it was here that lermantov’s borodino began. the same time you also need to know that lermontov had eight uncles who participated in the battle of borodino and he spent a long time communicating with his penza stalypins, who were heroes borodino battle, and the owner of serednyakov too, this is the younger brother of the grandmother, these are all there. people from all over russia gather to pay tribute to the memory of the great lermont, and the further, the more great he becomes, because you and i have already discussed, when vladimir vladimirovich was visiting senzin pin at semyon, the university, he let him down to the bust of lermontov he said that this is my favorite russian poet, and his poem “sail” is a symbol of our common movement in the future. imagine that the secretary communist party of china, which has 100 million people, the general secretary says that lermontov is his favorite poet, and how many times we meet with our chinese comrades, they often come here, they all read a couple of lermontov in chinese in russi

, well, we are borodino, the whole country knows about this battle, exclusively polermontov's beard, how about this, tell me, uncle, it's not for nothing, i already said that eight uncles participated in this, but it's not only lermontov, it's stalypina, it's the arsenievs, it's shangerey, borodino dates back to the thirty-seventh year, what we talked about with you, that uncle, here's one of the... uncles, then, who later became the heir, actually, after mikhail yuryevich and after grandmother tarkhan, he also needs to be said about him, afanasy dmitrievich, yes, he also participated in the war and lermontov also learned a lot from him, but he tried, so, somehow to support tarkhany and he managed to support it, to support it, as a matter of fact, therefore in such good shape, in such... in good form, this whole house has come down to us, and now there is also a wonderful museum in tarkhany, then his relatives, accordingly, also supported it, these are very important things, yes, stalino - it was a clan of very powerful, uh , statesmen, who maintained the brand of statesmen among the

he painted sketches for the future panorama of the battle of borodino. a thousand paintings.odel for this painting by the soviet artist semyon chuikov was aizhamal agabaeva from the village of orto-sai, now part of bishkek. the daughter of the soviet kirghizia. bravo. the painting is over 600. from a living painting, list. in french, probably in french, absolutely right, the painting is over 400, in the title of the painting the grand opening of the second congress of the comintern in the uritsky palace in leningrad, isaak brodsky allowed this oddity, maybe it was necessary to say in the uritsky palace, he no, no, during the congress. leningrad was still petrograd, if you look closely, we will see that lenin is speaking, right in the center of the composition. the oddity is that he called petrograd leningrad. the painting is over 200. having seen moritz rötzsch's painting the chess players, in which the devil plays chess with a young man. the great 19th century chess player paul morphy declared that he was ready to do just that. checkmate, i accept, play for the young man, le

began, it was here that lermontov communicated with the peasants who took part in the battle of borodinow that lermuntov has eight uncles at... december, and as they say, we don't know the specific reason, but it was at that moment, when the investigation of the reasons was underway, that he passed away, unfortunately, but the memory of him remained dmitry alekseevich tolypin, the owner of the serednikov estate at that time. mikhailovich, well , i know, that means, that you established the estate, reconstructed it, although it was in state ownership, you did all this with family funds, your own money, here are family values, this is responsibility for your family, because this is a place that already now answers this question, this is a sacred place where people from all over russia gather to pay tribute to the memory of the great lermontov, and the further, the more great he becomes, because we have already discussed how... when vladimir vladimirovich was visiting senzin pin in semen at the university, he led him to the bust of lermontov and said that this is my favorite russian poet, a

another rehearsal literally before the performance, probably the most difficult scene, the borodino battlethe russian army with napoleon's horde, where the main character tolstoy, and now... this was required of him not only by his duty and his rank, but also by his, so to speak, inner feeling, for a long time before his homeland, rostova's play, that she was and is, completely free, opera singing flows into dialogue, dance into dramatic play, several genres, two languages ​​at once, russian and french, for almost a year the artists of the donetsk theater learned the difficult performance, honored artist of the dpr. in every way they play on such a big one, on a wide audience, it is a real premiere. in december this production donetsk theater broadcast on its website. there it was watched by 11.00 people, in the theater they believe that their viewers have long been waiting for live and safe meetings with art. from our artists, here comes such a special energy, because everything that happens on stage, everything that the heroes experience, it is very consonant with what is happening now w

and during the prayer on the borodino field, this icon was carried along the rows of russian troops, a maleben was served in front of it. the mother is carried by the intercessor. another mysterious story is connected with the savior of smolensk: once upon a time there were two stone chapels near the spasskaya tower. in one of them , a copy of the supernumerary icon was kept. in 1925, the spasskaya chapel was closed, it was located near the spasskaya tower, it was in it that a copy of the supernumerary icon, the savior of smolensk, was kept. this icon, in size, is close to to the image that is now on the spasskaya tower, and this is additional indirect evidence that before us is the very same. shrine from smolensk, chersonesos, izborsk, pskov and bryansk, invisible spiritual threads stretch to the moscow kremlin, which, like a mighty iconostasis, the gravity of its center. holds the borders of the state, on which the future of russian civilization is being decided today. it was here that people came to worship the image of st. nicholas. now a lot of soldiers who leave for the north m

and during towers of the country together they defended the state in prayer. on the borodino field thisn was carried along the rows of russian troops, a service was held in front of it, the mother is carried, the intercessor, the smalensk mother, the govorin hope. another mysterious story is connected with the savior of smolensk: once there were two stone chapels near the spasskaya tower, in one of them a copy of the gate icon was kept. in 1925, the spasskaya chapel was closed, it was located near the spasskaya tower, it was in it that a copy of the gate icon was kept, the savior of smolensk. this icon is close in size to to the image that is now on the spasskaya tower, and this is additional indirect evidence that this is the very same shrine. from smolensk, chersonesos, izborsk, pskov and bryansk, invisible spiritual threads stretch to the moscow kremlin, which, like a mighty iconostasis, the gravity of its center holds the borders of the state, on which the future of russian civilization is being decided today. it is here that... nikolay, now very much here, asks for the blessing of

and during the prayer on the borodino field, this icon was carried along the rows of russian troops,eben was served in front of it. the intercessor is carried by the mother. smolensk mother. yarodiya. another mysterious story is connected with the smolensk savior, once there were two stone chapels near the spasskaya tower, in one of them a copy of the gate icon was kept. in 1925, the spasskaya chapel was closed, it was located at... the iconostasis of gravity of its center holds the borders of the state, where the future of russian civilization is being decided today. it was here that people came to worship the image of st. nicholas, now many soldiers who are leaving for the north-eastern military district come here, ask for the blessing of prayers, and together with them we hold prayers for the preservation of soldiers, their lives, the victory of our russian fatherland. being even on the border, and here we sometimes have a lot of unrest, and we feel protected precisely by the prayers of the holy mother of god, to ask, like that prince raman, to ask for healing and insight for that

another rehearsal, literally before the performance, probably the most difficult scene, the borodinotle of the russian army with napoleon's horde, where the main character of tolstoy, and now also the opera drama, andrei balkonsky is mortally wounded, for the vocalist of the donetsk musical drama valery derbush this is the first leading role. wrote 13 years ago, in 2021 he staged an opera-drama with the artists of his theater in the poster of the donetsk musical drama, prince andrei balkonsky appeared with the support of the presidential fund of cultural initiatives six months ago, for reading war and peace is absolutely relevant today, what napoleon says, we hear it now just on different internet platforms in the media, just uh struggle. from our artists here comes such a special energy, because everything that happens on stage, everything that the heroes experience, it is very consonant with what is happening now with us, upon returning to donetsk we plan to play this performance, to play very often, the audience is really waiting, they want to see it live what they saw in the reco

the grandson of a participant in the battle of borodino, danilo strebkov sent four sons to the firstorld war. they were lucky to return home alive. on the square in gusev there is a bivouac of reenactors, many of them took part in a large-scale historical festival, which took place in the village of lermontov in the year when they celebrated the centenary of the beginning of the first world war. it impressed me, and now i am engaged in this business. leonid gittis jokes with such a surname, how he can make any film, but he chooses historical reconstruction. this is memory, this is what we, what we should not forget. so that our children, our grandchildren know what was, what happened. passionate people from all over the country came to the festival in gusev. alexander povolotsky from moscow has been studying history for 15 years military field surgery. in the world i am an it specialist, accidentally poked a finger, there opened such an abyss that i still can not tear myself away. hundreds of residents and guests of the amber region take part in the opening ceremony of the festival f

vaeikov died from his wounds, he participated in suvorov's crossing of the alps, in the battle of borodino... so on, he was gone, she was left a widow with three children at the age of 33, she devoted her entire life until the age of 80 to preserving the memory of her husband, raising first her children, and then her grandchildren. we continue our conversation about the polenov estate, and today our guest is the director of the polenov museum reserve, natalia polenova, who is also the great-granddaughter of the great russian artist valenov. the ceramics collection grew, then, which is very large in the current polenov museum. well, i want to say that, so to speak, opening this question, this is that already when vasily dmikovich polenov was only 4 years old, his parents noticed his artistic talent. to tell about this, well, there is a short story about how, being on summer vacation in tsarskoe selo, the family went to the zoo and there four-year-old vasya. drew an elephant in a very outstanding way, his parents immediately noticed his, so to speak, talent, artistic talent, so parents reall

another rehearsal literally before the performance, probably the most difficult scene, the borodino battle of the russian army with napoleon's horde, where the main character of tolstoy, and now also of the opera drama, andrei balkonsky is mortally wounded, for the vocalist of the donetsk musical drama valery derbush, this is the first leading role. ours. since this was required of him not only by his rank, but also by his, so to speak, internal a sense of duty to her homeland, that it was and is completely free, opera singing flows into dialogue, melts into dramatic play, several genres, two languages ​​at once, russian and french, for almost a year the artists of the donetsk theater learned a complex performance, honored artist of the dpr, margarita lisovina. believes that the hopes of happiness of her natasha rostova were destroyed not only by the war, but also by a frivolous idea of ​​love. oh, look at this charm, it is probably about self-sacrifice, here she is ready for love for everything, when she understands that she is betraying prince andrey, it seems to me that for her, this is

so to speak, let's force you to pass pushkin and lermantov in these filtering schools there, read borodinol, by the way, it's good, if it's on tone god's will, they wouldn't have given moscow, well... they wouldn't have handed it over to the judges if it wasn't god's will, but on the other hand, it's also, well, we understand that this is a very serious parallel, yes, because napoleon gave moscow took, took and burned, took and burned and... and so to speak, i think that no architectural monument was harmed, relatively speaking, well, i'm joking, but it is about the fact that there is a so-called depth of strategic defeat and strategic, strategic stability, and we understand that in the case of kurshchyna, it is not even suja, it is the city of kurchatov, it is kursk, i.e. kursk is about symbols, it's about the regional center, and the city of kurchatov, it's about aes, yes, yes, and if... there was such a symmetrical situation, well, first of all, it would excite our european and american friends, because they would understand that this is not just aggression against ukraine, that is, it

speak, and we will force them to hand in pushkin and lermantov in these filtration goods, to read borodinothe way, it is good, as god's will dictated , would not give moscow, by the way, yes, they didn't give back the bozh, if it wasn't god's will, on the other hand, it's also, well, we understand that this is a very serious parallel, yes, because... napoleon took moscow, took it and burned it. i took it and burned it, and so to speak, i think that not a single architectural monument was damaged, relatively speaking, well, i'm joking, but it is about the fact that there is a so-called depth of strategic damage and strategic, strategic stability, and we understand that in the case of kurshchyna, it 's not even a court, it's the city of kurchatov, it's kursk, that is, kursk is about symbols, it about the regional center, and the city. kurchatov, this is about the as. yes, yes. and if there were such a symmetrical situation, well, first of all, it would very, extremely strongly excite our european and american friends, yes, because they would understand that this is not just aggression agains

vaeikov died from his wounds, he participated in suvorov's crossing of the alps, in the battle of borodino was gone, she was left a widow with three children at the age of 33, she devoted her entire life until she was 80 to preserving the memory of her husband , raising first her children, and then her grandchildren. we continue our conversation about polenov's fatigue. and today our guest is the director of the polenov reserve museum, natalya polenova. she is also the great-granddaughter of the great russian artist, vasily dmitrovich polenov. but enlightenment, the upbringing of the children was naturally continued by their father dmitry vasilyevich, a historian and archaeologist, and it is known that he took the children around, so to speak, small provincial towns, they visited fairs. this means that there are also sketches of the young polenov of the kremlin in novgorod and all sorts of, so to speak, stories about these trips, actually, as i understand it, from these visits to some provincial towns, the study of applied art grew a collection of ceramics, then, which is very large in the