hello, my name is dmitry bak, i am the host of a literary podcast called let them not speak, let themead, our first guest today is no less than anton pavlovich chekhov, we will talk about him today and we will talk with wonderful guests, this people's artist of russia, theater actress evgenia. hello, yulia ilinishna, and boris nikolaevich lyubimov, theater historian, literary critic, rector of the higher theater school named after mikhail semenovich shchepkin. hello, boris nikolaevich, let's start with this historical question. so it is believed that out of the entire 19th century , only three russian writers are relevant to the whole world. leo tolstoy, fyodor dostoevsky and anton pavlovich chekhov. so how do you feel about this? very positive, only from my point of view there are not three of them, but much more, it’s just that the whole world, as if for itself, decided this way for the end of the 9th and the entire 20th century and i transferred this to 21, who still knows how to read, that in russia there are, perhaps, directions so bright and so different, because dostoevsky is t

hello, i'm still dmitry bak, i still host a literary podcast called let them not talk, let them read. now about the classics, is it relevant, or is it forever outdated? of course, there are very different writers, but dostoevsky, fyodor. mikhailovich dostoevsky, among russian and world classics , occupies a very special place, so i think , let’s see what my guests think, today our guest is the director, people’s artist of russia, vladimir ivanovich khotyanenko, hello, vladimir ivanovich, thank you for coming, we are lenkom theater actor mark zakharova, anton shagen, and we will talk about dostoevsky for a reason, this year it will be performed. years since the publication of a separate edition of the novel bes, taking advantage of this opportunity, we will talk about the novel besa, about dostoevsky, about creativity, and most importantly, about today. vladimir ivanovich, how did dostoevsky appear in your creative destiny, because you filmed the dostoevsky series in the eleventh year, and then the demons, partly the reason for this is the architectural institute, which i graduated fro

mikhailovich spiransky, proposed to create a new educational institution to write: hello, my name is dmitry bak podcast called let them not speak, let them read, our first guest today is no less than anton pavlovich chekhov, and we will speak today we’ll talk about it in a wonderful way. of the entire 19th century , only three russian writers are relevant to the whole world: leo tolstoy, fyodor dostoevsky and anton pavlovich chekhov, is that how you feel about this?

well, to you, our respected interlocutors, i, dmitry bak, host of a literary podcast, don’t let themast, i’m its host , mikhail khanov. i think that many of our tv viewers, especially after they started watching our podcasts, our audience dreams of retiring early, and generally thinks about it. about what a pension is, how it is, why it is, why it is, and most importantly, how much it is. in fact , there is a whole movement, it’s called faya, whose followers want to retire very early, yes, by our standards, this is at 30, 35, 40 years old, and today we are talking with a follower of this movement, a private investor, alexey malakhov , hello, alexey, hello, let’s try to figure out how realistic it is to retire at 30, and most importantly, why. and what for does this need to be done? well, let's start with a simple question, what is faiya , yes, the financial independence early movement, yes, that is , it is financial independence, early retirement, how it originated, when and what it is, is this a real movement, a party, or is it just such interest club? well, it’s more of a club of l

mashkov, happiness and health to you and all the same to you, thank you, thank you, hello, my name is dmitry bakest today is no less than anton pavlovich chekhov, we will talk about him today and we will talk with wonderful guests, this is people's artist of russia, theater actress evgenia vakhtangov , yulia ilinichna rutberg, hello, yulia lenishina, and boris nikolaevich lyubimov, theater historian, literary. dostoevsky, this is understandable, his special courses in venice were banned, well, that’s how it turned out, not in turgenev’s lunch, that after all... with from an external point of view, its meaning described some kind of trajectory, from our point of view , no, he doesn’t know anything, it seems to me that he just turned out to be czech in this sense. less vulnerable from the point of view of time, he is some kind of amazing writer and playwright, because what he wrote then, today, when artists of the 21st century say, he touches on such eternal themes, he is so subtle from the point of view of the human soul, he is so ironic towards people, and i have to say: we studied chekhov at th

dmitry petrovich bak, evgeny germanovich vadolaskin, i’m vladimir. look, memory is not only that we forgetge augustine writes about this, he says that this is such a palace in which memories are stored, which are either an understatement, or exaggeration, in any case , there is no interpretation of this word, design selectivity, but reality, here i actually, in a broad sense, this question in a narrow sense, a little narrower, then the question about the value of memoirs as historical documents, because in general, what memoirs are, this is the memory of an individual person, and the memoirs of another contemporary about the same events will be different, how to perceive this? well, if you allow me, i would still start with forgetting, so that this topic does not disappear, because in this earthly vale we are always faced with the realization that we will have to forget, yes, that something completely different awaits, yes, and i keep repeating quatrain of his beloved georgy ivanov, if a new life, oh soul, opens in a black grave, as it should... be good so that we forget about earthly thin

hello, i'm still dmitry bak, me.are relevant, or whether they are forever outdated, of course, there are very different writers, but dostoevsky, fyodor mikhailovich dostoevsky, among the classics of russian and world occupies a very special place, so i think, let’s see what my guests think, today our guest is the director, people’s artist of russia, vladimir ivanovich khotchanko. hello, vladimir ivanovich, thank you for coming, we have a theater actor, lenkom mark zakharova, anton shagin, and we will talk about dostoevsky for a reason, this year marks the 150th anniversary of the publication of a separate edition of the roman besa, taking advantage of this occasion, we will talk about the novel besa, about dostoevsky, about creativity, and most importantly about today . vladimir ivanovich, how... in general, i became interested in nabokov’s lectures, lectures on russian literature, and nabokov is a professor, and i was surprised to read that nabokov treated fyodor mikhailovich with extreme disrespect, he considered h

marka zakharova, thank you very much, well, ours dear interlocutors, i am dmitry bak, host of a literaryor me: read with pleasure. hello, i'm pilot cosmonaut anton shkaplerov, this is a podcast about space stories. russia is a great space power; it never ceases to explore new horizons in the space industry. the first artificial satellite, the first man in space, the first woman in space, the first spacewalk, the first dockings finally, the first feature film shot in space is russia. today i'm visiting. and he talked so interestingly about space , about managing the station, so simply that this simplicity, it captivated me, that an ordinary person can fly into space, then control spaceships, the station, everyone who was at the lecture then, they all wanted exactly to follow this path, but some succeeded, some did not, you studied at baumka for 6 years, yes, yes, well, at baum university, where one of our best universities countries where i... i think the best technical education, yes, one of the best, but we don’t have bad universities , we all have good ones, oleg, tell me, which discov

thank you very much, dear friends, this was a podcast, let them not talk, let them read, hosted by dmitry bakhe christmas post. ksenia alferova, tv presenter, actress, priest anthony borisov, associate professor or professor already? no, no, no, associate professor, associate professor, but seniors can, associate professor of the moscow theological academy, i am vladimir ligoida, hello, dear friends, hello, hello! but tell me, please, it seems to me that the first question that arises for a person , perhaps not very familiar with the church, at least i heard this: well , lent is understandable, why christmas? ancient church tradition suggests that for every significant holiday, a celebration, especially such as the holiday of the nativity of christ, which in its meaning, if inferior to some other church holiday, then only easter, well, to this celebration. then it’s probably worth preparing, in fact , traditional church preparation is fasting, as such, well, ascetic practice, rooted in the depths of centuries, but it ’s completely different, it’s still the christmas fast, it’s especially, i h

hello, i’m still dmitry bak , we will now have the next episode of a literary podcast, let them not talkalk, we talk a lot, but only so that you, our respected interlocutors, read as...more, to make your reading as varied as possible, we speak to a very different interlocutors, we have very different guests, these are writers, these are those who professionally judge literature, very often we call high professionals who work in areas that are more or less related to literature, however, which in russia is not related to literature, absolutely everything, including museum work, our guest today is the director of the state museum of fine arts. named after alexander sergeevich pushkin, elizaveta stanislavovna likhacheva. hello lisa. hello. we will be on your terms, as we are in life, so usually happens on our podcast, let's start straight from the path to the profession. very often in your biography, whether official or not , it is emphasized that you are an art critic, this is so, no one doubts it. but art history, or art history, i don’t even know which is correct, art history is still, y

hello, i'm still dmitry bak, we are about to have another episode of a literary podcast, let them not so that your reading was as diverse as possible, we speak with very different interlocutors, we have very different guests, these are writers, these are those who professionally judge literature and very often we call high professionals who work in areas that are more or less connected with literature, however, which in russia is not connected with literature, absolutely everything, including museum work, is our guest today... the director of the state museum of fine arts named after alexander sergeevich pushkin, elizaveta stanislovna likhacheva. hello lisa, hello! let’s be like we are in life, as it usually happens in our podcast, let’s start straight from the path to the profession. very often in your biography, in official or non-official ones , it is emphasized that you are an art critic, this is so, no one doubts it, but here art criticism or art history. i have a passion for art, that is , i like something, i don’t like something , yeah, but usually, when i voice them, they tell

hello, i'm still dmitry bak, i still host a literary podcast called let them not talk, let them read.ent writers, but dostoevsky, fyodor mikhailovich dostoevsky, among the classics, russian and world, occupies a very special place, i think so, let’s see how... my guests think, today our guest is a director, people’s artist russia, vladimir ivanovich khotinenko , hello, vladimir ivanovich, thank you for coming to us, theater actor, lenkom mark zakharova, anton shagin, and we will talk about dostoevsky for a reason, this year marks the 150th anniversary of the publication of a separate edition of roman bes, and taking advantage of this opportunity, we will... talk about the novel demons, about dostoevsky, about creativity, and most importantly, about today. vladimir ivanovich, how did dostoevsky appear in your creative destiny, because you filmed the dostoevsky series in the eleventh year, well then demons, partly to blame for this, this is the architectural institute, which i graduated from at one time, that’s because we had a completely safe place in the architectural institute of tha

actor of the link theater, mark zakharov, thank you very much, well, our dear interlocutors, i’m dmitry bak cast, and i am its host, chief editor of a popular science magazine, which also called schrödinger's cat, and we are talking about science and how it affects our lives. today our guests are vladimir spiredonov, professor, doctor of psychological sciences, head of the ranhix laboratory for cognitive research, hello, hello, vladimir, and egor plotnikov, artist. hello, don’t be alarmed, this is a special composition of two seemingly opposite people, a scientist and an artist, because today we will talk about cognitive distortions. vladimir, in general , why is it so important to study human mistakes, our irrationality. it turns out that in real life you and i behave the way we do, yes, we are neither super logicians, nor super statics, nor super. thinkers, we are ordinary living people with a mindset that , in order to work well, is forced to make mistakes, which is why it is very useful to understand how it works in reality, because it allows, on the one hand, to understand how people m

hello, i’m still dmitry bak , we will now have the next episode of a literary podcast, let them not talkpected interlocutors, read as much as possible so that your reading is as diverse as possible, we speak with very different interlocutors, we have very different guests, these are writers, this... that they professionally judge literature and very we often call high professionals who work in areas that are more or less related to literature, however, in russia absolutely everything is not related to literature, including museums. our guest today is the director of the state museum of fine arts named after alexander sergeevich pushkin, elizaveta stanislovna likhacheva. hello lisa, hello. let's be on friendly terms, as we are in life, this is how it usually happens. subject, well, i kind of have a passion for art, that is, i like something, i don’t like something, yeah, but usually, when i voice them, they tell me, well, how ’s the director of pushkin’s muse, well, i don’t like picasse, i have some things that i really like, architects there, whom i love very much or there are artists wh

hello, i am still dmitry bak, we will now have another episode literary podcast, let them not talk, letk with very different interlocutors, we are very different... our guest today is the director of the state museum of fine arts named after alexander sergeevich pushkin, elizaveta stanislovna likhacheva. hello lisa, hello. we'll be like you, like us. this is science and research, this is a set of some skills in order to do something in life, what is it? well, it’s all together , well, in my opinion, love, you cannot become a professional in any field, including art history, if you don’t love what you do, i don’t see the difference between biology, and even a good turner or a mechanic must love his job, can i interrupt you, there was such a beautiful... lady from philology, lydia yacolina gindsburg, a classicist, a student of tynyanov, she spoke in such a way that only a zoologist should not love ciliates, but even a botanist is not obliged to love flowers, i don’t know, it seems to me that no, that is, you may not love the profession that you are engaged in, not a profession, but an obj

hello, i’m still dmitry bak, i still host a literary podcast called let them not talk, let them read,ver outdated, of course, there are very different writers, but dostoevsky, fedor...

thank you very much, dear friends, this was a podcast, let them not talk, let them read, hosted by dmitry bakof boredom, i rose from the dead, rose from the dead, danced, oh, danced, and next to me was a priest in a lamp, and next to me a priest in a lamp, next to a priest in a lamp. saved me from my sins , don’t betray, don’t betray, don’t kill , don’t kill, don’t be sorry, i’ll give you my last shirt, don’t steal, here i gave, here i gave, here i gave, here i gave in kind. i mostly live in camps, in camps like a monk, like a monk, without sin i’m like mary , without sin i’m like mary, without sin, i’m like mary, i walked for nothing in my pants, do n’t betray, didn’t betray, don’t kill, didn’t kill, don’t be sorry, i’ll give you my last shirt. do not steal, here i gave, here i gave, here i gave, here i gave, in kind, fuck, but before we had stagnation, there was stagnation, and i was small, fat, single, there are a lot of 10 commandments, 10 there are many commandments, there are many 10 commandments, but i’m not a saint, dad, don’t betray, don’t betray. i didn’t kill, don’t be sorry, i’ll

hello, my name is dmitry bak and i invite you to a literary podcast, let them not talk, let them read amazing program, because it is dedicated to space, we read in space, we we’re talking exactly about this, what space is for modern civilization, for modern culture, we understand, but we... remember what space is for russia, what april 12 is for our country, and i’m preparing for this program, i even thought , that our studio is similar to the iss, there are no portholes in it, i learned before the program that the portholes look at the ground, we will talk about this today, i even think that if we all concentrate, then weightlessness will come, but at least from our conversations, this flight must come, especially with such... wonderful guests who are with me in the studio today are oleg viktorovich novitsky, russian pilot-cosmonaut, deputy commander of the cosmonaut corps, who visited space three times. this is vyacheslav lvovich klimentov, chief curator, deputy director of the museum of cosmonautics. and this is vasily andreevich, vladimirsky, book reviewer, science fiction connois