hmm, or there the moshensky seventies became a real golden age in the history of the bolshoi theater of belarusues at the box office tickets only by pull, equals were together in the theater people's artist of the republic valentin elizaev it was just a hype tickets were not possible to buy and sold them at the register. uh, only with the condition that you buy at the same time a few more ballet flats for the opera for the least popular. you can thread there, but the main thing is that you bought the tickets. glory to the beaver, the belarusian ballet thunders throughout the vast country in the epicenter of the cultural life of minsk, the young were together mr. valentin elizariev, 73 years old. i just finished. the choreographer’s department of the leningrad conservatory and from the third year of the conservatory tracked me down, our former minister of culture and yuri mikhailovich is a wonderful person, in the third year, received an award at all union competition. uh, here, probably they were looking for a person who kills when his cork, therefore, it so happened that i was assigned to the

with the advent of its own building, the bolshoi theater of belarus was actually challenged to catch overtake other eminent opera and ballet at home, unions, the number one task is nothing less than the creation of a national repertoire for the moscow school, leningrad was famous for its male cadres, st. petersburg has always been famous for its female ones. well, somehow they managed to do it. but what if , thanks to teachers who were both from moscow and st. petersburg, to create a school of cats, which, in general, are approximately equal, well, what's the share? skills are invested in both men and women in the thirties, it was originally planned in moscow that opera would be the most democratic art. even the demands went to the opera. it should be an opera song in such a way that there are absolutely understandable numbers in couplet form. uh, the song is the dance of the march, and for the people to come out of the prison of the theater and sing along the road. here are the song marches he just heard at the grand plans opera. in the forty-first year, the war will destroy not to

uh, alley ballet today, like decades ago, the bolshoi theater of belarus remains the cultural mecca ofital, the repertoire of more than 80 ballet and opera productions from world classics to art-house performances, the world does not stand still and already the aesthetics of classical dance. yes, and performances of ballet and ballerinas. uh, they rushed, go ahead. and of course, this has already been a fusion of gymnastics and tricks and classical ballet. yes, but there are things that have been tested for centuries among today's. ah, performances. i would very much single out, of course , god is not just interestingly set for him. it is also associated with the golden age of belarus, the beginning of the twentieth century, from the vitebsk avant-garde school with a demonstration of some kind of e. the son of malevich and, of course, salome is the peak that not everyone is given, because this is the most difficult work. hmm, and in our country it is staged in the form of an opera and ballet, like numerous generations of predecessors , modern artists with awe and pride enter the legend

hmm, or there the moshensky seventies became a real golden age in the history of the bolshoi theater of belaruskilometer-long queues at the box office, tickets only by pull. the main thing was that people's artist of the republic valentin elizaev was together in the theater; it was just a hype. it was impossible to buy tickets and sold them at the box office. uh, only on the condition that you buy at the same time a few more ballets for the opera at the most unmarketable. you can go there, but the main thing is that you bought tickets slava beaver, belarus and ballet thunders throughout the vast country in the epicenter of the cultural life of minsk young were together mr. valentin elizariev, 73 years old. i just graduated from the choreographer department at the leningrad conservatory, and from my third year at the conservatory , our former minister of culture and yuri mikhailovich was tracking me down, a wonderful person. uh, in the third year i received an award at an all-union competition. and here, probably, they were looking for a person who would lead the pipe, therefore, it so happened

kolomiytsev or moshensky there, the seventies became a real golden age in the history of the bolshoi theater of belaruses, kilometer-long queues at the box office, tickets only by pull. the main ones were together in the theater, people's artist of the republic valentin elizariev. well , the rear was just a hype; tickets were not possible to buy and they were sold at the box office. uh, only on the condition that you buy at the same time a few more ballets for the opera at the most unmarketable. you don't have to go there, but the main thing is that you bought the tickets slava pro belarusian ballet thunders throughout the vast country in the epicenter of the cultural life of minsk young were together ussr valentin elizariev, seventy-third year. only the okungrad conservatory hurts ene, and from my third year at the conservatory he tracked down our former minister of culture mikhailovich, a wonderful person. uh, in the third year, received an award, she was all an allied competition. and here, probably they were looking for the person who led the pipe, therefore, it so happened that i was assigned to t

republic of belarus among the participants are the olympic champions of the world and europe, leading professional circus artists and world-class dancers promoting the ballet of the bolshoi jewish theater. it's a sports show here must be difficult tricks. there should be interesting sports elements here, because the audience goes to the show of svetlana khorkina and they want to see the sport of high achievements. i really hope that it is this sport. they will see today and we will not have indifferent faces in the hall. hallelujah for my parents, my classes were just salvation from them, i came tired, hushed , fell asleep, almost on the go. we still had to eat dinner. mom kept swearing, you won’t go to your gymnastics anymore until you eat something. well, two or three spoons of some food, i i ate it, and with the next one i fell asleep, my coach was elena andreevna tkacheva. i had the smallest one, i was 4 years old. she comforted my mother. let your girl jump and run, and then we'll see. i was not forced to do any game or strength exercises with everyone. they were allowed to just run around the hall, jump on the trampoline, somersault in the pit. in general, do what i want and i re

belarus 24. which victory award do you value most for my career, the most important thing was when i entered the youth program of the bolshoi theater such a qualitative leap forward, and which then entailed such a serious development and, as a result, an international career. and i know that a few years ago you were part of a group of singers who were nominated for a grammy. among your awards are the opera and this is an analogue of the oscar it would seem that all the awards have been won, what's next? well actually, i think it is. well, a nationwide achievement. still, not every singer is nominated for graham. i am very grateful to konstantin arbilyan, with whom we we have also been cooperating for many years, who invited me to record the part of the mandalena at the rigolet opera with the outstanding dmitry khostovsky, and we did this in kaunas with the skaun symphony orchestra. and this record was indeed nominated. and hmm, it’s very bitter for me personally, because the granny jury didn’t mark this work, because dmitry was already more when and, uh, he sang just like a god, he lived this part for so long, he suffered it, and a