he does not recognize the limits of the vocal range, but speak in a native way. her beloved dmitri hvorostovsky always dreamed of and now for the second time on dvortsovaya. i can’t even express some kind of honor for me to be here in st. petersburg. it incredible pleasure. i know how much passion there is in the russian audience at this concert. he 's so important for proud for the history of music. the siberian barber for vasilisa berdzhansky, a rising star of the world opera, this turned out to be a little evening dress with feathers and hats in the style of the thirties . cabaret is, to put it mildly, a non-standard solution, but hmm we decided to play a little trick to please the audience. everyone knows this song and charge them emotions, the stage right in front of the hermitage, as if throwing open its wide doors, becomes a continuation of the palace, but at the same time the space is constantly changing. this is a journey through the centuries of visual and musical opera stars. they say the classics at dvortsovaya is always an incredible adventure is euphoria i believe that this is one

doesn't seem to recognize voice range, and to perform in the homeland of her beloved dmitry hvorostovskyamed of and now for the second time on palace square. i can’t even express some kind of honor for me to be here in st. petersburg. it's an incredible pleasure. i know how much passion there is in the russian audience at this concert. it is so important for the city and for the history of music itself. arias from carmen and the barber of seville for vasilisa berzhanskaya, a rising star of the world opera, this was not enough evening dress with feathers and a hat in the style of the thirties a frenetic musical cabaret is not shown in an opera, but i always wanted to sing. to put it mildly , a non-standard solution, but hmm we decided to play a little trick to please the audience. everyone knows this song and to charge them with emotions, the stage right in front of the hermitage, as if opening its wide doors , becomes a continuation of the palace, but at the same time the space is constantly changing. this is a journey through the century, visual and musical opera stars. they say the cla

limits of the vocal range, but she always dreamed of performing in the homeland of her beloved dmitry hvorostovskysecond time on palace square. i can’t even express some kind of honor for me to be here in st. petersburg. it 's an incredible pleasure. i know how much passion there is in the russian audience at this concert. he's so important to the city and to the history of music itself. arias from carmen and the barber of seville for vasilisa berzhany, a rising star of the world opera, this turned out to be not enough for an evening dress, feathers and a hat in the style of the thirties, a violent musical cabaret that is not shown in an opera, but one always wanted to sing. cabaret is, to put it mildly, a non-standard solution, but hmm we decided to play a little trick to please the audience. everyone knows this song and charge them with emotions the stage, right in front of the hermitage, seems to open its wide doors becomes a continuation of the palace, but the space is constantly changing. this is a journey through the century, visual and musical opera stars. they say the classics at dvortsova

boris pokrovsky zurabsky lava and makvala were made by svyatoslav richter and nina darlyak dmitry hvorostovskya ildar abdrazakov andrey genres lyudmila gurchenko kirill tikhonov vladimir fedoseev richard bradshaw marina meshcheryakova once i made my debut on the historical stage of the helicon as charlie chaplin, becoming a small part of this large and friendly helicon family, for me it is energy. this is a powerful creative, these are unusually beautiful talented people. and, of course, this is such a great fate of mine, yes, that it got there far, he is a super-creative team that tastes like cold orange juice in the heat. we are so often sincere. here we embrace each other, as if each other and we have a common genetics, this is far our genetics is far away for me. this is my whole life away. he is my house, the house in which i was born, as a singer, actress, the state is me. yes, ludovik said. here is the helicon - this is burton and still exists. bertman. yes, helicon, helicon is a family. helicon is love. helicon is a way of life. this is a lifestyle. helicon is far away. this is not lif

honor to have it in their permanent repertoire iosif kobzon eduard khil claudia shulzhenko dmitry hvorostovskyar of the salty trip by the river, and for me fall in love with a good girl and i would touch the motherland with my hand nozhkin's song has been sung for half a century, not a single concert dedicated to victory day can do without it. that's just not always happy with the author, guys. here modern cannot be. how many times they tried it somehow not very like, mikhalych, what do you think, in general, because the meaning should not be drunk from the melody, but you still need to sing something there. not just something to talk about, but something to understand about what? what are you singing about? then they gave me just an inexpensive vacation with you about chagalls, they don’t walk from the metro to the house in the war. they plowed the difference , which means they crawled under the bullets like a poplost. that's actually how this war is. here one word defines the meaning of the song, when front-line songs are sung and jerked from behind, it means tanned guys, there are a dozen a

situations in my practice, i'll tell you when we performed in 2008 together with dmitry the late dmitry hvorostovsky. he came to the team for the first time. uh, it sounded like aria, he didn't even say hello. here the music was on, the conductor, damn it, he conducts, he comes in and starts singing immediately ends, aria and he screams. ah. this one is screaming, they don't understand what's what happens, so he asked for water still musicians, well, we met for the first time. so you say, the conductor comes to an unfamiliar clicker. here the soloist comes in unfamiliar, he forced uh, focused attention on himself. that is, he screams. that's what i focused on anyway. what to expect next? he is such a good day his good evening and yes, yes, during the repair about the wand, the conductor, a sacred object, as many people think, but i know that you do not always use it. you preferred some time and it seems to me to conduct with your hands like valeria george rehearsals. i am birds. i don’t take it, in general i have a pencil with a stick, for example, but it comes, basically. these are arrangements of