to create, well it's peredelkino 2:0 peredelkino. to put endlessly to what was destroyed, or is this the place where the coryphaeuses lived, korney chukovsky, lev kassil, boris pasternak and so on, kudzhava, i have one personal memory dear to me, about peredelkino, when i first got there, having just started working in yasnaya polyana, being a very young person, i needed to hand over books and documents to igor petrovich. he is over 90, but we recently filmed an interview with him, and i remember what a thrill i had when i was driving in the car from tula to peredelkino, imagining a meeting with this literary place and with igor petrovich, the thrill was based on some - rather for me it was based on the foundation of the sixties, that... against the backdrop of some snow, yes, most likely in his own dacha modest in alterations, it may well be that this is a dacha alterations, where now the museum, the guitar is not very serviceable. simple, yes, now i perceive peredelkino differently, rather more - rationally soberly than romantically, on the one hand, this is a place that reflects t

peredelkino, when i first got there, having just started working in yasnaya polyana, being a very young person, i it was necessary to hand over books and documents to igor petrovich zolotuskiy, a literary critic, god bless him, he lives in peredelkino, he is over 90, but we recently filmed an interview with him, and i remember what it was like. akudzhava, that this is a place where poets lived, who spoke to a large number of people through their poems, probably with this bulatshalovich with a guitar, young, strong, beautiful, against the backdrop of some snow, yes, most likely in his own dacha, modest in peredelkino. it may well be that this is a dacha peredelka, where the museum is now, the guitar is not very functional, simple, yes, now i perceive peredelkino differently, rather more rationally soberly than romantically, on the one hand, this is a place that reflects the complex history of the country, which can simply be compared with how someone lived, what was the reaction in history, on the other hand, now for... for our modern development of the creative center and for the modern

yes, now i perceive peredelkino differently, rather more rationally soberly than romantically., this is a place that reflects the complex history of the country, which can simply be compared with how someone lived, what was the reaction in history. on the other hand, now for our modern development of the house of creativity and for the modern development of writers, it is important that... this place is full, authentic, with its own history, there is something to build on everything you want to build, that is, there is some kind of succession line, because these 40 or 20 years of desolation, you can count them differently, but 20 for sure, when everything was falling apart, all this has been overcome to one degree or another, yes, that is, some kind of thread has been found that connects - the soviet idea of ​​settling all the writers together, and ... rather , this makes it possible to understand that you have a name, the name of the remake, you have a big history, you act not based on your preferences or desires, how this can be done, there is a basis, and then something can

i remember what a thrill i had when i was driving in a car from tula to peredelkino, imagining a meetingith this literary place and with igor petrovich, the thrill was based on what for me was based on the foundation of the sixties, the understanding that yevtushenko, vasensensky, akudzhava were here, that this place, in where poets lived, who talked with... against the background of some snow, yes, most likely in their own modest dacha in alterations, it may well be that this is a dacha in alterations, now in the museum the guitar is not very serviceable, simple, yes, now i perceive peredelkino differently, rather more rationally soberly than romantically, on the one hand... this is a place that reflects the complex history of the country, which can simply be compared with how someone lived, what was the reaction in history, on the other hand, now for our modern development home-making and for the modern development of writers, it is important that this place is full, authentic with its own history, there is something to build on everything you want to build, there is some kind of succe

, but to become a resident of peredelkino, you need to pass.ecome a resident of peredelkino? on the one hand, it is easy, you need to be a talented writer or translator or artist, on the other hand, of course, it is difficult, because over 300 writers apply to us per year, and about 100-150 per year get in, but even if you are far from creativity, getting into peredelkina is still. worth it, what age category, the most frequent guest of peredelkina is on? surprisingly, but really young people from 18 years old, feel at home right here, apparently some need for an analog space, in such a comfortable place, without much digital load, this is really important, but also the whole family comes, the most frequent picture, when it goes... grandma-grandpa, dad-mom and little children, everyone has something to talk about, because someone remembers chukovsky, someone remembers their bookshelves, they start exchanging, remembering, quoting, this, this is how it happens. here in the studio 100 players from all over our country have gathered. the main char

winter pitching, we tell residents who are ready to present their work to publishers, to come to peredelkino, we invite about twenty publishing houses of different format, teenage, children's, adult, non-fiction literature, each author who was in our residence has 5-7 minutes to say what he wrote, how he sees his audience, introduce himself as a publisher, well, there is a contradiction here, of course, because vanya says that he just writes everything, here you need to tell, you remember what tolstoy answered those who told him that they read it and did not understand anything, he said, i have already said everything, read it again, i will not explain, yes, but we ask the author, we turn to him with by asking to formulate what his work is about, it was easier for the publisher to understand, and this is a very successful activity, we were... and the publisher introduces the writer to the reader, you had meetings with the reader, and how do they understand all this, they do not say some abstruse things, i read in one of the reviews that someone writes about your book, that it is something be

this is such a producer project for us, for peredelkino, because we saw this text, we immediately knew we needed to introduce to which publisher who could, that is, there is already a mechanism in advance that, if desired, provided you have talent, will bring you straight to the movie screen, are you planning anything like that? yes, i wanted to see my story on the screen more, how cool is that, in general, our dear interlocutors, today we have covered a very wide circle, as you can see. we began the conversation with the fact that in russia, in general in the world everything is connected with literature, but in modern literature it is arranged in such a way that a lot happens before how it appears, and around its appearance, that is, literature is not only a writer, publisher, critic, reader, but also many other professions, actions, actions, let them sometimes be called by words that are not quite familiar to our ears, yank idald or residence. remember the film "resident's mistake" from the soviet era, there are completely different residents, but it is terribly curious to hear, it

peredelkino on the gate of the dacha of one very odious, critic literary it was written: there is anin the yard, someone added unprincipled, in my opinion it was well thought out, yes, by the way, a new russian says, listen, i'm at the dacha. i hung up an ad, yes, well i wrote something like that, there is an evil dog in the yard, some brat immediately attributed it to me, but without teeth, well , another would have understood the scandal, but i didn't, i simply attributed it, but it will suck you to death, now let's move on to the names of places, i was once traveling through belarus, we had some kind of tour there, and i saw the name of a village, the village was called bolshoe machishche, such a village, we live in in the village of gedeeva on... not far from the city of budva there is a place with an amazing name in our country there was a competition for the most wonderful name of a settlement. the first place was given to the village of dude from the perm region, but i liked the village of kolbasa from the novosibirsk region more. the village of kolbasa is certainly cool. do y

house, maybe receive or not receive in response, or go to a seminar in lipka, that is, until the peredelkino house of creativity appeared, and i would also mention the association of writers' unions. that is, a press conference - on the carpet, but then i got used to it, and it seemed to me that these are books that are addressed to both children and adults, and then, then it turned out that adults started reading them, well , that's how it is now, it's interesting to adults, i'm interested, for example, what did you read when yank and dalt were around, i read science fiction, read science fiction, what kind of science fiction, i wonder, what years were those, ivan, dozvory, i read lukyanenko, that... i see, i also wrote a thesis, even about science fiction, of course, lukyanenko wasn't in the pomene yet, yes, you read science fiction, no, i practically haven't read science fiction, it doesn't appeal to me, maybe i'm very bad with it imagination, no, no, well, science fiction is not about imagination, yes vanya, but in many ways about imagination. novels, it seems to me, are a very good entr