well, they weren’t done by this crew, but by the crew where andrei andreev was, that is, me and jamesmeron was sitting, aiming the camera, the camera was outside on a special hydraulic rotating device, so he was turning it, so he was adjusting the lighting, well, actually, he was telling which light to turn on, which turn off, extend the rod. turn on this lamp and so on, well, there it is, i, you see, was sitting at the control panel, controlling the apparatus, jim was sitting on the right at this control panel and, you see, he was turning these knobs, well , andrey andreev, you see, ensured everything else, you see, you see, the apparatus was operational, we also had a huge rod there, on which there was... it shouldn't be like this, it shouldn't be like this, you, you see , questioningly, now, he says, affirmatively, you need to be neutral, well, i, probably, well, a hundred, a hundred and more times, i probably said. these are two words, but here is something that was chosen, this is the cameron 70 podcast, i am film historian stanislav didinsky, and today we are talking about why j