this is the magic cloak of fyodor grigorievich. and this is the continuation of the cloak and all the artists are wearing the cloak, the theatrical cloak of fyodor volkov, which is like protection, like a safe-conduct? this is my theater, these are the wonderful successors of my work, the new artistic director. valery kirillov calls himself a student of sergei puskepalitsa and a successor of his work at the yaroslavl volkov theater ; in fact, this is the office of sergei vitau. it was launched that go theater the president of russia opened in our theater in 1919. as a matter of fact, here is his desktop, it’s convenient, good. go ahead, don't doubt anything. puskepalis blew up and upended the measured provincial life of the yaroslavl theater ; new performances appeared in the repertoire; ideas simply did not have time to be implemented. sergei vitau had the groundwork for not one, not two, but at least three seasons, and so now , in an amicable way, we are honestly implementing what he had in mind and these plans for more than one s

this is the magic cloak of fyodor grigorievich. rtists are on the cloak , the theatrical cloak of fyodor volkov, which is like protection, like a safe-conduct? here he is mine theater, they are wonderful successors of my work, the new artistic director. valery kirillov calls himself a student of sergei puskepalitsa and a successor to his work at the yaroslavl volkov theater, in fact, this is the office of sergei vitaut pieces of palis, they really liked that the president of russia opened the theater in 1919 in our

volkov theater, then annette, in theory, the starts, the finger itself is the cloak of the magic fyodor grigorievich this is a continuation of the square and all the artists are on the cloak, the theatrical cloak of fyodor volkov which like protection, like a safe conduct? this is my theater, these are the wonderful successors of my work, the new artistic director. valery kirillov calls himself a student of sergei puskepalitsa and a successor of his work at the yaroslavl volkov theater, in fact, this is the office of sergei vitaut pieces of palis, they really liked that the president of russia opened the theater in 1919 in our theater. as a matter of fact, here is his desktop. i didn't rearrange anything. it's convenient here. well i hung up portraits of my teachers, including this photo of him specifically, when i have any doubts, doubts, something begins to overwhelm me. go ahead, don't doubt anything. it blew up and turned the measured provincial life of the yaroslavl theater upside down; new performances appeared in the repertoire ; ideas simply did not have time to be implemented. sergei vitau

this is the magic cloak of fyodor grigorievich and this is the continuation of the cloak and all the e wearing a theatrical cloak fyodor volkov who is like protection, like a safe conduct. this is my theater. here they are, the wonderful successors of my work , the student of sergei puskepalitsa and the successor of his work at the yaroslavl theater , who were inspired to open the theater of the president of russia in the nineteenth year in our theater. as a matter of fact, here is his desktop. i didn't rearrange anything. it’s comfortable here , it’s good, and i hung portraits of my teachers, including this photo of him especially, when i have any doubts, doubts, something begins to emerge. valera during go ahead, don't doubt anything. the concessions blew up and upended the measured provincial life of the yaroslavl theater ; new performances appeared in the repertoire. go and just didn’t have time to implement it. sergei vitau had the groundwork for not one, not two, but at least three seasons, and so now , in an amicable way, we are honestly implementing what he had in mind and the

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