it turned out that oleg efremov did not know how to drive a car, and to be a taxi driver, he must lookr behind the wheel. there was nothing left to do. oleg nikolaevich was hired as an instructor driving. and then the day came when he came to filming and had to make his first independent trip around the city. oh, there's more. efremov calmly got behind the wheel, at that moment the passenger door opened and leozna was next to him, okay, so i won’t get lost, she told him. if we crash, it will be two of us. oleg nikolaevich drove extremely carefully. lioznova did not have a goal to get tatyana doronina into the picture. she knew little about this actress. do you love theater? i want to ask, do you like theater? how i love him! george nathanson's film, the elder sister, in which doronina's star shone, somehow passed her by. she didn't have it. targeting this actress, in principle, she didn’t really know about daronina’s successes in the bolshoi drama theater, for example, yes, about what she plays there, what performances, that some already go to st. petersburg, to leningrad to watch the

this is probably the only example when three main directors came out of the walls of one theater, oleg efremovna volchik, who for many years became the keeper of the traditions of her contemporary. alexander lyakin, tatyana bakulina, tatyana bodrova, dmitry skvortsov, anna lepatova, channel one. a powerful downpour, in some places with hail, hit moscow. this is the kind of footage residents share on social networks. is it really worth it? according to preliminary forecasts , the whole week is expected, even frosts are possible at night, and today there will be stormy wind gusts up to 18 m/s. residents are asked not to take shelter under trees and shaky structures, do not park cars under them, and urge all weather-dependent people to be even more careful; experts warn about magnetic storms and sharp daily fluctuations in atmospheric pressure, the so-called pressure saw. well, in st. petersburg today they started the navigation season, pleasure boats took to the rivers and canals. the patrol service monitors the safety of navigation around the clock. that's all for now, we are monitoring develop

in art in amkhati with oleg nikolayvich efremov. and already has there been a split?eventh, i’m ashamed of not knowing exactly this date, but i don’t remember now. again , what i read on the internet, yes, what i looked at from some reference materials, in addition to the fact that you were engaged in acting work, you also began to engage in social activities, you mean the moment of my dismissal from the artistic then that you created a trade union there, or a trade union was created there, in which you played some role, oleg nikolaevich efremov, he was an innovator, and he always came up with something in the theater, he wanted the theater to live, for the theater to seethe, there were many wonderful young artists in the theater, he came up with what was needed. create a trade union of mkhat actors, yeah, since at that time i was filming quite a lot in america and france, wherever i was, thanks to oleg nikolayevich efremov, the repertoire was adjusted just for me so that i was filming in london in los -angeles, she flew in for a week, played all her performances, fle

29, 1968 , tatyana lioznova’s film three tops on the ivy with the unforgettable acting duet of oleg efremov 29, 2024.

it turns out that in your life there were two of these great olegs, oleg efremov. and oleg tabakov, whatld you say about them? could you tell? and tobakov and efremov are two incredible blocks, terribly similar in some ways and completely different, different in approach, different in existence, even in acting, despite the fact that they studied at the same school, they are very different tobaccos from efremov, well, tabakov was still a young artist when efremov created a contemporary, yeah, and although tabakov did not personally study from efremov. but as if efremov were its leader, these are probably people who, as it were, you know, consciously didn’t happen, no one taught me anything, well, tabakov naturally taught me acting, and you studied with tabakov, i studied with tabakov and he taught us very seriously, for which i am incredibly grateful to him, because he was very tough in the learning process , his motto is that he must answer. for every student that he lets out from under his wing, that this artist will be able to earn his own piece of bread and butter, and that the acting

the museum is divided into two zones, one dedicated to the period when the theater was led by oleg efremovsecond to the time of galina volchik, in contemporary times it was the main one until 2019. the day before, every resident of the city could make moscow cleaner, more well-groomed, and more beautiful. there was a big event in the capital. cleanup day, everything was like the good old days, collective cleaning with shovels, rakes and garbage bags, even logs could be carried if desired, tools were given out on the spot, there was enough for everyone, and muscovites not only helped utility workers, but took part in relay races, quests, quizzes and dined on dishes prepared in field kitchens. so, with the onset of heat on the streets of moscow , construction workers and heavy equipment again appeared in the courtyards and squares . of course, they leave some inconveniences, but they always apologize and do everything to ensure that the work is completed as quickly as possible. a large program for improving the city's public spaces is being resumed; by the fall, about 700 streets and 1,500 c

the first is dedicated to the period of leadership of oleg efremov, the second to the era of galina volchekopening is timed to coincide with the theater’s birthday. a unified online service for booking gazebos for picnics in city parks has launched in moscow. special rental sites are available, including in kuskovo-silver forest in the natural and historical park. kuzminki loved. on the website you can choose a convenient time and place. all gazebos are equipped with barbecues, boxes for coal and sand, as well as trash cans. garbage. it took place in the capital. the first screening of a blockbuster 100 years ago, filmed with the participation of our channel, an exciting film about time travel based on the works of kir bulychev, returned everyone’s favorite heroes, alisa seleznyova and kolya gerasimov, to the big screens. together they will have to confront serious opponents, space pirates. about the fantastic premiere anton zemidov. 100 years ahead, these are the new adventures of alisa selezneva. all your favorite heroes are returning, if... i said that i would play alisa seleznyov, this

is probably the only example when three main directors emerged from the walls of one theater, oleg efremov. now st. petersburg - the start of navigation along rivers and canals , the first pleasure boats and trams came out from the palace embankment today; those who wanted to admire the northern capital from the water were not scared off by anyone cold, no rain, no leaden clouds that the scandinavian cyclone brought, this night, and bridges will begin to be raised again, a bright show beloved by tourists until about november. and our viewers can enjoy the views of st. petersburg without leaving at home right now. the undercover taxi was filmed right there, in one of the most beautiful cities in the world. obanik is no longer available. in, inna, also a colonel, she’s alive, yes, go away, inna, go away, don’t disturb. she’s alive, alive, alive, until, already, trash, you still won’t die, yes, it just happened to you that there was no home when your sobs ended, i ’ll get you anyway, i’ll cut you, what did he say, lesh, what he said, lying down, what he said, what he said, i'm going to die. v

exhibition is divided into several parts: the first - 14 years, while the creator of the contemporary oleg efremov of course, i still saw many, many karifeevs in real life. at the opening of the museum , people gathered, in whose fate a contemporary had a special word, time, emotions, memories, founded in 1956, a symbol of the thaw era, the authors of the theater reformers tried to speak with the audience in the same language, the creators museum exhibition sought to explore how the large-scale idea that formed the basis of the contemporary passed through the years and continues to live today. once efremov said that a contemporary will be alive until then, a contemporary will... to find this again and god grant them and i will root for them and the fact that they took up their history is evidence that they did not reject it . in order to understand and love something, you need to know it, this is exactly how the authors of the project reason, hoping that the new museum of contemporary art will become a place that immerses into the atmosphere of a time when the word contemporary was an important th

it turns out that in your life there were these two great olegs, oleg efremov and oleg tabakov. terrible, humiliating, such a beloved profession of acting, if you have a very serious school. on the other hand, you have such a fairly rich western experience, but you worked in europe, worked in america, and how is it going there? well, there was a movie. and i still filmed with jean luc gadar, and it didn’t even occur to me, with gadar, gadar himself, with gadar himself, and like gadar, and he was wonderful, gadar was amazing for me at that time, because the name itself gadar, you you see, it was getting dark in my eyes, he invited me, yes, i acted with him, i was at the audition when i was approved for the role of the director, it was very funny, because well... the film, as far as i understand, didn’t work out, but it doesn’t matter, i had such an experience in my life and i communicated directly with godard, you know, somehow managed to change my acting school, i think i didn’t succeed with him, because it was a completely different experience and kind of ...incredible reverenc

he asked oleg efremov, not only the artistic director of the theater, but also his friend. they justmething, so he was holding it, but in the end his heart could not stand it, after leaving the moscow art theater, evstegneev played in films , participated in enterprises, in recent years he had been unwell, but always played on the same one. now, with a good lifestyle, which happened at that time in march 1992, that is, at this time it is not recommended to carry out operations or, at least, postpone them until a more favorable period, at least for month. on march 1, 1992, evstiknius appeared on stage for the last time. and on march 2, together with his wife irina, he flew to england, in london he was supposed to have heart surgery, but his rich imagination, his genius played a cruel joke on him. on the eve of the operation , the doctor told the actor in detail how it would go. evgeniy aleksandrovich suddenly imagined his death so vividly that he did not live to see the operation. my heart just stopped. evstegneev was 66 years old. collided with the man himself, his talent, an amazing

oleg efremov, galina volchik, igor kvasha, valentin gavt, evgeny evstegneev, the first contemporary artists but the state management system remained one hundred percent, so it was impossible to create a theater from below, it was a utopia, neither its own building, nor even the status of a theater, but on april 15, fifty- six, the first performance was ready, forever alive, playing from midnight, the audience dispersed only in the morning, now the intelligentsia and progressive youth are standing in lines for tickets in the halls. something interesting, and most importantly for young people young. 47 years old, she literally lives in her contemporaries, her productions are still on posters. today we are playing the play three comrades, this is galima borison volchik play, three sisters, pygmaleon, we are playing two on a swing. ivan stibunov has been serving in the theater for 18 years, and found igor kvasha, a legend, a star and a professional until the last minute. well, everyone was ready to applaud and greeted with such love, but no, this man tuned in every day, every day he had a zone