was this the fomenko system?cause i came up with my own definition about pyotr naumovich, so it seems to me that fomenko is such, well , today, such the last poet in the directing profession, but i don’t know a person who it would be better if he read poetry, the solution is very simple, it seems to me that famenka had only one god, pushkin, so he knew evgeny negin by... simply, simply, simply by chance he could read any chapter there, i have a feeling that if he had called his theater, not fomenko’s workshop, but the pushkin theater, well, there is simply a pushkin theater in moscow, then it would have been so, at the first opportunity he made pushkin, and i don’t know if all tv viewers know, but here we are recently celebrated the ninetieth birthday of pyotr naumich and zhenya tsyganov made, it seems to me, the theater audience, so this is a gift for me personally. that he took and staged boris godunov, and there is such a prehistory, it means that the last work , which was supposed to be pyotr naumcha, he rehe

fomenko had only one god, pushkin, so he knew evgeny negin by heart, simply, just by heart, and coulding that if he had called his theater not fomenko's workshop, but pushkin's theater, well it’s just that there is already a pushkin theater in moscow, then it would have been so, at the first opportunity he did pushkin, and i don’t know if all tv viewers know, but we recently celebrated the ninetieth birthday of pyotr naumovich and zhenya tsyganov. gave, it seems to me, to the audience, to the theater, this was such a gift to me personally that it took and staged boris godunov, and there is such a backstory, which means that the last work that pyotr naumovich should have had , he rehearsed boris godunov for a year, and , as always, all the pushkins visited us, it was he who staged it for the third or fourth time, yes, there was such a big sheet hanging in the theater, and everyone, even the smallest roles, were noted there, since we still have... 50 artists, and there are more references to boris godunov, which means all the costume designers, all the make-up artists were busy, then pe

i have a feeling that if he had called his theater not fomenko’s workshop , and the pushkin theater, tv viewers know, but we recently celebrated pyotr naumich’s 90th birthday and zhenya tsyganov did it for me it seems to the audience, the theater, this is a gift to me personally that he took and staged boris. and there is such a backstory, it means that the last work that was supposed to be pyotr naumnich, he rehearsed baris godunov for a year, and, as always, all pushkin’s widows visited us, it was he who staged it for the third or fourth time, yes, there was such a big sheet hanging in the theater, and even the smallest roles were noted there, since we still have 60 artists, and there are more references to boris godunov, which means all the costume designers, all the make-up artists were busy, then for some reason pyotr daich stopped work, maybe maybe because he felt bad, but i suspect something was wrong with something, the main thing was that the current times didn’t work out for him, it was 2012, i don’t know the reason, suddenly, when he turned ninety, and zhenya tsyganov put

and lyubimov, fomenko and lyubimov, the theater, that is, the workshop of pyotr fomenko and the belovedtage was a very important genre and poetry to the stage was very important the theater of the word the theater of verse, but that’s the whole point , probably my beloved theater glasha aksyonov will argue, because to name taganka only the theater of words is impossible, the theater on the taganka, the beloved is the theater of the multitude, this is the theater of the great crossroads. lyubimov seemed to indicate to those who did not know that theater is a crossroads, a crossroads of arts, this is a word, this is sound, this is music, this is painting , this is a gesture, this is graphics, yeah, and lyubimov turned out to be a genius as a collector, yes , yes, this is a strategist, he collected everything, that’s why this... dmitry dmitrievich became regular guests and friends of the theater, these are world figures, it’s difficult to even give such an example, yes, where at this level mayakovsky 's nonsense would be adjacent to each other on one side, gubaidulina, schnittki, denisov o

anna fomenko, fomenko has 115 points, but the competition is not over yet, dear friends. trying to practicerm or, as they would say, a synchronized swimmer on land, you demonstrate one tempo, and then immediately slow down, this, of course, immediately catches your eye. the number is still a single whole, where you should... it’s clear that she they are resting a little and the pace is no longer as high as at the beginning, i want to see something more grandiose on the pole from evelina, they must break through, like in that film, let’s try, let’s try to believe in them. good dynamics, it goes well with the dynamics, it stretches the feet, which is important. doesn’t follow the line completely, still yes, but the elements are good, the transition is a little dirty, it’s hard , hard to enter, very, yes, she struggles, a very painful element, because both the back and the leg are still involved. without a pilot it’s quite difficult on dynamics hold on and now russian splits, but no, not russian, not english, or another one was conceived, but maybe that’s how it was, the athlete can somehow ch

and lyubimov, fomenko and lyubimov, the theater, that is, the workshop of pyotr fomenko and tagankaeaters...

that it was, because i i came up with my own definition about pyotr naumovich, it seems to me that fomenkohis, well, today he is the last poet in the directing profession, so i don’t know a person who could read poetry better than him. the riddle is very simple, it seems to me that fammenko had one god, pushkin, so he knew evgeniy negin by heart, just by rote and could read any chapter there, i have a feeling that if he had named his theater, not fomenko’s workshop, but the pushkin theater, well, there’s simply already a pushkin theater in moscow, then it would have been so , at the first opportunity he did pushkin, and i don’t know do all tv viewers know, but we celebrated it recently. centenary of pyotr naumnich, and zhenya tsyganov gave, it seems to me, such a gift to the audience, to the theater to me personally that he took boris godunov to stage it, and there is such a prehistory, which means that the last work that was supposed to be pyotr naumnich, he rehearsed boris for a year godunov, and, as always, all of pushkin’s widows visited us, he staged it for the third or fourth time, y

, that’s what kind of man fomenko was, why he has a theater, why just a workshop, pyotr fomenko, tell, a great one, or as a person. very often, when you meet people who knew fomenko personally, they first remember some meetings with him in life, and then they remember his performance, it happens , of course, the other way around, but for you, for me, everything is mixed up, and it generally seems to me that this is that happy case when the way a person lived, he did the same thing, with pyotr naumovich, it seems to me, a priori, it could have been boring, that was simply ruled out, yes, he had long, difficult rehearsals, sometimes he rehearsed for years, but it was always very interesting, everything he did, and this, it seems to me, is where the profession of a director begins , he was always tormented about what he was doing, but if he suddenly didn’t understand, well, some period or some part of the performance, he could simply get sick and disappear there for 2 weeks. for when he came, but this is probably a common place in theater circles, but everyone knows that if some not-so-b

and lyubimov, fomenko and lyubimov, theater, that is, a workshop.v differ from all other theaters in many ways, but most of all, of course, in their devotion to the word, for the beloved prose on the stage, that was a very important genre and poetry on the stage, very important, the theater of the word, the theater of verse, and in this... the whole point is probably my favorite theater, glasha aksyonova will argue, because it is impossible to call taganka only a theater of words, the taganka theater beloved is the theater of the multitude, this is the theater of the great crossroads, lyubimov, as if he pointed out to those who did not know this, that the theater is a crossroads, a crossroads of... arts, this word, this sound, this music, this painting, this gesture, this is graphics, yeah, and lyubimov turned out to be a genius, as a collector , yes, yes, a combinator, he collected everything, so it was funny when the brilliant composers of our time, schnittky, denisov, gubaidulina, shestakovich, dmitry dmitrievich. became regular guests and friend

, the workshop of pyotr fomenko, tell us a little about him, very easy about pyotr naumovich to speako knew fomenko personally , they first remember some meetings with him in life, and then they remember his performance, it happens, of course, the other way around, but for you, for me, everything is mixed up and it generally seems to me that this is that happy occasion when this is how a person lived, he did the same thing with peter naumovich, it seems to me, a priori it was impossible for him to be boring, it was simply excluded, but he had long, difficult rehearsals, sometimes he rehearsed for years, but it was always very interesting, everything he did, and that’s where it begins, as for me it seems that the profession of a director,

and lyubimov, famenko and lyubimov, the theater, that is, the workshop of pyotr fomenko, itaganka yurietrovich beloved. differ from all other theaters in many ways, but most of all, of course, in their devotion to the word, for the beloved, the prose of the stage, that was very an important genre and poetry on stage, very important, the theater of the word, the theater of verse, yes, that’s the whole point, probably my favorite theater... glasha aksyono’s advice will argue, because it is impossible to call taganka only the theater of the word, the taganka theater of the beloved is the theater of the multitude is the theater of the great crossroads. lyubimov seemed to indicate to those who did not know that theater is a crossroads, a crossroads of arts, this is a word, this is a sound. this is music, this is painting, this is gesture, this is graphics, yeah, and lyubimov turned out to be a genius, as a collector, yes, yes, as a combinator, he, he collected everything himself, therefore, it was funny when the brilliant composers of our time, schnittky, denisov, gubaidulina, shestakovich,

[000:00:00;00] they reproach that we, how to put it, are either hiding behind fomenko’s shadow, or what this does not bother me at all, because our literary part, after the departure of pyotr naumovich, brought it to me, i cannot call it a spiritual testament, it she brought me a list of works that he was thinking about, well, i think my life and this generation will not be enough, firstly there, which is very cool, there is some title there, there is a lady with camellias written in brackets, who should do it play, that is, it’s clear what he thought about each actor, here i am periodically once a week i look at that list, sometimes i manage to stage something from this list, pyotr naumovich loved to stage prose, he adored it, i’m not even talking about war and peace and family happiness, but in my opinion, the main theatrical statement in the theater - this is... an absolutely happy village , a play that has been going on for more than 20 years, and the actors who play in it tease me all the time, well, maybe we have already grown old, i say, no, you will never grow old, since the pla

first place anna fomenko, city of timoshevsky.medal went to alisa vetrova, yaroslavl, and third place to stefania kononova, arkhangelsk. and the winners of the russian championship, alina masalova, our golden alina. from novosibirsk, silver medalist, diana bokhan, arkhangelsk, bronze medal from anna volikova, she is also from arkhanelsk, team competition among the regions, participants of our russian pole sport championship, first place - novosibirsk region, second place from the saratov region and third place - saint petersburg. thank you very much, friends, respect and gratitude to the universal sports hall activity hall. and the russian pole sports federation. chief judge, sports director of the pole sports federation current coach, darina, thank you, you are great, i am a fan of pole sports dmitry guberniev. thank you everyone, ntv channel, great show, great picture, well done girls, we will continue to develop it. thank you very much, it was a pleasure to watch this wonderful finale with you today. let's develop sports, frien

of judges and secretary karina knyazevanaya are playing along... my assistant natalya through i, fomenkorom the city of saratov. you are invited, nikita pshanov, melenki, vladimir region, by the way, winner, editor-in-chief of our program, tatyana aleksandrovna smirnova, who was not at the regional finals, but watched closely, thanks to me, how the competition went, said this. please take it and some of them have already lost, but look how many orders we have, four, four orders, that’s what the editor-in-chief is, tatyana aleksandrovna smirnova, applause, and god bless her, daria varzina, kostruma, winner of the regional final , and elena chetova, sharya, also kostroma region, also a prize-winner regional finals, as always, 15 minutes before the start of the competition, i approach our participants and give them a topic for hope. and in this case, i remembered the famous saying of a man who was born 160 years ago, when he was born, he was alekseev, then he became stanislavsky, konstantin sergeevich, and his cure was this: love the art in yourself, and not yourself in art, so i admitted t

movement on the regional final was won by a girl who later became my assistant, her name is natalya fomenkorom the city of saratov, and now she is a fourth-year student at the moshu love welcome faculty. we invite roman novgorov, the city of bor, nizhny novgorod region, the winner, by the way, of the regional final, elizaveta zhertovskaya. from the city of sampling, my favorite leningrad region, where i spent my childhood, also the winner of the regional final, and artyom solovyov, staraya rusa, novgorod region, the absolute winner of the regional. your honor is ours tradition, 15 minutes before the start of the competition, i approach the participants and give them a topic for an eloquent speech: the story of the best teacher, who has the worst students, they say, said indira gandhi. i don’t understand, maybe they’ll explain now? ask. and hello, dear ark, hello, dear yuri pavlovich, and indera gandhi, the daughter of the famous human rights activist and fighter for freedom and human rights, and the mahatma once said that history is the best teacher, but she has bad students, i will agree w

pugachev’s family, then there are a lot of options for where he comes from, and yes, well, nosovsky and fomenkommortal. well, any first-year faculty member can only place his hands, it’s impossible to argue with that, you see, the earth, as you know, elephants, elephants on a turtle, further down the list, this is the problem, this is the problem, the problem is that history textbooks are very important, i was recently asked , we are now working on new history textbooks for school, or updated ones, i was recently asked how important it is in the internet era to there were textbooks in general, because everything can be found out on the internet, and you can even see a doctor easily, but the main thing is not to get to such a doctor, just for an appointment, and i say, you know, in our time of the internet, the importance of a school textbook has increased a thousandfold, because it should be that truth, that guiding thread, holding on to which you will not drown in the sea of ​​this fornication, with speculation, interpretation , dialogization, verified, reliable, something with which the overw

pugachev family, then there are a lot of options, where he came from, and how, yes, well, nosovsky and fomenko impossible to argue with this, you see , the earth, as you know, elephants, elephants on a turtle and further down the list, this is... the problem is precisely this, the problem is that history textbooks are very important, i recently they asked, we are now working on new history textbooks for school, or updated ones, and i was recently asked how important it is in the internet era that there are textbooks at all, because everything can be learned on the internet, and you can even become a doctor, but not a surgeon, it's clear but the diagnostician is easy, easy, yes, yes, the main thing is not to get to such a doctor, for an appointment, but, i say, you know, here... in our time of the internet, the importance of a school textbook has increased a thousandfold, because it must be the truth, that guiding thread, holding on to which you will not drown in the sea of ​​this fornication, from speculation, interpretation , dialogization, verified, reliable, what the overwhelming majority o

and in the theater, the workshop of pyotr fomenko plays the premiere performance of mayakovsky, listenestorer, founder and first director of the museum of architecture, the all-russian museum of decorative arts for the anniversary of the architect presents an exhibition-installation composed by the architect shusev, in which you can see early sketches, a collection of fabrics, models of temples with fragments of paintings and unique exhibits. he worked with many clients, including the imperial family, the richest noble families of russia. and a significant number of buildings that shusiv built before the revolution were temple buildings. you can see five of them at our exhibition. we talk about shusev, first of all, as a soviet architect, we are used to calling him that. and the most iconic work was the lenin mausalee on red square. mausalee, which is already in contrast to. belonging to the russian style, it is one of the best buildings of the russian avant-garde. moscow jewish theater shalom continues its program international theater festival. home with the play monya tsatsky standa

in the theater , the workshop of pyotr fomenko plays the premiere performance of fyodor malyshev, maikovskyround him. on the stage of the drama and directing center as part of the new people festival. and the magnitogorsk opera and ballet theater continues the program of the sixth large children's festival egor shashin golden antelope on the stage of the moscow provincial theater. ros iso is hosting an exhibition mark zakharov master's formula for the ninetieth anniversary on the birthday of the outstanding director. the exhibition includes photographs, posters, sketches and models of scenery, costumes, and in total more than 50 unique exhibits from the collections of the bakhrushin egitis museum, telling about the life and creative path of mark zakharov. at the moscow evenings festival in mytishchi, the buinsky drama theater is showing the play barane based on the story by the turgenevs and directed by timur kulov. and drama and comedy theaters. production based on the play by mikhail bulgakov, days of the turbens, stage director maxim lada. festival khovorostovsky continues at the krasnoy

comes first, he as an artist, a great one, or as a person, very often, when you meet people who knew fomenkoersonally, they first remember some meetings with him in life, and then they remember his performance, it happens, of course, the other way around, but for you , for me, everything is mixed up, and in general it seems to me that this is that... happy occasion when the way a person lived, he created the same way, with pyotr naumovich, it seems to me that a priori it could not being boring, that was simply out of the question, yes , he had long, hard rehearsals, sometimes he rehearsed for years, but it was always very interesting, everything he did, and this is where, it seems to me, the profession of a director begins, he always but he was tormented about what he was doing, but if he suddenly didn’t understand, well, for some period or some part of the performance he could simply get sick, disappear there for 2 weeks, but when he came, but this is probably a common place in theatrical circles, but everyone knows that if there is any not the best student asked for help in analyzing the p