belongs to the russian academy of artss clear why you are present in this studio, and as for oleg yuryevich, there is some intrigue, why are you why yesenin, please tell us about what kind of person you are are you related to our main character? well, yesenin was a good friend of sergei timofeevich kanyunkov, and sergei timofeevich is my great-grandfather, great-grandfather, that is, you... yes, along what line, can you restore your genealogy? yes, my mother, alla kirillovna konenkova, she was born in exactly the house where the sergei timofeevich creative workshop museum is now located on tverskaya street, gorky street then. my grandfather kirill sergeevich konenkov, he is the son of sergei timofeevich, and there was also an eldest son mark, but he died in infancy, so soon after mark’s death my grandfather kirill sergeevich was born. well, great. there is a wonderful legend about freeing a landowner from french captivity, so they got free, but not entirely free, over the course of decades they still bought themselves off,

the question of national color in the art of belarus, it is extremely important, and this is one of the most important and difficult questions that are asked, i know at the national academyr the future of art. there is an opportunity, it’s honest, it’s true, i ’m not the kind of guy who will do the impossible, because i treat a new field very responsibly, this... in principle , it’s not new to me that there are no good nights and not enough hours in the day , my whole life has been spent in this, you were the dean, let us remind you, the audience at the academy of arts of the faculty of arts, then the vice-rector for academic affairs, that is, leadership positions are generally familiar to you, and leadership positions are familiar both to the moment of organization and the combination and the ability to work with multitasking processes instills in us the understanding that service art is a choice and a choice forever. tatyana shcherbina, victoria popova, we say goodbye to you for today, goodbye, goodbye, and now anna kononova is speaking. dear people, spectators, visitors. i wish everyone to love art, to get acquainted with correct, beautiful life-affirming art and to c

it is no coincidence that this is celebrated in the halls of the russian academy of arts, the anniversaryzurab tsiritelli, pavel nikonov, victor kalenin and other recognized masters were brought from public and private collections. this exhibition is a gift from the artist. scientists, we cannot make any priorities for fundamental research, we conduct fundamental research in all areas, and it is very difficult here.

called, so in fact, in fact, the story was such that at first he became a professor of the kyiv academy of artsofessor of the kyiv academy of arts, he became a co-founder of the ukrainian secret university, yes, that is, he teaches here, what years are these, come on, let's say what it is, what year it is at the kyiv academy, the kyiv academy - that's pymonenko right there, that's right, malevich will come to teach there soon , there is precisely cubofuturism, all these processes are taking place, the ukrainian revolution and everything, and novakivskyi is coming there, he did not come, as far as i understand, he did not come, but there was a very close exchange, they came to lviv, and to him, for example, there later. in his school, even in a secret university, it was also in his school, then they actually taught just a part of those people who came from central ukraine, from one side to the other, yes, well, for example, i was not surprised that voronny taught screenwriting at this school art, and petro kholodnyi, he came to read his own sacred art, ugh, and relationships, it seems to me that

, and as a professor of the kyiv academy of arts, he became a co-founder of the ukrainian secretyes, that is, he teaches here, what years, come on, let's say what it is, what year it is, kyiv academy, kyiv academy - that's pymonenko there, isn't it? part of those people who came, well, from central ukraine, from one coast to the other, well, for example, i was not surprised that vrony taught screenwriting at this school. and pyotr kholodnyi, he came to read his own sacred art, ugh, and the relationship, it seems to me, is also an unexplored story, how much this relationship in general affected the way the partnership between unr and zunr was built, but i am sure that it was relations between the kyiv academy and the secret university and secret university and this environment in general, and if it was mixed, mixed, that which was not just halychyna or just kharkov or just... kyiv, but it was these mixed environments that allowed them to communicate with each other and build human, human good relations, let's finish about the secret university, it was, it was really secret, hundre

vysotskaya, textile artist, associate professor of the department of decorative and applied arts and costume of the belarusian state academy of the belarusian union of artists. she knows everything about textile art, from the history of fabric, materials, execution techniques to analysis of iconic works of art of the last few years. khristina igorevna, good afternoon. hello. before we start getting acquainted with illustrations on fabric, let's define what textiles are as such, because many people get confused. it's not just fabric. yes, textiles are everything connected with threads and weaves. in general, textiles are defined as everything, everything that is intertwined, that is, it can be made using different techniques, for example, quality, one of them, knitting, maybe also macrome, also textiles. textile art and textile design, what are the distinctive features here? art is this means one-piece products, these are still some kind of objects that are created in a single copy, and these are artistic, artistic works, there can be a very strong conceptual part, technological aspects can be very important, how it was mad

start working for the new generation, for other people, this is the time when i taught at the academy of artss and musicians, because i wanted to know more and i want to know what they know, but now i can say, i know a lot of things, and because of this, that i worked a lot of things and worked a lot where and worked with a lot of people, i received so many awards and prizes, and won a lot of things, not only in belarus, and the whole world, let ’s start with this, this is called the file of my life, that’s all i will do in life , like good things here, bad things not here, this is my diploma. medal is my agreement with google, google adsense, that i work with it, this is mine russian language diploma in bentia, i got 77 , seven, because ah, but as i learned russian, not because of the academy, not because of the university, i learned it because of my friends, because, as they say, life, street, this is a festival, a short meter competition in america in los angeles, more precisely, we won for a film that my brother made, uh, dia alshikh, his name is, he, too, as he said, is a director at the

in high school, she chose between a sailing school, a linguistic university and an academy arts of course the academy of arts not as a metal artist, but... just as an artist, i have been drawing since childhood, it was my hobby, from the age of 3, when i started reading, at the same time i started drawing, the phrase you can’t make money with creativity, i heard when we were discussing where i should go, why not the academy of arts as a result, because, well, really at that time, these were the nineties, mid -nineties, it was impossible to make much money from creativity, so at the insistence of her parents, as often happens, oksana received a diploma international economist, so that... at that time in her native molodechno there were no dance schools, so when oksana opened hers, she immediately began to flourish, in parquet, ball gowns and no office routine of creative development either. to everyone's surprise, oksana decides to close the school. it existed for 8 years, then it was transferred to the city palace of culture, and it still exists there. she had to start from scratch again,

the academy of arts is named after ilya repin. repin is very famous in china, his paintings are large and massive. people are fans of his work, the national museum is the best museum in china, and negotiations have taken place, now the title organizer is the trityakov gallery, the trityakov gallery, well, with the participation of other museums, and the russian museum, a research museum museum of the russian academy of arts. the best russian contemporary films, feature films, documentaries and animation will also be shown in china to mark the opening of the chinese cultural years. and russia created an emblem: a russian brown bear dressed as a 16th-century boyar, a panda wearing a traditional phoenix crown, and they hold hands. in the belgogorod region , a mother and child were killed during an attack by ukrainian armed forces drones. according to the regional governor, militants attacked with drones a car in which the driver was carrying a family, parents and a four-year-old boy. the woman died on place, they managed to take her s

where it will end, i don’t know, i want of course always... this is the time when i taught at the academy of artsf people, directors and musicians, because i wanted to know more and i want to know what they know, but now i can say, i know a lot of things, and from -for this, that i worked a lot and worked a lot where and worked with a lot of people, i received so many awards and prizes, and won a lot of things, not only in belarus and the whole world, so let’s start with this, this is called the file of my life, that’s all i will do in life. this is the most important prize in life, an award in russian, from hollywood from los angeles independent film, what is the name of the festival los angeles independent film festival award, as an editor in here and there, here and there a film and a better editor, like awards, this is the latest one recently, the festival is beyond. was there like dancer, also took third place, as a dancer and soloist and choreographer, that’s all, and this was my file, which is offline, which is offline, i will always show this then to my children in the future and i will s

america, another russian sculptor gleb deruzhinsky, a fellow student of kanenkov at the imperial academy of artsceived a gold medal, that is, kanenkov’s glory was unconditional, after the outbreak of war in 1943, when the danger of occurrence arose. in this role margarita was quite important, well, again turning to the court payment, what was margarita’s role, she asked robert oppenheimer, she definitely worked with those physicists of leftist persuasions who could help in the project, that is, she was involved personnel policy of the american nuclear personnel, i just hiring is a personnel policy, well, maybe from your point of view, i’m just trying to be, so to speak, closer. year 1945 konyunkov returns to the soviet union, and stalin also sends, as it is written everywhere, it is true, of course, that stalin sends a huge, well, huge, not huge, sends a court to the ship that carries all his sculptures, then he comes to moscow , gets this luxurious workshop in the very center on tverskaya on gorky street as this fact. interpret what this means, well it seems to me, obviously, this is, firstly,

also exhibited and the work of students of the belarusian academy of arts. connection between generations katerina pavlova. dedication project. belarusian artist leonid shimelev. the "omash" exhibition is like a deep bow to the author, whose creative legacy inspires contemporary artists to this day. subtle lyricism and expressive colors are all imbued with the personal work of the master. leonid chemelev always created in different ways. he began to comprehend art in his native vitebsk, but only touched his brushes professionally after the front. the war years left an indelible mark on creativity. but despite despite the hardships, the second world maestro was able to maintain optimism and bright colors on his canvases. today, the author’s handwriting is adopted by young artists, but under the guidance of his daughter. it turns out in many ways a connection between generations, since the daughter of lenin dmitrievich shchemelev is herself a textile artist and teaches at the department. and at this exhibition we can see the works of her students, who were ins

of interiors and exteriors. it was very difficult for me, i studied at the academy under some kind of severe monstrous tension, i saw k'. i graduated from the academy and forgot about art the academy of art taught me some professional things, but somehow it clipped my wings very much, when a creative person’s wings are clipped, there is only one thing left: their to grow again, and for this... you need the character of a fighter, this is exactly what maria had to do since childhood, while girls her age dreamed of becoming actresses and ballerinas, she dreamed of becoming an astronaut, her father worked at baikonur, participated in space launch projects buran and lunakhod 2, and for little masha sometimes he brought home tubes of food for the cosmonauts. i didn’t just dream, i actively trained, i... did pull-ups eight times, i did a turn-over, i was trained by my older brother, one of my brother’s workouts was the fact that i stood under a birch tree upside down and learned to eat like this, i succeeded, but when masha grew up, the painful nature did not disappear anywhere, having completed three courses at a pedagogical university as a teacher of drawing and drawing, m

the works of artists, members of the russian academy of arts and its honorary members are presented. art and common spiritual traditions, further in the program. the legendary apple peelers fell in his name a discussion about high art arose around the art gallery. artists of belarus and russia conduct dialogues with acrylic, oil and enamel, what do we have in common? values, home, faith, comfort or guardian angel, and the last supper on youtube, exclusively domestic reflection, 40 of these are lunar works, business cards of masters, such a dialogue in time and space, i think, took place, despite the fact well, for the russian academy of arts this project, maybe it is not so large-scale precisely in its quantity, but in the significance of its participation belarusian artists, it is of course certainly important. art critic, and we will take advantage of this with pleasure, i think we will develop this relationship, the selection of works personally by the people 's artist of the ussr, the legendary zurab tsereteli , but as an artist, designer, architect, in his nineties he sculpts th

i came from syria to belarus to study, i studied to be a tv and film director at the academy of arts,elarus right away for the first time i saw belarusian people and as friends i communicated with them so it was like i saw people who love to have fun love life especially that i came from syria as a war so here i saw in general a people who love life love to hang out love they use every second joy joy joy in joy and this is the first first. one word is very difficult for me, so - then i start speaking russian , such easy russian, i want to eat, i want to sleep, such things, then i became an art academy, student, first year tv director, and there i saw friends, problem here in belarus, what does he say to whom, who speaks little english, we had a group of 12-13 people, only one person speaks english properly, the rest did not speak english, it was difficult, as we know, any people, if a person wants to drink alone. of them, then he must speak their language, otherwise he there won’t be one of them, so you’ll have to learn russian, especially that russian is a fourth language for me, lik

but it so happened that i’ll correct it a little, in the first year i got married, yeah, at the academy of arts, of course there were no children, no, i’m going ahead, they appeared, the second son appeared in the last year, in the fifth, yes, but, when we met we decided to get married very quickly, i’m a first-year student, she’s almost a student, well, of course, they helped, my parents, by the way, who were the parents who helped? surely, when you were studying, there wasn’t enough money, no, well, i worked as a watchman in a kindergarten, and you worked part-time, yes, as a watchman in a kindergarten, there was also filming in this film, son for father, i starred as a policeman there... then he played without cues, and they bought a stroller for the child, and the family helped you so much, your parents helped you as much as they could on both sides, but i think that... surely it was somehow difficult for him too to make such a decision, because in his opinion, energy really is such a reliable profession, to exchange it for some kind of dream of directing, he probably also had a difficult s

in the northern capital, he taught at the architecture department of the repin state academy of arts, taught sculpture classes and was a member of the university's admissions committee. in december of the twenty-third, he left volunteered for the front, served as a flamethrower shooter in the storm battalion. even in the dark dugouts, zodchiy continued to draw. they found some album for me here with the locals. there is still some paper to go after the academy for 10 years i worked on restoration painting churches then in 1916 i was invited to the academy of arts to teach he signed a contract for a year there i teach the contract was suspended well everyone was surprised of course why so why a family children. i say, well i have my own reasons, firstly, there is a common reason, like yes, then what is needed, needed for russia, the second is that i have brothers, two brothers, mobilized, like at the beginning of mobilization, each of them has already received a wound, one has already received a second wound, now he is finishing his treatment. they also have small children, also famili

in the northern capital, he taught at the faculty of architecture, repin state academy of arts, conducted sculpture classes and was a member of the university's admissions committee. in december of the twenty-third, he volunteered for the front, served as a flamethrower gunner. here they found some album and some pencils from the locals. i used them to draw on some scraps of paper, like these notebook covers, these are portraits of these, well , together with us, this is a penguin, moni, this is chicano, here he is, now a machine gunner, this is us sitting in the basement, and this is from our basement, from the garden, this is the view. feed mill, so far so good, there is still some paper left after the academy for 10 years i worked in restoration, painting churches, then in 1916 i was invited to the academy of arts to teach, a contract for i signed a contract for a year, he teaches there, the contract was suspended, well, everyone was surprised of course, why, why, family, children, well... i say, well, i have my own reasons, firstly, there is a common reason, like yes, what is needed,