conversation - this is a program worldview hormone about literature during the war with us as guests ihor pavlyuk laureate of the all-ukrainian prize named after dmytro kremen writer and taras krem and the commissioner for the protection of the state language there are literally 12 minutes left for the conversation. i would like to concentrate on what igor. i will ask you about what you were talking about. people are now the vast majority either depressed or aggressive, and it is clear that literature is too. works for the consumer, relatively speaking, this war lasts, we don't know how long it will last, and writers also have to give people certain messages , certain, er, certain sustenance that is needed now well, of course, it is possible to write or record something for yourself to be published later then after this after this war, i would like to ask you what kind of food people need now, and how do you as a writer see and evaluate the war itself and what is happening to us, what assessment would you give to this artist? well, now i am briefly trying to formulate first of all, i haven't talked to mr.

will discuss all this with our guests who today we have invited to a conversation this is ihor pavlyuk, laureatethe all-ukrainian dmytro kremen award, and taras kremen, commissioner for the protection of the state language, ihor mr. taras . greetings. good afternoon. we will begin. well, we will today to talk about the all-ukrainian award named after the laureate of the shevchenko prize of ukraine, the outstanding poet and public figure dmytro kreven well, in general, we will talk about ukrainian literature during the war, its state, the state of the book publishing industry, and why it is so important in principle to support literature , to read the literature of what literature does ukrainian need today a society that in times of war needs many things and literature in particular well and in general literature as propaganda to what extent it should be financed by the state why again is literature important as propaganda literature is possible as well as counter-propaganda why is it important to tell you, let's start with you please tell me in your assessment according to your observations how

ihor pavlyuk will be included in the conversation , who became a laureate of the all-ukrainian dmytro kremen award mr. igor i congratulate you once again before we move on to the award and the work for which you were awarded i wanted i would like to ask you about how do you write, what is written about during the war, because you know, i have colleagues who are writers, some work very actively, some do not write at all, and why does this not only apply to writers, it applies to those people who write. let's put it this way. lyrics for songs, they say well, now, during the war, there is no writing, there is no inspiration , there are some other current problems, so that the muse the muse was working in the soul and it came to the fore, there is no such thing, that's why there are such two moments, the days are working and others say that there is none inspiration, something stuck, so well, i think, you heard me, do you hear me or not, mr. igor ? yes, it’s just me, or do you also have something a little bit? well, the main thing is that you hear me. what is the most important thing now

you for this conversation taras kreminyu commissioner for protection state language ihor pavlyuk all-ukrainian laureatero ke - kremen award show you such an author's clip, but these are my words and lesya kokovska's romanchuk music lesya kokovska romanchuk performer of this song honored artist of ukraine volodymyr verminskyy this song they are already listening to the frontline it is called step by step the fruit is a kind of anthem of the ukrainian infantry let's see let's listen a little today we are going through these hellish gates step by step step by step steps evil stand up stand up we are tired to the side photo stand up stand up for rostov on the wall the wind plays with deeds step by step step by step the blood of trouble we are going from the first to smash paradise with our heads where there are houses and gardens and without the sleepy world of the homeless, we are walking on the border, how long do we have to go, do you have generals, only you are growing us , something that cannot be named, step by step, step by step, you are walking, the rockets are buzzing over the houses and you you w

this conversation taras kreminyu commissioner for protection of the state language ihor pavlyuk all-ukrainian laureate ke-kremen award i will be glad to see you again in the veteri effect in the future i wish you a good day and thank you for your work well, it's like the audience, since they said that songs are important now, i just found an opportunity show you such an author's clip, but these are my words and lesya kokovska romanchuk music lesya kokovska romanchuk performer of this song honored artist of ukraine volodymyr verminskyy this song they are already listening on the front lines it is called fruit step by step this kind of anthem of the ukrainian infantry, let's see let's listen a little, every day we pass through these gates of hell, step by step, step by step, get up, get up, get tired of the infantry , get up, get up, let's walk tall on the wall , the wind plays with things, step by step, the blood of trouble, we are going from the first to smash paradise with our heads where are the huts and plant your sleepless world homeless we are walking on the border, how long do we have to go , yo

commissioner for the protection of the state language ihor pavlyuk , all- ukrainian laureate of the dmytrord i have the opportunity to show you such an author's clip, but these are my words and lesya kokovska romanchuk music lesya kokovska romanchuk performer of this song honored artist of ukraine volodymyr verminskyi this song they are already listening to the frontline it is called step by step the fruit is a kind of anthem of the ukrainian infantry let's take a look let's listen a little every day we pass these gates of hell step by step step by step steps again get up get up we are tired on the way up get up get up and we are walking on the rise the autumn wind plays with things step by step step by step crocs we are going from the first to smash paradise with our heads where are the huts, the forest, the gardens, the world without, the sleepy world, the homeless, we are walking on the border, how many of us are there, but there are generals , only you are raising us, something that cannot be named , step by step, step by step, you are walking, rockets are buzzing cursed over the huts,

talking now with the representative of modern ukrainian literature, ihor pavlyuk, we will join the conversation , who became a laureateall-ukrainian prize named after dmytro kremen, mr. igor, i congratulate you once again before we move on to the prize and the work for which you were awarded . i would like to ask you about how do you write, what is written about during the war, because you know i have colleagues who are writers alone they work very actively, some don't write at all, and this applies not only to uh, novelists, it applies to those people who write, uh, texts for songs , they say, well, now, during the war, there is no writing, but there is no inspiration, there are some other current problems and such that straight er straight er er the muse the muse worked in the soul and it fell on me, there is no such thing, that's why there are such two moments, the days are working and others say that there is no inspiration , something stuck, so well, i think, did you hear me, do you hear me or not, mr. igor? yes, it just hangs in my head do you also have a little something? well, the main thing is that you hear m

talking now with the representative of modern ukrainian literature, ihor pavlyuk, and we will join the conversation , who became a laureatef the all-ukrainian dmytro kremen award, mr. igor . i congratulate you once again before we move on to the award and to the work for which you were awarded i would like to ask you about how do you write, what is written about during the war, because you know i have colleagues who are writers, some work very actively, some do not write at all, and why does this apply not only to er, prose writers, this refers to those people who write, let's say, lyrics for songs, they say well , now, during the war, they don't write, there's no inspiration , there are some other current problems, and so that it's straight uh, straight uh muse muse worked in the soul and it fell there is no pressure, that's why there are two moments, the days are working and others say that there is no inspiration, something is stuck , yes, well, i think, but you heard me, did you hear me or not, mr. igor? yes, it's just me that's stuck, or do you also have something a little bit, well, the main thing so that you can he