lev moller.e coordinated the texts with the head of the literary department, so peter kharkov, well, with me. as if there were no questions. but with misha he was somehow advised, or he himself guessed to take a pseudonym. i honestly don't understand why. him this it took all the poets of the song, as if mishin's co-religionists wrote under their names to their minds. lobkovsky mikhail matusovsky yevgeny dolmatov well, it's either holman himself, or the editors, as if they decided to give him a pseudonym and began to feverishly go through the cities of no, e part of the world. no e was explaining. maybe it was a late bike, it seems clear, i am the son of the jewish people. maybe true, maybe not. well, what's the difference, and that's really the competition from donetsk kobzon turned out to be the second blessing diplomat. the best accompanist is himself fucking wedding lion muler tweet, the best song of the splinter, i am the memory of the heart and i must say that the only two songs. recorded h

lev moller.ith misha, well, he was congratulated by the song there, he says, volodya, so i wrote the melody. i just sang it to igor. igor recorded it on notes and that's it. it was me who composed the music. but you you know, i always sing my own songs. it turns out that he brought this up, not only to me, to many others, that there is a music author , he didn’t write music for some texts offered by golman, but soon the brilliant triumph of their song, the memory of the heart , reconciled them and inspired them to write new new songs. all pop singers of the soviet union in 1966 were preparing for the first all-union competition for the best performance of a soviet song and for the best soviet song, all songs had to be new for the competition was submitted, or 80, or 90 completely new songs, and goldman's memory of the heart and charming theological with our song with glebov, house, 3rd part of our trilogy from the cycle i remember even after the competition. our surnames and misha met for the fir