work on this work on the image of the sculpture object for the metro station franz bogushevich square. the architect vladimir nikolayevich and i thought for a long time, how to take a quote, there were several capacious and vivid quotes from the work of the belarusian writer, the founder of critical realism, man. this influenced the formation of the belarusian language in the form in which we know it, so we inclined to quote. you don’t leave, you press our belarusian one, no matter how franchizmshevich didn’t die. our belarusian culture takes its roots. in particular, art, not in the big academies in paris and st. petersburg, but grows out of small towns and villages. belarus, where the methods of weaving forging and other folk crafts are gradually transformed into the method of artistic avant-garde, that is, the roots of our culture lie in the village and in small towns, where folk crafts are. such as qualities and forging are something extremely interesting and original and broadcast honestly authentic belarusian culture, therefore, at the heart of this work is weaving a carpet, the

bogushevich sang in his work to be ordinary people, purely technologically. order to create an inscription copper to have such a property that when heated it becomes flexible and plastic, but when it hardens it becomes red-hot. you will not do anything else with it, and at this moment you need to have time to process copper according to the plasticine model that was created before and in plasticine model. we create all the aesthetic plastic and other properties of the work, and in copper we only fix it so to speak and make it resistant to deformation to everything else in general. e was a question. how to shade her. we thought to give a light patina. right up there in this part of the weaving, but as one japanese sculptor mitsuki, 40, a survivor of the hiroshima bombings, told me. first, you start making a culture, and then she herself tells you how to do it. and then at the end ends. in general, she makes you this is the only thing that the animal has for 2 months of communicating with him through an interpreter, so the sculpture itself prompted. that, in pr

we are now heading to the metro station frantishka, bogushevich square, where we will look at my sculpturalrusian, created dedicated to the life and work of the belarusian writer frantishka, bogushevich. work on this artwork on the image of the sculpture object for the metro station ploshchad francesca bugushevich. the architect vladimir nikolayevich and i thought for a long time what quote to take. there were several capacious bright quotes from the work of the belarusian writer, the founder of critical realism, man. this influenced the formation of the belarusian language in the form in which we know it, so we leaned towards a quote. do not leave the press, you are our belarusians, no matter how franchizmshevich did not die. our belarusian culture takes its roots. in particular, art neither in the great academies in paris nor in st. petersburg a grows from small towns and villages. belarus, where the methods of weaving forging and other folk crafts are gradually transformed into the method of artistic avant-garde, that is, the roots of our culture lie in the village and in small towns, wh

proclamations in the belarusian language, he also mentions the books of dudok belarusian frantishka bogushevichkova has grown up, that i am a belarusian and that one, according to my nickname, serves his people with all the strength of his soul and heart. with this polish woman, writing went to nothing from this chance. everything starts only on the belarusian sea. worldview of ivan lutsevich. it was formed not on the basis of education, but thanks to communication with people close to him and these are belarusian songs anton levitsky and the groman deacon alis burbis and e, indoor writer vladimir samoilov syabra, yankee bathed in childhood, this is exactly what yana gave on this literature, sluggishly razmovu, and that she formed. uh, well, from this traffic light from the young one chance has a thorn, it's 1904. i know in general the zyatvikha ball we lived in the bottom of the barrel, it was a great fall for me, because its longest day. well, everything is with a person, if not only writers, what kind of food in belarusian is zedviim sha? ivan lutsevich and urged to write in belarusian and t