yaglaya nabatnikova, today we are talking about nikolai liskov, his stories and stories with andrei gelasimovtor by training, yes, tell me why you think this material is asking for the hands of directors, and what is so attractive about liskov, you know, everything is very simple here, because, as we said at the beginning of the conversation, he is not a writer of the first rank, since there were great contemporaries , he was lucky like few authors, he created several household heroes who are cult and remain later, that is, tolstoy has a whole series of them, and there is anna karenina, i don’t know, natasha rostova, fyodor mikhailovich has such characters like radion romanovich raskolnikov, svidrigailov and so on, that is, despite... his eccentric work with language, he managed to find and pull out of oblivion a couple of characters who remained iconic, this is, first of all, katerina izmailova from ledit tsensky district, lefty, whom any a child that any child knows at school and so on, here he managed to do this, and the directors feel this fat, fat, absolutely right, they fall for this te

today we are talking about nikolai liskov, his travels and stories with andrei gelasimov. e andrey, also a director by training. theatrical, yes, tell us what you think, why this particular material is asking for the hands of directors, and that there is such an attractive thing about liskov , you know, everything is very simple here, despite the fact that like you and me... in at the beginning of the conversation they said he is not a writer of the first rank, since there were great contemporaries, he was lucky, like few authors, he created several household heroes who are cult and remain later, that is, tolstoy has a whole series of them, and there is anna karenina, i don’t know, natasha rostova, fyodor mikhailovich has such characters like radion romanovich raskolnikov, svidrigailov and so on , that is, despite his eccentric work... with language, he managed to find and pluck from oblivion a couple of characters who remained cult, this is first of all katerina izmailova from ledin magbit, tsensk district, lefty, whom any child, who any child knows at school and so on, he

aglaina batnikova, today we are talking about nikolai leskov and his novels and stories with andrei gelasimovs love to film leskov so much, here you are andrei , also a director by training, a theater director, yes, tell me what you think, why this particular material is asking for the hands of directors, and what there is something attractive about liskov, you know, everything here is very simple, despite the fact that, as you and i said at the beginning of the conversation, he is not a writer of the first rank, since there were great contemporaries there, he was lucky... like few authors, he created several household heroes who are cult and remain later, that is, tolstov has a whole series of them, and there is anna karenina, i don’t know natasha rostova, fyodor mikhailovich has characters like radion romanovich raskolnikov, svidrigailov, and so on further, that is, despite his eccentric work with language, he managed to find and pull out of oblivion a couple of characters who... this is, first of all, katerina izmailova from lady magbe of the tsensky district, a left-hander, whom any a chi

shared, thank you, this podcast is a must read, i am glaya napatnikova, my guest is the writer andrei gelasimov the other hand he is a little lost against the background of his contemporaries, tolstoy, dostoevsky, we are talking about the 19th century, this is what determines his certainness. a strange place, yes, it seems to be in parallel with the main classics, but at the same time time and by many, it is underestimated, how to explain this? well, this can be explained simply by the feast of literature of the 19th century, it so happened that this art was socially in demand, so much so that very large, serious, talented people came to this specialty, and the competition was very high throughout the 19th century and incomparable with that what we had in... well , in the twentieth, other entertainment appeared, well, cinema, radio, entertainment was more understandable for the crowd, and than literature, the share of literature in, say, culture entertainment was one hundred percent, well, the theater could somehow compete, but still literature was the most important of the arts, well , because

my guest is the writer andrei gelasimov and we will discuss nikolai liskov and his stories . mporaries, tolstoy, dostoevsky, we are talking about the 19th century, this is what explains his somewhat strange place, yes, he seems to be would be in parallel with the main classics, but at the same time... and is underestimated by many, how to explain this? well, this can be explained simply by the feast of literature of the 19th century, so it turned out that there was social demand - this art turned out to be so great that very large, serious, talented people came to this specialty, and the competition was very high throughout the 19th century and incomparable with what we had in the twentieth in all previous centuries, but in the twentieth, other entertainment appeared, yes, cinema and radio appeared. understandable to the crowd, yes, than literature? the share of literature in, say, entertainment culture was one hundred percent, well, theater could somehow compete, but still literature was the most important of art, well, because literature is still distributed everywhere, thea

this podcast is a must read, yagla attackers, my guest is the writer andrei gelasimov and we will discusstition was very high throughout the 19th century and incomparable with that what we had in... all the previous centuries, well, in the twentieth , other entertainment appeared, yes, cinema, radio appeared, entertainment was more understandable to the crowd, yes, than literature, the share of literature in let's say, in the culture of entertainment it was one hundred percent, well, theater could somehow compete, but still literature was the most important of the arts, well, because literature still spreads everywhere, theater is for those who are present in the hall, yes , and for literature, everyone can read this, although you know, not long ago i was in pyatigorsk at the lermonov museum and there they showed me the first edition of the hero of our time, guess what the circulation was, which made him super famous, maybe , 100 copies, something like that, 300, guessed right, i was very surprised, that is, i thought, 300 copies, and the person becomes famous throughout the entire st. pe