we're gonna open up a storefront in downtown disney.ore any of that happens, i want to open up a storefront outside of downtown disney so disney knows we know how to run one. the goal is to go from a $2 million company to a $10 million company. right now, two carts at disney generates $1.2 million. and adding a storefront at downtown disney will do about 3 1/2 times what two carts do. that's close to $4 million or $5 million. this storefront will have thousands of square feet at one of the best theme parks in the entire world. it allows us to generate more revenue because the amount of foot traffic's significantly greater, and we'll be able to expand our flavors and the way we merchandise them-- different-sized tins, different-sized bags, different-sized boxes. that gets me to $10 million very quickly. cash, to me, is the most important thing in business, and protecting it is the most important thing. i want to make sure that when we take cash in, we put it away properly. in order for me to be comfortable, i want to put the controls in

up a storefront outside of downtown disney so disney knows we know how to run one.to go from a $2 million company to a $10 million company. i didn't think it would be that hard to get to $10 million. amber: mm-hmm. lemonis: but i knew that disney was an important stepping stone for that. amber: so disney because we weren't, i think, able to mention them as much as we would like to. lemonis: they wouldn't let us come. amber: no, they wouldn't let us come, but they... but just so everyone knows, she had a big stand at disney. lemonis: big, huge, kiosks. amber: big. yeah, huge. lemonis: multiple locations. amber: yep, yep. and when i went to disney, when i took my son to disney, i actually saw. it was, like, a center, a great spot for the kiosk... lemonis: mm-hmm. amber: ...lot of foot traffic. lemonis: a lot of cash. amber: mm-hmm. lemonis: cash, to me, is the most important thing in business, and protecting it is the most important thing. i want to make sure that when we take cash in, we put it away properly. let's get to work. that popcorn business bought her a nice

go to the countryside where there are birds singing and cows and such you won't find that in downtown disney dorothy it's not that we speak the movie zero zero zero zero zero. zero zero town was once advertised as the longest bar in the wild. you won't actually find any especially long bars here. but there are two hundred fifty clubs pumps bars and restaurants which draw millions of visitors. and right at the center. live the eight dominican priests in them on a street. is this a good location for a monastery. why not everyone gets drunk here. not right here on the bar strip. is this a good location for a monastery. my first instinct is to say no because this is a policy district with drinking and all. but then i can see how people who really have problems and who want to pass in here and drink too much can find hope in a monastery. some. if it's up to the star system i would say it's definitely not the right location. i've been going out of the old town for years and i also worked here for a long time. and when you see what goes on at night right in front of the monastery people falling ove

. >>> a new luxury resort in downtown disney, the reason why, it's called off, and the reason it will go in place. >>> the russian river brewing company is opening up a brew pub, it's at the corner of mitchell. it's three times as big as the location, the new windsor brewery will allow double production and expand distribution and it will have the flagship wipa, the natural light company is releasing light beer in 12-ounce cans of beer. they did mass and the case weighs 58 pounds and it's about half the size of a full keg of beer which holds 16512-ounce cans of beers. >>> the technology pushes the envelope. there's a new hologram concert. hologram concert. >> reporter: the possibilities could be endless as the pass meets the future in dreams, roy orbison in concert. >> we're wanting to give people an emotional connection with the music and an evening, rather than just hey, isn't this cool technology. >> only the lonely -- >> selling out several dates, it includes a live 31 piece band and the rock icon, state of the art technology who brings to life a music legend who has been gone for

studios in hollywood, disney, warner brothers, universal, fox, they all have these lots that have been their home for decades now. netflix has leased a pretty large facility in downtownod but it is two primary buildings, these large towers more like office facilities not production studios. they do have a lease on a sound stage in hollywood. this is the first production facility netflix owns itself. which is a sign of just how much they're looking to make. i think if you were to ask the company one of the reasons that they need to own rather than just lease is so that they can be certain that they have access to this facility and be able to produce shows in new mexico which is very popular production right now. >> why new mexico? what goodies are they getting? >> tax incentives. as part of this announcement new mexico and the city of albuquerque both said they were going to give netflix some money about $14.5 million and new mexico already has fairly generous tax incentives to encourage different companies to produce in the state. netflix lrs making its show "godless" which just won some awards at the emmys in the state and will now use this facility to shoot some fu

disney hall. before he went to the airport, as it were, we went to a magical place called inner city arts down on skid row, downtown. it is an oasis for arts education. students from the general vicinity come on buses, and they spend time there and engage in music and dance and visual arts and drama. it literally is like a garage door goes up, and you go in, and you're like, this is heaven. >> it culminates with you coming here to julliard. not a typical point. a dancer taking over julliard. everything you've just explained to me seems to be part of a great vision for julliard, which is connecting it. >> after my quote, unquote, retirement, when i stopped dancing in 2008, i was so lucky. i was directing performances. i was doing art strikes. i was working on arts education. i ended up working for you on the arts policy program. looking at ways that we can really push the arts in society. a lot of the same people kind of start to filter into this conversation on all the sides, whether they were doing the performance that, you know, was at lincoln center, or we're talking at an arts education n conferen conference. y

disney hall. and before he went to the airport, as it were, we went to a magical place called inner city arts down on skid row, downtownand it's sort of an oasis for arts education students from the general vicinity. they come on buses and spend time there and engage in music and dance and visual arts. and drama. and it literally is like a garage door goes up and you go in and you're like, this is -- this is heaven. >> it culminates with you coming here to juilliard. not a typical choice. a dancer. taking over juilliard. but everything you've just explained to me seems to be part of a great vision for juilliard. which is connecting it. >> after my quote, unquote, retirement as i started dancing in 2008, i was so lucky. i was directing performances, i was doing art strikes with yo yo, working on arts education. i ended up working for you at the aspen institute and arts policy program, really looking at, you know, ways we can really push the arts in society. and a lot of the same people kind of start to filter into this conversation. on all of the sides. whether they're, you know, we're doing the performance that, you kn