rizzo: no, i did not. reid: thank you, mr. rizzo. rizzo: tnk you. christensen: ...making it acceptable for wall-street investment... [opening bell anging] which led to a massive influx of capital and the transformation of las vegas into the city we know today. [tap shoes clack] women: yee-ha! christensen: family-friendly, resorts for young people... [crowd clamoring] christensen: resorts for retired people. reid: i watched las vegas grow, not realizing at the time that it was growing like it was, but as i look back, it grew very rapidly. [bell dings] i'm from searchlight, and i went to school in henderson, which, at that time, was quite small, so vegas w always big to me, and i probably didn't recognize the growth that was taking place before my eyes. man: we're growing, in the last couple of years, by any measure you want, faster than everybody could have predicted. [power saw whirring] female tv reporter: a new house is built every 20 minutes in clark county for a population in flux--6,000 new residents each month. male tv reporter: las vegas, wit

. >> rizzo and sandra dee. >> tell me more, tell me more. >> exactly.illie to chat about his bbc show "luther" getting the movie treatment on netflix. they discuss a subtle reference in the film that may end the talk of him playing james bond. >> is that intentional reference to bond? >> i didn't write that. that was -- i remember seeing that in the script. are we sure, bro? this is right on the nose. they were like, yeah. let's do it. so, you know, a little bit of fun. >> was that a nod to the outside calls to play james bond? >> obviously, but i think those who know know. >> i'm intrigued. catch the conversation with idris elba tomorrow morning on "sunday today." that is your "popstart." >> talk about a teaser. >> idris elba would be amazing. >> i could not agree more. two votes here. >>> still ahead, joe will go back to the story of two friends helping to tie up loose ends in order for small businesses to thrive, they need to be smart... efficient... agile... and that's never been more important than it is right now. so for a limited time, comcast bu

lithography was charles rizzo, william brown, who founded their firm in 1832 and is pretty that the khans who brought her who brought far more understood the power of the visual image and they were the ones who were asking the rizo and brown to do a lithograph of her and probably were those who broadly distributed it the medium of the lithograph was really important. it was something that was cheap enough for many middle class americans to own and. i'm sure that what they hoped was that people would buy this lithograph. they would see the goods illustrated in atomized salon and they'd see her so were both promoting the goods and for my and the interesting thing this is that that image the lithographic image which shows the furniture and smaller goods that were being brought in by the khans but it also was an image that was reproduced in many newspapers throughout the country. so wherever we went you would get this image of in the newspapers. so it really was the very first time that people an opportunity to see from boy and we sort of have to remark her again as you mentioned, she is the

that's what jessie rizzo said.ar-old niece jackie azar was murdered in the school that day. the murderer hadn't a i-15 which was designed as a weapon of war and was first use by american soldiers in the vietnam war in the 1960s. and you know what kind of gun state trooper richard whoa dancy asked a conversation captured on his body cam footage? ar. he has a battle rifle, a voice responded. does he really? another asked, what's the safest way to do this? i'm not trying to get clapped out, oh dance key said. he has a battle rifle. and so there is a texas state trooper wanting to know what's the safest way to deal with a mass murderer in a school who has an ar-15. he wants to know the safest way because, he says, i'm not trying to get killed here. and the answer is, of course, there is no safe way. the weapon was designed to kill everyone in the line of fire, even if they are standing on the other side of a wall. in a 1962 defense department analysis of the weapon for use by the united states army, it said if the weap