antoinette is joining us from philadelphia. good morning. yes, good morning. gentlemen, what i wanted to address mr. johnson was that many years ago around i can't remember when my mom we talked about the black wall street, and unfortunately, we had put those in the annuals of emmett till etc. for black people so my question is and and what i wanted to say from the cause and effect of what we've always gone through here in america. i feel as though reparations is a way to for the united states to finally acknowledge and respect the atrocity of slavery racism because i can be a walking history. also i was spared on i was called the n-word in the 60s and it has a cause and effect. to black people. so what my question to you mr. document because you're a scholar. do you think that maybe the scholars and elders can come together and talk about psychologically. what black americans go through here and that stigma of not receiving reparations like everyone else when they receive theirs. it was quiet. nobody heard anything but for us we have to constantly constantly

to mary's point and to antoinette from philadelphia, your response? >> you know, i hear that all the time, people who are -- particularly people in oklahoma who are angry that they are from this place yet don't know its history. and i hear that as often or more often from people who are white than people who are black. so it's really important to understand that we have been cheated out of something if we don't know our history. and we've got a lot of remediation to do and a lot of catching up to do. the callers' point i think really goes to the issue of trauma and the need for us to acknowledge that we have been traumatized and to perhaps convene listening sessions around that trauma to understand the full extent of the trauma. what is missing, what is absent, what do we need to shore up because of that trauma. we know that we need to do a better job of educating ourselves and others, but are there other things that we need to help us get through this life given the trauma that has befallen us. in terms of reparations, there are conversations going o

antoinette was once a wod-class gymnast competing for bulgaria.ast two years she has been teaching here in the mountains of northern japan. >> dreams come true. what an experience to come here to a place i already love. to work with gymnastics, that was my childhood, my passion. reporter: five years ago, they invited the bulgarian women gymnastics team to make this place their olympic hometown. that was before covid. this hotel manager shows me the route the bulgarian team will have to take to get back to their rooms. at every stage team members will have to be kept separate from other guests. news that two ugandan athletes tested positive for covid after arriving in japan has added to his worries. >> when i heard about the ugandan team, i was concerned. the infection could spread around the team. that is what i am most worried about. reporter: murayama is an exemplar of what the whole olympic spirit is supposed to be about, but because of covid, the enthusiasm is tempered with anxiety. that is because places like this in rural japan have lots of

celebrated portrait painter of european ability, one international claim for her painting of mary antoinette. particularly does a special thing about this exhibition is alluded to in the full name of the show female painters. the birth of a struggle to show looks at history in a new way. these women artists were actually visible during the lifetime and were only forgotten in retrospect. and for that, all history is to blame. the la y'all night, the fat puss tell me how mail is our history darling artist, sybil say, took a look at a popular encyclopedia of office and deleted all the entries on male artists. she wanted to make the women visible of the original $5200.00 entries, only $100.00. $69.00, remain 3 percent. the countless blank pages expose the established cannon as a questionable construct, a relic. patriarchy, me, me, no matter how successful the women painters were in the lifetimes. later, history passes them over, work disappeared into the store, rooms of museums, where they slowly decayed for space organization advancing. women artists has taken up the fight and literally fries o

celebrated portrait painter of european nobility, one international claim for her painting of mary antoinette particularly did. the special thing about this exhibition is alluded to in the full name of the show female painters. the birth of a struggle to show looks at our history in a new way. these women artists were actually visible during the lifetime and were only forgotten in retrospect. and for that history is to blame, the young lady said posterior me how male is our history in artists say, took a look at a popular encyclopaedia of office and deleted all the entries on male artists. she wanted to make the women visible of the original $5200.00 entries, only $100.00. $69.00, remain 3 percent. the countless blank pages expose the established cannon as a questionable construct, a relic. patriarchy, me, no matter how successful the willing painters were in their lifetimes. later art history passes them over their work, disappeared into the store. rooms of museums, where they slowly decayed florida spaced organization advancing. women artists has taken up the fight and literally fries out b

celebrated portrait painter of european nobility, one international claim for her painting of mary antoinette particularly did. the special thing about this exhibition is alluded to in the full name of the show female painters, the birth of a struggle to show look at our history in a new way. these women artists were actually visible during the lifetime and were only forgotten in retrospect. and for that history is to blame the last night. he said, posterior me how male is our history in artists say, took a look at a popular encyclopaedia of office and deleted all the entries on male artists. she wanted to make the women visible of the original $5200.00 entries, only $100.00. $69.00, remain 3 percent. the countless blank pages expose the established cannon as a questionable construct, a relic. patriarchy, me, me, no matter how successful the willing painters were in their lifetimes, later art history passes them over their work, disappeared into the store. rooms of museums, where they slowly decayed florida spaced organization advancing. women artists has taken up the fight and literally frie

antoinette vitali was once a world—class rhythmic gymnast competing for bulgaria.ymnastics. that was my childhood. i was growing up in gymnastics, so this is my passion. five years ago, murayama invited the bulgarian women�*s gymnastics team to make this place their olympic hometown. but that was before covid. he speaks his own language. this hotel manager shows me the route the bulgarian team will now have to take to get back to their rooms. ok, so there�*s a screen here, can�*t go any further. at every stage, the team members will have to be kept separate from other guests. news that two ugandan athletes tested positive for covid after arriving injapan has added to his worries. translation: when i heard about ugandan team, - i was a bit concerned. if we have an athlete in fact after they arrive, the infection could spread around the team. that is what i'm most worried about. murayama is really an exemplary of what the whole olympic spirit is supposed to be about. but because of covid, the tremendous enthusiasm here is tempered with anxiety, and that�*s because pl

celebrated portrait painter of european ability, one international claim for her painting of mary antoinette. particularly does a special thing about this exhibition is alluded to in the full name of the show female painters. the birth of a struggle to show looks at our history in a new way. these women artists were actually visible during the lifetime and were only forgotten in retrospect. and for that day, our history is to blame the la y'all night the fett post. tell me how mail is out. history in artists say took a look at a popular encyclopaedia of office and deleted all the entries on male artists. she wanted to make the women visible of the original $5200.00 entries. only 100. $69.00, remain 3 percent. the countless blank pages expose the established cannon as a questionable construct. a relic of patriarchy, me, me, no matter how successful the willing painters were in their lifetimes. later art history passes them over. their work disappeared into the store. rooms of museums where they slowly decayed florence space organization advancing. women artists has taken up the fight and lite

she pulled a marie antoinette on national television, saying nobody is more upset about this than i amy rightly noted that her compensation has just skyrocketed as mylan ceo. once the morgantown plant got into regulatory trouble with the fda, based on the kinds of data manipulation that some of the executive team had been notably involved in, in their previous employment, they looked to wind down the morgantown plant. the people who are really going to suffer here are american consumers. we need safe medication, affoable medication, and medication made within inspection distance of fda headquarters. that is what the morgantown plant offered for something like five decades. amy: this is then's-mylan -- blaming the price hike on a broken health care system during a disastrous interview with brian sullivan. >> you must understand the outrage. somebody last night said people are outraged because it seems outrageous, that the american medical association has said this is basically the same product it was in 2009, and yet the price has gone up 400 fold. >> no one is more frustrated than me.

>> it brings to mind marie antoinette, who said, let them eat cake, when the people didn't have enough bread to eat during the days of the, previous to the french revolution. it is just ridiculous to say that. let them pay more. well, you know, if you don't have enough people to do the work, you're not, your profit margins are very thin to begin with. restaurateurs et cetera, it is just an unrealistic statement. it shows that the president is really detached and disconnected from the real problems of this country, especially when it comes to our economy. he is trying to kill the economy. i have mean, you know, i thought we were going to talk about infrastructure. all i can tell you is these huge, trillion dollar packages that these democrats keep pushing on us, there are 6 trillion-dollar budget, they're all going to have a negative affect on our economy. they are going to -- we have had a number of wharton school. we've got rice university, several, not just conservative but also liberal think tanks that have done analyses, show these tax increases that the democrats are pushing, thes

antoinette vitale was once a world—class rhythmic gymnast competing for bulgaria.ly like dreams come true to experience — to come here in the place that i already love. and to work with terrific gymnasts. that was my childhood — i grew with gymnastics. this is my passion. five years ago, moriyama invited the bulgarian women�*s gymnastic team to make this place their olympic hometown. but that was before covid. the hotel manager shows me the route the bulgarian team will now have to take to get back to their rooms. ok, so there is a screen here. can�*t go any further. at every stage, the team members will have to be kept separate from other guests. news that two ugandan athletes tested positive for covid after arriving injapan has added to his worries. translation: when i heard about the ugandan team, i i was a bit concerned. if we have an athlete infected after they arrive, the infection could spread around the team. that is what i�*m most worried about. moriyama is really an exemplar of what the whole olympic spirit is supposed to be about. but, because of covid,