hello, dear friends, this is the podcast life of the remarkable, i’m with you, its host, writer alexey varlamovthe new world magazine, researcher at the dahl literary museum, pavel kryuchkov. hello! hello, today we will talk about korney chukovsky, well, of course, pavel works for us at the chukovsky museum, which is part of the dahl literary museum in peredelkino, and daria is visiting us today not as a famous author, but as a person who korney ivanovich personally knew, remembers and can tell us some unique things that no one else can tell, i would like to start with the fact that... there is this classic phrase: a writer in russia must live a long time, which is attributed to korney ivanovich chukovsky. and my question is: is it true or is it a myth? let's first... it's in such a truncated version, in russia you have to live for a long time, this is how i just said it, some witnesses refer to those years that korny ivanovich pronounced it, and even i saw winged quotes in the dictionary. words, this phrase is authored by kareniy ivanovich, but in all honesty, i’ll tell you, it seems to me, an

hello, my name is alexey varlamov, i am a writer and rector of the gorky literary institute, this isliterary institute, andrey. on it, could not due to his age, but nevertheless it was very important for him to try to analyze what was happening to the people, and he did not relate to it in any way and did not participate primarily with his country at the time of the great threat, and these dramatic times , of course, will always be of interest to writers, always; another thing is that the view of a contemporary and a participant in events is very different from the attempt she... vasiliev plays, it seems to me, on a very important counterpoint, that the battles are of local importance, but there is only one life, these girls and the foreman of the wax are doing the incredible, well, yes, probably the girls could not resist, anti-aircraft gun girls would not be able to resist carefully trained saboteurs from the ss troops, probably no, yes, as a paratrooper, but this one, yes, it looks implausible, but this is a counterpoint that in incredible circumstances. but still, this theme of t

podcast life of the remarkable, i’m with you, its host, writer alexey varlamov, and in my studio , thevich knyazev, people’s artist of russia and theater historian, rector of the shchepkin higher theater school boris nikolaevich lyubimov. the reason for our meeting was the anniversary of boris vasilyevich shchukin, who turns 130 this year. boris nikolaevich. what can we say about this wonderful actor, this is how he is remembered in the history of russian theater and russian cinema, yeah, this is a very difficult question - for many reasons, in general, when you talk about actors, when you give lectures, say, on the history of theater, in contrast to history and literature, you know very well, you can’t take a book off the shelf, no, especially if we talk about theater, there is no... that living role that you can show today: for decades there are no people who have ever seen machalov live , shchepkina, there sadovskikh and so on. but here you go, shchokin, whom we can see live, yes, a photograph, but he will not leave here, this is the most difficult thing, it seems that he died in 19

surround it with a wall, then nothing good will come of it, by the way, the wonderful novel by alexei varlamovr pavel, is about this, this is the same model, there’s a huge problem here, how many artistic things are based on the fact that something from someone then they hide it so that he doesn’t know, doesn’t remember. most often these are all unsuccessful attempts, that’s the memory, it is certainly contextual, for example, when i remember something, i often don’t even remember exactly what was said, but i remember where with what facial expression, this is such synesthesia, or i remember what it smelled like at that moment, for example , it smelled like sleepers at the station, memory is olfactory, it is one of the strongest, it is believed that i remember dmitry sergeevich likhachev said that from childhood he remembers the smell of heated boxwood, the crimean smell, and he says: when i now hear this smell a hundred times over, i'm immediately raised mood, memory is not information that can be presented like this in three pages, memory is the whole aggregate. this is the world of god, as

i am with you, its host, writer alexey varlamov, we are talking today about the poet igor hollin, my your childhood years? and somehow everything worked out very well for me with my dad, i was always incredibly interested in him, i was incredibly interested in all this artistic environment of him and the environment of these antique quartz makers since childhood, well, of course that would also be .. . very colorful people, well, sometimes they, i say, were from their own. circle, sometimes it was just people who were just doing, well, business, yes, now in modern language, and i felt good, you had a lot of books in the house, yes, a lot, that’s what my father had in general, what were his favorite poets, writers, there russian, foreign, modern, from the past, khlebniks, included, maykovsky too, him, of course, when it comes to straight yes... his most beloved , of course, was most attracted to straight avant-garde avant-gardism, but just like the cool ones , and they were familiar with him from twisted? yes, he said that he saw him once, but the cool ones lived a very long life, yes

hello, dear friends, this is the podcast life of the wonderful with you, i, its host, writer alexey varlamov of all, i, as a writer, and as a person, am always interested in the story of growing up, the story... how a person fulfills the fate that he is destined to live, that's how i know you were born far from moscow, far from st. petersburg, from leningrad, on the border of asia and europe, then it so happened that you came to conquer the capital, if i understand correctly, yes, you came to leningrad, or am i mistaken, look, i was born yaroslav at that time a time when all the young people dreamed of something else, now almost no one has it, now it’s a dream... no one is chasing anywhere, neither to the north, nor to the south, nor to the capital, now such dreams are online, here are those close to you teenagers, children, somehow they dream of something else, no one flies somewhere to try themselves, in order to somehow test myself, yes, there are no such situations today, there are no such stories, but in any case, this is the path that i, and thousands of other girls and boys who were t

, dear friends, this is the podcast life of the remarkable, i am with you, its leading writer alexey varlamovof all, as a writer, and as a person, i am always interested in the story of growing up, the story of how a person fulfills the destiny that is his. needy live, as far as i know, you were born far from moscow, far from st. petersburg, from leningrad, on the border of asia and europe, then it so happened that you came to conquer the capital, if i understand correctly, yes, you came to leningrad, or am i mistaken , look, i was born yaroslav at a time when all young people dreamed of something else, now almost no one has this, now no one is chasing a dream anywhere, neither to the north, nor to the south, nor to the capital. nowadays there are such dreams online, those close to us are teenagers, children, somehow they are dreaming about something else, no one, uh, well he doesn’t fly somewhere to try himself, to test himself somehow, yes, there are no such situations today, there are no such stories, but in any case, this is the path that i and thousands of others have taken...

crawls on, i take his photo... of the literary institute, we talked about the heroes with you alexey varlamove war. never before has stirlinz been so close to failure. gabby, as a chess partner, i 'm not interested in you. stick around the corridor. which corridor? where is he going? did stirlets go to nyuller? stirlets will fall asleep now, sleep for 20 minutes, but in 20 minutes he will wake up and go to berlin. “this was a habit developed over the years, just like the habit of watching the series 17 moments of spring, and we want to figure out why it still attracts the attention of viewers, why it survived its era and remains in ours, what in general it talks about, and this is not by chance ours the atmosphere in the studio matches the mood of this series, yes, this is a set of objects that could appear in the series itself, moreover. and these are objects not only from the forties, but also from later eras, including from the seventies, when the series was filmed, when the audience saw it, they saw everything there, in general, quite familiar, and thus it connected... the generation of t

first, we continue , this is a podcast the life of the wonderful, i am with you, its host, writer alexey varlamovafter shchukin evgeny vladimirovich knyazev and rector of the higher theater school named after shchepkin boris nikolaevich lyubimov. i would like to take this opportunity, evgeny vladimirovich, to talk a little about you, about your work about the vakhtamgo theater today. that you have done a lot of work in cinema and theater, probably a separate podcast could be dedicated to this, but still, this is what is very interesting to me personally, i am very interested in zoykina apartment, because zoya’s apartment - but it turns out that yes, but because, try it, we, no, well, we were all dispersed there, in this performance, in this piece in the performance with these artists, but here only we are alone, and there is not one, neither national nor honored, we are all the same year, we went on stage and played this performance, so i am grateful, well, firstly, this is bulgakov. i have the right to disagree with the audience, with the opinion of some of the critics, and so on, but i, as a pa

hello, dear friends, this is the life of the remarkable podcast, i’m with you, its host, writer alexey varlamov. how a person fulfills the fate that he is destined to live, as far as i know, you were born far from moscow, far from st. petersburg, from leningrad, on the border of asia and europe, then it so happened that you came to conquer the capital, if i understand correctly, yes, you came to leningrad, or am i mistaken, look, i was born yarosl at that time a time when all the young people dreamed of something else, now almost no one has it, now i’ll notice it. no one is chasing anywhere, neither to the north, nor to the south, nor to the capital, now such dreams are online, here are loved ones, teenagers, children, somehow they are dreaming of something else, no one - well, somewhere flies to try himself, to test himself somehow, yes, there are no such situations today, there are no such stories, but in any case, this is the path that i took, and thousands of other girls and boys who were traveling for exactly this a dream, today i practically don’t meet them, well, i don’t know, i, as the

we continue, this is a podcast. wonderful, i am with you, its host, writer alexey varlamov, my guestsvich lyubimov. boris nikolaevich, as it turned out that this modest young man, who was even embarrassed to confess his love, became such a superstar of soviet cinema, it was he who was entrusted with playing the role of lenin, it’s not a joke, playing lenin. this is not a joke at all, yes, because in general, well, imagine, this is lenin in october, lenin in the year eighteen, this was filmed in the thirty-seventh and thirty- eighth, so, in total, so to speak, 20 years, but what happened in this time in the country in the thirty-seventh and thirty water, perhaps, it’s pointless to tell here now, this is a very big responsibility for everyone, because the revolution was made by lenin, stalin , the people, yes. from lenin's inner circle, in fact, by that time they were either pushed aside, like krupskaya, or shot, so here is a step to the right, a step to the left, and it can end with anything, in that he looks like lenin, gorky saw this , back in 1932, when they were rehearsing there, a

yes we continue, this is the podcast life of the wonderful, i’m with you, its leading writer alexey varlamovdimirovich knyazev and... in the vakhtangov theater zoykina’s apartment and as far as i understand you played in this play, which was already revived there when in the nineties, in the 2000s, it was staged, yes, it was staged, and you just played balyaninov, yes, that’s what you could say about this role, each theater has its own generations, borisova has ulyanov’s generation, maksakova and another lonova have their own generation, zoyka’s apartment is the colossal success of this performance, he’s such a big boris nikolaevich not believes, but you don’t know, but i’m really imposing my opinion that you will say that great success is beyond any doubt, there’s even... there’s no need to argue about the performance, i think about the work of evgeniy vladimirovich that it’s one of, so to speak, the keys to this success, and such a one hundred percent fit into the image of the old prince, yes - i have a more restrained attitude towards the performance, to be honest, well, nevertheless, wha

valentin yakolovich , all the acting valentin yakovich kurbatov, the legendary, amazingly talented alexey varlamov of the modern biography of tolstoy in yasnaya polyana, vladislav otoroshenko, one of the first. winners of the esnopolyanskaya prize, igor petrovich zolotusky, our legendary critic, literary god of health, but anatoly andreevich kim, one of the initiators of the yasnaya polyana magazine, then the literary prize, yasnaya polyana, yeah, that is, we can say that the writers’ meetings somehow consolidated writing community, generally not easy years, during the years of strife, the mid-nineties, right? there are always families and children there, it is very important that the children become friends there, there are two dozen of them, children of writers, communicate with each other, well, we talked about how yasnaya polyana since the nineties, the mid-nineties again became such a family place and a huge it’s fortunate that our children grew up there, well, firstly, my sons were born in clear glade, here you have to understand that we are fat, if you don’t formally fit in, yes, if these a

varlamov is. did you know that armoring and swearing were prohibited in russia; there was even a death penalty for this. in the 18th century, under tsar mikhail fedorovich or his son alexei streets of large cities , disguised officials with archers walked around the markets, grabbed those who swore on the spot and punished them with rods, according to the resolution of the hundred-domed cathedral 1551 , severe punishment was imposed for using a swear word, including the death penalty. in the zaporozhye sich , the use of swearing was prohibited under the threat of whipping in the pillory. this is how, comrades, alexander vorlamov is our guest today. in general, i want to say that i can’t stand swearing, i’m directly grateful to you for this post, because sincerely, because in fact this swearing is contempt for people, it absolutely contradicts russian orthodox culture, it contradicts christianity, it contradicts everything without exception, we have incompatible products today. we will introduce a very famous dish, it is a well-known filling, spinach with cheese, georgian cuisine, all spinach with cheese, there is just a separate dish, spinach with cheese in cream sauce,

course, we continue, this is the podcast life of the wonderful, i am with you, its host, writer alexey varlamove the rector of the shchukin theater institute evgenia vladimirovich knyazev and the rector of the shchepkin higher theater school boris nikolaevich lyubimov. boris nikolaevich, how did it happen that this modest young man, who was even embarrassed to confess his love, became such a superstar of soviet cinema, he was entrusted with playing the role of lenin, it’s not a joke to play lenin, it’s not a joke at all, this one, yes? in general, well, imagine, after all, this is lenin in october, lenin in the year eighteen, this, this was filmed in thirty-seven and thirty-eight, which means, in total, so to speak, 20 years, but what was happening at that time in the country in thirty-seven and the year thirty-eight, perhaps, it makes no sense to talk about it here now, everyone has a very big responsibility, because the revolution was made by lenin, stalin, the people, no one from his inner circle. in fact, by that time they were either pushed aside, like krupskaya, or shot, so here is a step