it was developed by robert wexler. the american choreographer and dancer who's lived in germany since 99 take. the jihad is out for organs and nature said we should consider every day lost on which we have not danced at least once i don't think you meant it metaphorically it's practical advice we really should dance and make music every day it makes us happier it makes us more human. what snow wants everybody to be able to do you say whatever their physical or mental abilities. it's been to my notice for artists my opinion that we're all dancers and all musicians that's the principle underlying motion composer that lets us all live out these instincts. whatever our abilities. in the 1970 s. in new york started experimenting with motion tracking. dancers movements were registered with the help of sensors attached to their bodies. and then translated by an electronic device into sounds. ok dr march i thought this is fun perhaps we can work on it until anybody can do it. what's the follow through on that with support from

as a dancer robert wexler was often in the limelight. with motion composer he brings others out of the shadows. this sounds melodies and rhythms of music evoke different emotions and. feelings we have about a particular piece of music may change over time that. the music that one seen dramatic or uplifting might now sound cheesy or old fashioned. but there are hits that. stand the test of time what makes a song a hit can it be boiled down like that science is trying to find out. no wonder this was a smash hit. this 2. and this. one makes a hit a hit that's what brain researcher vincent chong wants to find out. i really enjoy music and the question i really wanted to ask is what makes a song so powerful and so motional. why do i get such a strong feeling when i listen to the music that i enjoy. and his team analyzed $80000.00 chords in $745.00 songs that reach the u.s. charts a computer program calculated whether each chord was predictable or unexpected in the context of the whole truck. then they played the chord sequences stripped of me

it was developed by robert wexler. the american choreographer and dancer who's lived in germany since 99 take. a look you have the wrong ones and nature said we should consider every day lost on which we have not danced at least once i don't think you meant it metaphorically it's practical advice we really should dance and make music every day it makes us happier it makes us more human. what snow wants everybody to be able to do say whatever their physical or mental abilities. it's been a minute as for unattached my opinion that we're all dancers and all musicians that's the principle underlying motion composer it lets us all live out these instincts. whatever our abilities are face. in the 1970 s. in new york started experimenting with motion tracking. dances movements were registered with the help of sensors attached to their bodies. and then translated by electronic device into sounds. ok dr. i thought this is fun perhaps we can work on it until anybody can do it. what's the follow through on that with support from

as adults robert wexler was often in the limelight. with motion composer he brings others out of the shadows. this sounds melodies and rhythms of music evoke different emotions and as. the feelings we have about a particular piece of music may change over time that. the music that once seemed romantic or uplifting might now sound cheesy or old fashioned. but there are all the hits that stand the test of time what makes a song a hit can it be boiled down like that science is trying to find out. mash it. this 2. and this. one makes a hit a hit that's what brain researcher vincent chong wants to find out. i really enjoy music and the question i really wanted to ask is what makes a song so powerful and so motional. why do i get such a strong feeling when i listen to the music that i enjoy. and his team analyzed $80000.00 chords in $745.00 songs that reach the u.s. charts a computer program calculated whether each chord was predictable or unexpected in the context of the whole track. then they played the chord sequences stripped of melody a

it was developed by robert wexler. the american choreographer and dancer who's lived in germany since 99 take. it you have the wrong ones and nature said we should consider every day lost on which we have not danced at least once i don't think you meant it metaphorically it's practical advice we really should dance and make music every day it makes us happier it makes us more human. but still wants everybody to be able to do say whatever their physical or mental abilities. it's been a minute as for i'll attach my opinion that we're all dancers and all musicians that's the principle underlying motion composer that lets us all live out these instincts. whatever our abilities. in the 1970 s. in new york started experimenting with motion tracking. dancers movements were registered with the help of sun says attached to their bodies. and then translated by an electronic device into sounds. ok dr march i thought this is fun perhaps we can work on it until anybody can do it. what's the follow through on that with support from

us adults robert wexler was often in the limelight. with motion composer he brings of those out of the shadows. this sounds melodies and rhythms of music evoke different emotions and as. the feelings we have about a particular piece of music may change over time that. the music that one scene dramatic or uplifting might now sound cheesy or old fashioned. but there are all the hits that stand the test of time what makes a song a hit can it be boiled down like that science is trying to find out. wonder this was a smash hit. this 2. and this. one makes a hit a hit that's what brain researcher vincent chong wants to find out. i really enjoy music and the question i really wanted to ask is what makes a song so powerful and so motional. why do i get such a strong feeling when i listen to the music that i enjoy. and his team analyzed $80000.00 chords in $745.00 songs that reach the u.s. charts a computer program calculated whether each chord was predictable or unexpected in the context of the whole truck. then they played the chord sequences