so, who is evgeniy gabrilovich?oint, the civil war, this from the beginning of a new world, the beginning of a new world, yes, that is, that moment when, in which a certain soviet truth was laid down, i would say, from which all young people who tried to live and preach some principles in their lives in the future were based, that is, panfilov needed a new actress for this story, which was written by a screenwriter of the previous generation, and somewhere in some television program, it seems, he saw inna churikova. and perhaps their acquaintance looked the way it looked in the film beginning, the acquaintance of the director and actress, i suggest watching this piece now, yes, let's get acquainted, everyone, hello, you are pasha, and who are you, and i ’m a director, let’s get acquainted, do you want to act in films, a woman with a yoke, no, not a woman. i want, but what? have you read about jeanne d'arc? but what, who is she? frenchwoman? folk hero? of course i read it, but what? that's good. by this time, inna ch

, we started talking about the fact that gabrilovich is a person, here’s another thing... he activelyame to cinema, he is a very interesting writer, he actually started out as a musician, he is a master, and from the master’s point of view, this character, ollya gabriilovich, appears in the script, he defends our heroine, pasha strogunov, whom the director took for the role of joan of arc, someone doesn’t believe it, let's watch a fragment, come on, well, in my opinion, the situation is terrible, but in my opinion it is excellent. well, i don’t know, they asked, they begged, not the brothers for the main role, but i’m sick of the ugly ones, that’s not the point, is this jean arc, some kind of hooligan, i, as the author of the script, insist on replacing her, it is irreplaceable, one wonders why there is an editing gluing, somehow everything looks very strange, yes, that is, why a sonar. gives some instructions to the director, in general, no one usually asks the screenwriter, he handed in the script, that’s it, goodbye, bye-bye, we ’ll continue shooting the film without you, in real p

gabrilovich to come up with one story to understand what is possible to write further, it is the cornetoifference to him, whether in the side or in the forehead, he penetrates 1300 mm behind dynamic protection, recently they were hit for the first time from this weapon. 35 years old, still a boy, he heads the instrument engineering design bureau in tula, he said, i always demand the impossible. this is an anti-aircraft missile and gun complex , the remains of the bpalaktar that we shot down, the sky is under reliable protection, we created a direction that ensured, and now ensured, that superiority, by the day of the missile forces and artillery, on sunday on the first. today we are specialists in the film the beginning of gleb panfilov, it was important to show in the film that our heroine, pasha, does not achieve her success, we don’t even know yet whether there will be success, it’s easy, it was necessary to show that she not only has problems in her personal life , but she doesn’t always cope with filming, and at the same time we understand that the relationship between director panf

evgeny gabrilovich. here. who is evgeniy gabrielovich? this is the legendary soviet screenwriter. the story with which they began to work was a story about the civil war, and this topic came up very often in gabrielovich’s work. in general, this was a rather important point, a civil war, this was the beginning of a new world. the beginning of a new world, yes, that is, the moment when, in which some soviet was laid. however, i would say so, from which in the future all young people who tried to live and preach some principles in their lives were based. that is, for this story, which was written by the screenwriter... of the previous generation, panfilov needed a new actress, and somewhere in some television program, it seems, he saw inna churikova, and perhaps their acquaintance looked the way it looked in the film, the beginning, the acquaintance of the director and actress, but mostly her roles were small, for example, in yashaga in moscow, how to draw horse, how to draw a horse, yes, yes, she was one of those heroines of the creative competition in which nikita mikhalkov’s char