if this should be bait for an a, not a rembrandt for the rags museum. why did you want this painting so back? because then you can tell the story if you see there, the story of rembrandt really coming in to full bloom and at the right machine, you can see the entire development of remembrance of art and this work. yes, it was a lot of money that it is for the public there for always, for the next generations. and they really get to know of rembrandt at the rights museum. so what do we have here? well, these are all paintings from harlem, a town near to amsterdam, you've called beautiful stay lives, and you've called the married couple, which is one of france halls. his great paintings, and basically the masters of the netherlands are rembrandt for mayor and france. halls, france hall suits bit earlier than rembrandt, and he is incredibly gutsy in his painting. it's this confidence that they radiate, that was really so typical for this new country, small country that was ferrying incredibly well with, with trade. also they were essentially the 78. yes. b

so enthusiastically, not raphael, not rembrandt, not michelangelo, not titian, anyone else, their canvas , compared with the icon, began to seem. forgive me from life, although they are magnificent in technique in red color. and truly my passion throughout my life goes on already icon painting love for the sky was from early childhood. it beckoned me, i sculpted small model airplanes from plasticine. others were unavailable. each airplane was mounted on a needle so as not to take hold of the plasticine and the plasticine did not lose its shape. i had airfields on the mounds, ants served as an image of people, and so i could spend hours in my imagination taking off and landing, and i kept my love for the sky. it can be said, even increased only this love. to the spiritual sky however, dreams come true in germany as well. there was an opportunity to learn how to fly a helicopter. it was then that we made the first shooting of the temple of the monument in lapitsed from a bird's eye view with nikolai petrovich mochansky. now, alas , i rarely fly, but i enjoy flying radio models. and in the

so enthusiastic, no raphael no rembrandt no michelangelo thread, cyan.one was their cloth compared with the icon began to appear. forgive me , lifeless, although magnificent in technique in red color. and truly my passion throughout my life goes on already icon painting love for the sky was from early childhood. it attracted me, i sculpted small models of an airplane from plasticine. there were no others get. each airplane was mounted on a needle so as not to take hold of the plasticine and the plasticine did not lose its shape. i had airfields called link ants that served as the image of people, and so i could imagine hours of take-offs and landings. and he kept his love for the sky. it can be said, even increased only this love. to the spiritual sky however, dreams come true in germany as well. there was an opportunity to learn how to fly a helicopter. it was then that we made the first shooting of the temple of the monument in lapisceda from a bird's eye view with nikolai petrovich mochansky. now, alas, i rarely fly, but i fly radio models with pleasu

into 6 zones between them there are offices of scientists, each is a modern interpretation of fort rembrandtided place at the end of the exhibition. we decided that this scientist's office would be repeated, each opening a new section of science. here we are with you now we stand in the office, which a represents biology. these giant flowers and organic matter after the physics room are the works of artists, filmmakers, a light-dynamic object, metal objects that create amazing figures. visitors have the opportunity to think for themselves and find their connection between a work of art and scientific discoveries on borscht. i wanted this exhibition to be not for professionals. and for ordinary visitors. and couples with children. we tried to find more forms. dialogue with the damage of art or with scientific discoveries, a huge hall is dedicated to biodynamics, the study of the movement of the human body in the photo. nine of the most important choreographic schools of the 20th century are shown on the video graceful ballerinas in the astronomy section for visitors, a telescope of the 18th c

is preceded by the fantasy installation on the theme of the study of a scientist from the famous rembrandtne of the copies. we can see me in the last room to the girl. sorry for the gender stereotypes, i liked it the most. here is this installation pretending to be a hall called biology. here everything can be touched on a chair. alchemist can sit, in general, all this beauty made for children so that they would not be bored while adult sticks are walking, it is always a family viewing, but i will tell you that adults are here quite to themselves. giant flowers i feel like alice in her wonderland, speaking of children. notice how some of the exhibits are on display, for example, this folding sundial is a bit small. true , you have to bend down to see something, but in fact , such an arrangement is not accidental, because it is not for your humble service. it is for children. this is what attention to detail means from a new angle at the exhibition, you can see stepanova and deineka on malevich and filonov. and it’s also the classic it would seem that the masters of the renaissance did you

and i was like, what's wrong with the rembrandt some museums right.i'm super paranoid and and so i brought 911 flag back. i got to unveil it on the anniversary of 911 is now on display in the 911 museum that was the first artifact we look for and. we brought it back. it was incredible what. i told scott at dinner, is that they canceled the show after one year because each too became the bice and they just got rid of all their shows regardless of their ratings or anything. but what was amazing is we had leads on single item. we were looking for brand new. i said, i'm like i, if i could, funded myself, i'd do it myself. but i wish that's the that i really loved doing because we were things. it was amazing. okay. yes. last question you got it. yeah. okay. do you who? marsha p johnson is. marsha p johnson. i don't know more. she was a person who was a big part of the stonewall riots. and i was wondering if you would ever do an i am book for her because, you know, mean i will tell you so we have so many people who ask about, you know, who we consider for t

rembrandt hints of picasso. this one we are being too hard on poor hunter.died in art schools across america. i will tell you this in a world in which we can say that boys or girls and girls are boys and that the true champions of women's rights are men wearing female sports bras perhaps in sump a world we can say that hunter biden is a fine artist because those are the insane, crazy and truly depressing times in which we now live. >> jesse: stephen miller, prime time resident art critic have a happy easter. >> thank you, you too. >> jesse: "primetime" finds the happiest country in the world. ♪ ♪ lovely day ♪ mom: hey! cheap flight alert! daughter: hawaii! can we go? dad: maybe. i'll put a request in monday. sfx: shattering glass. theme song: unnecessary action hero! dad: was that necessary? unnecessary action hero: no. neither is missing this deal. with paycom, vacation is yours to manage. unnecessary action hero: not to mention benefits, scheduling, payroll. it's hr in the palm of your hand. dad: wow. unnecessary action hero: ask your employer about paycom

uh, the same rembrandt velazquez, which are kept by the ukrainian artist ivazovsky, they will not benot be artists, except for those very flemings or there spaniards or italians or frenchmen who they were. and there is one more very important point. do you understand? we have all the time in some kind of juggling, inclined to somehow endlessly blame. and here i wonder who was the art critic who wrote that aivazovsky was not even an armenian. well, you just understand ukraine. he knows it 's not, that he's vanessa of course, and the fact that it's a lie and that you're lying, as an art critic. you go towards the political situation and step on your own profession, i can’t help but ask about high-profile appointments , high-profile non-renewals of contracts, and so on. that's when you prepare such a decision. do you understand what the resonance will be? yes. that's how you discuss it, how to teach it at all? yes? you understand this, he will call, who will tell you beloved? what are you doing? firstly. uh, what you mention happens extremely rarely, yes, and the system, ideally, of how

pretends to be the fantasy installation on the theme of the study of a scientist from the famous rembrandt of the copies. we can see in the last room i have a girl. forgive horror gender stereotypes most liked. here is this installation pretending to be gold called biology. here everything can be touched on a chair. you can sit an alchemist, in general, all this beauty was made for children, so that they would not was bored while the adult wands walk around, she's here for family viewing. well, i'll tell you that adults here are quite themselves among these giant flowers. i feel. alice in wonderland speaking of kids, notice how some of the exhibits are displayed, for example, this folding sundial is a bit small. true, you have to bend down to see something, but in fact , such an arrangement is not accidental, because it is not for your humble service. it is for children. this is what attention to detail means. you can look at the exhibition from a new angle at malevich and filonov, stepanova and dyka. and it’s also classical it would seem that the masters of the renaissance did you know th

uh, the same rembrandt velasquez, which is kept by the ukrainian artist ivazovsky, they will not be ukrainianarusian at all. they will not be artists, except for those very flemings or there spaniards or italians or frenchmen who they were. and there is one more very important point. do you understand? we are prone to some kind of fraud all the time. it's endless to blame. and now i wonder who was the art critic who wrote that aivazovsky didn’t even armenian. uh-huh, but just a ukrainian, you understand? he knows that this is not so, that he is hovhannes vazyan, of course, and that this is a lie and that you are lying, as an art critic. you go towards the political situation and step on your own profession, i can’t help but ask about resonant appointments , resonant non-renewal of contracts. so on. that's when you prepare such a decision. do you understand what the resonance will be? uh-huh, how do you discuss it? how is it to be taught? he will call, who will tell you beloved? what are you doing? firstly. this, what you mention happens extremely rarely, yes, and the system , ideally, of how

uh, the same rembrandt velasque, which is kept by the ukrainian artist ivazovsky, they will not ukrainianings or there spaniards or italians or frenchmen who they were. and there is one more very important point. do you understand? in our country, all the time, in some kind of juggling, they tend to somehow endlessly blame. and i 'm wondering who was the art critic who wrote that aivazovsky was not even an armenian. uh-huh, you just understand ukraine. he knows that this is not so, that he is ovan. of course, and the fact that this is a lie and the fact that you are lying, as an art critic. you are walking towards political situation and stepping on your own profession, i can not help but ask about high-profile appointments, high-profile non- renewal of contracts, and so on. that's when you prepare such a decision. you understand what the resonance will be, yeah. here, how do you discuss it, how is it generally taken into account? yes, you understand that he will call, who will tell you your beloved? what are you doing? firstly. uh, what you mention happens extremely rarely, yes, and the

now, this is a small but mighty museum along with 11 rembrandts.painting is wildly popular. a recent book, a recent movie. it draws crowds. we have it all to ourselves. now. why is that? because guess on emerald luna were able to get in an hour before the museum actually open, which meant you could have moments. this was what was waiting as we left a museum was opening to beat the crowd. so you beat the i don't often recommend museums, but it especially in a circumstance like this. this museum is incredibly small, but it has a mighty collection. you can be in and out probably in an hour, truthfully, even less. if you have a circumstance where you can get it to yourself for moments like this. absolutely incredible. yeah. and the netherlands. it doesn't feel right going to the netherlands and not seeing a windmill. what we need welcome to williams died even on a rainy day. this was our one rainy day of the trip. it's just charming. even in the rain. it's charming. and this is one of the those locations where i enjoyed river cruising probably wouldn't

botticelli , like da vinci, like botticelli, like da vinci, like botticelli, like da vinci, like rembrandte amounts of egg yolk to an already prepared oil, amounts of egg yolk to an already prepared oil , this can already prepared oil, this can result in a dramatic change in the texture , in the stiffness the texture, in the stiffness and yeah , it enables a strong and yeah, it enables a strong impasto . so yes, i was just impasto. so yes, i was just saying it's amazing isn't it, what these people actually discovered that they could do and the way we're learning about it now, norbert, willem bakker, it's really good to see you this morning. thank you for ekpioining— morning. thank you for explaining that- “q thank you for explaining that to us. fascinating- explaining that to us. fascinating you know, it was the ins— fascinating you know, it was the is peson— fascinating you know, it was the first person that— fascinating you know, it was the first person that did that. c5“ first person that did that. can you— first person that did that. can you inogine— first person that did that. can you