love drink became one of the longest-running in the stanislavsky theater and this magical world with bufanada elements. it was he who came up with it, i graduated from the art college. it seemed that life should be a helmet, and therefore to the art institute. i already entered the theater department, because a fairy tale is where to look for it, like in the theater. tatyana in eugene onegin, which she has already performed on the stage of the metropolis, however, her favorite role, she always considered the board. i had time at the bolshoi theater at a young age. i was 28 years old and from the age of 40 sang a thin lung with bottomless eyes to catch when marina kondratieva sank to the ground it seemed impossible just like a ballerina and a teacher who brought up. a whole galaxy of great ballet dancers, and in life such as her lyrical heroines, princess aurora cinderella masha and the nutcracker are a little naive and with a pure soul for 43 years. i do ballet from the stage. i even walked it, but my students are still dancing to this day since then, great happiness, which is not on

stanislavsky was my favorite director there, a genius. the teacher, whom she only saw briefly, but saw many of his performances, learned from them. yes, and indeed she is. she played in the tairov theaterll, uh, the same, like a school, and here's the question. and when people watch some of her uh performances, they really hmm see that she deviates from the principles. stanislavsky, just this one from this theater of experiences gravitates more towards the theater of performances, like actresses. that's what it seems to me, it seems to me, it's just uh, i don't separate it. for me, you think that this is some kind of synthesis. yes, it seems to me, yes, it seems to me that the most beautiful artists, like once those who know how to combine it, when you know how to put on this some kind of new mask every time. you manage to fill it alive. uh, live emotion with live feelings diary of the role, and u know the name of the dog that lived with you at the age of 5. well, so as not to discourage. i’m completely, but it seems to me that it was very characteristic of her, just complemented. she did not leave, uh, the theater of experiences, but she enriched it with some additional colors. like,

this is very important, and the stanislavsky theater and the bolshoi theater of the mariinsky all with debuts in opera performances, of course, and in they are all races. prices are according to our large opera house, uh, but for us the big opera house is the bolshoi theater in moscow, it is the mariinsky theater, the helikon theater of stanislavsky nemirovich-danchenko, and they are tremblingly preparing for this directly for them. it's very important to serve as the lead in the first theaters in russia and it's a great career hmm. the most important thing is that this is the biggest chance in life, many of them may have, but they are not interested in what they are, after all, they are not only artists, young people are people who grew up in completely different conditions with other technical capabilities, even with a different worldview. maybe they have something special that you didn't have when you started. they are all talented, and i wanted to tell you that we had so many applications. we had 800 applications. this is colossal for our time and for the first competition. er, tha

opera house is the bolshoi theater in moscow, this is the mariinsky theater, the helikon theater of stanislavsky nemirovich-danchenko, and they are tremblingly preparing for this directly for them. it is very important to serve as the main part in the first theaters in russia and this is hmm big career. the most important thing is that this is the biggest chance in life, many of them may have, but they don’t care what kind of people they are, after all , not only artists, young people are people who have grown up in completely different conditions with different technical capabilities, even with different worldview. maybe they have something special that they didn't have. so when did you start? they are all talented, and i want to tell you that we had so many applications. we had 800 applications. this is colossal for our time and for the first competition. uh, that's a colossal e figure 800 people and from all over the world and we were absolutely proud of it. they are all very talented, but they need a lot to do in order to be in the profession to stay in the profession. after all, many, you k

theater, that's all. ah, the same, like a school, and here the question is, when people watch some of her performances, they really hmm see that she deviates from principles. stanislavskye from this theater of experiences gravitates more towards the theater of performances, like actresses. that's what it seems to me, it seems to me, it's just uh, i don't separate it. for me it counts as it's a synthesis. yes, it seems to me, yes, it seems to me that the most wonderful artists, just those who know how to combine this, when you know how to put on this some kind of new mask every time, you warm it up to fill it with lively , lively emotions, lively feelings with a diary, roles, and er know the name of the dog that you have there at 5 years old. well, so as not to discourage me completely, but it seems to me that this was very characteristic of her, she just complemented it, she did not leave the theater of experiences, but she enriched it with some additional colors. how, for example, there smoktunovsky yes, which is absolutely, but hmm, makeup is always different at the same time. well, to say that he was not worried. with i mean he didn't feel. this is, apparently, some

dad goes to the sovremennik theater and mom goes to the stanislavsky theater, but when they get togethersovremennik yes, nothing more is needed in life. he loved such happiness. and how much i will give you, this is the same letter that i read, only it is written by hand, georgy ivanovich in perm, after this letter , we will make him an offer of the hand of the heart. i somehow already, when i started to think something, and you can see from thinking, it became immediately in love. i loved him very much and for me somehow it was something more than dad. this is something so big and mine and beloved. and so, when i was already a little older, i began to say that in the elevator, moreover, he was such a shy, insanely shy person. so and i said this, what to say, well, if some kind of snot is eight years old there are seven, how much am i i’ll marry you,” he said, and now i remember how he reacted. he so mashenka cheated mom to ask, so he dumped it on his mother all the time. no, well, of course, what to say, but for the car. i think the first love of a daughter is always with girls. this is

dad goes to the sovremennik theater and mom goes to the stanislavsky theater, but when they get togetherwas born, the case worked in the modern yes, in life, nothing more is needed. he loved such happiness. and how much you? yes i am there little, this is the same letter that i read, only it was written by georgy ivanovichal's hand. i am in perm, after this letter, you made him an offer of the hand of the heart. i somehow already, when i started to think something, and you can see it in love. i immediately became very fond of him, and for me somehow it was something more than dad. it's something big and my favorite. and so, when already e a little older. i mean, i said that in the elevator, and he was so shy, really everything is insane, and here i am said that well, if it's eight years, there 's seven, how many i'll marry you said, and now i remember how he reacted. so well, mashenka decided to ask, well, that's it, she dumped time on her mother. no, well, of course, what to say, but for the car. i think the first love of a daughter is always with girls. this is her father, of course, w

the main thing on the stage of the stanislavsky mirovich dachenko theater, because, uh, i grew up there seemed that it was very natural to do something new on the stage of the stanislavsky nemirovich-danchenko theater. and what are those young guys for whom we made this competition, they are young, guys are young singers who have already sung a little, who need help in order to be listened to, who need help to go further, but hmm who could continue after this competition to continue their career and career growth a little bit in a different direction it is important the path here uh, it is important to have a path where there are people who can help you. and then, when you stand on the stage, when you serve the music. and when you can say something to the audience, uh, and make that viewer come to you, but because they know what they want and why did they come? this is precisely education, and the competition is part of the education of young opera singers. we had a wonderful program that is woven. uh, it was for three rounds. er, definitely. uh, so the classical aria is sure to eh hmm

the main thing is on the stage of the stanislavsky nerovich theater, daichenko, because, uh, i grew upnatural to do something new on the stage of the stanislavsky nemirovich-danchenko theater. what are those guys the young people we made this competition for are the young guys, the guys are young singers who have already sung a little, who need help in order to be listened to, who need help to go further, but hmm who could continue after this competition to continue your career and career development in a slightly different direction, it is important to have a path, uh, it is important to have a path that has people who can help you. and then, when you stand on the stage, when you serve the music. and when you can say something to the audience, uh, and to force this viewer to come to you, but because they know what they want and why did they come? this is exactly what education is. about who.

theater. so uh what? please introduce your captain, and our wonderful bright, brilliant, unique singer ksenia muslanova. she is a soloist of the stanislavskyovich danchenko theater and an invited soloist of the bolshoi theater. in general, our brilliant ksenia muslanova. sorry to be in the middle of the price around such great artists, but we are now on a fun morning game called one hundred to one it's kicking off the first round of this simple singles game. hundred to one on the air we have a guest today, a wonderful amazing musical team great great artists of the musical theater of the operetta theater and opera soloists, i invite the first numbers of the captains to the game table. the question is very simple. what fabulous creatures live in the forest, baba yaga? we check yes we check second place second line 15 advice, as answered by peter the gnome gnome we check the gnomes, there is no gnome, we return to our teams we return. fairy-tale creatures in the forest lives in the forest checking the goblin. i ask you to responsibly approach our answers. please, what fabulous creatures live in the forest should also be. who lives in the for

conversation about the important today was dedicated to the world theater day and the 160th anniversary of the birth of konstantin stanislavskycow theater of oleg tabakov, vladimir mashkov , addressed the participants with a greeting. system of stanislavsky today on our channel the premiere of the polar waltz is a romantic a melodrama with a detective story, a young doctor, alena belkova, leaves a happy life in st. petersburg and moves to the north , where she spent her childhood, where she feels needed, where she can unravel the mystery of her mother’s death, the first two episodes today immediately after the big news. well, now ekaterina frolova will tell about the most interesting moments. i don’t recognize you the new doctor alena belkova was everything you can dream of working as a leading clinic in st. petersburg , wealthy parents and a caring fiancé, but after a sanitary expedition to the arctic, she suddenly decides to leave everything and returns to the north. here begins her arctic waltz. to be honest, i thought it would be scary, but now i’m flying, as if alena had been flying all her life, moving to belozersk, the

talking about the important today is dedicated to the day of the theater, the topic of the classroom hour, the activity of konstantin stanislavsky 160 years since the birth of the great director, teacher and theater reformer, it was stanislavsky who created the famous system, according to which he began to teach actors and , most importantly , to believe in what you are doing on stage . for the viewer to believe. tonight right after the big news on our tv channel. big premiere start serial melodrama polar waltz the picture tells about a girl who abandons a successful career and her fiancé in st. petersburg and leaves to work in the arctic as a simple doctor at a modest regional hospital. exactly. there , the heroine expects not only to find her happiness, but also to solve the mystery of her mother, who went missing 20 years ago. what unexpected surprises await the audience ekaterina frolova found out and since you returned from this trip from the tundra. i don’t recognize you the young doctor alyona belkova had everything you could dream of working as a leading clinic in st. petersburg, wealthy parents and a caring fiancé, but

such production, but perhaps it will appear soon. another snow maiden tonight in the musical theater of stanislavskystory between the three main characters and the main the reliance goes on love; the music for the play was written by pyotr ilyich tchaikovsky at the personal request of the playwright. in just 3 weeks, the snow maiden is sometimes even called the fourth ballet composer; not only musical theaters will open the doors for the audience on the upcoming night. in total , 67 venues in the capital will take part in the current eleventh action in a row. sovremennik will read fragments from the play. ostrovsky and the actors of the workshop of pyotr fomenko will show excerpts and performances of wolves and sheep. and the dowry in the pushkin theater intellectual game for viewers in search of ostrovsky named after chekhov ostrovsky's lecture in moscow creative meetings with actors and directors will be held at the hermitage theaters at the school of dramatic art and the theater on malaya bronnaya a on the main stage of my forging a meeting with the artistic director egor peregudov musical evenin

see being next to our actors, but the snow maiden ballet at the moscow academic musical theater mini stanislavskyas part of the promotions today are free, but the switch must be registered either on the mos.ru website or on the theater website, of course, to visit in one evening. all theaters will not succeed, therefore, the choice must be made in advance nikolai thank you artyom kuznetsov spoke about the upcoming theatrical premieres. on sunday , additional suburban electric trains began to run in the moscow region. this is a traditional summer, an increase in the compositions of the most popular directions assigned 17 additional trains, eight have adjusted the route route in 12. in moscow, they began testing river trams. they are absolutely silent, as they are equipped with electric motors before launching full-fledged transportation, specialists carefully evaluate the driving characteristics of new vehicles. in total, within the framework of the project , it is planned to build 21 ships and 23 berths and two service points, where ships will be charged by electric cars at night. they can also w

the phrase theater begins with a hanger, the author of which is considered to be the great stanislavskyn with a hanger, but immediately from the honor roll on it are numerous photographs of actors and actresses who glorified the little-known theater of the south korean capital to the whole world. in in october 1997 , a performance called nantes was held on the stage of a rural theater for the first time. since then , it has not been 16 years old, during which time it has become one of the most popular performances in asia. over 8 million people have watched it. the performance takes place daily. one of them will start in just a few minutes. any theater has its own chronicle of the nantes theater show in it, such figures and facts 282 cities in which the troupe visited on tour 45 countries new zealand mongolia kuwait brazil austria here only some of them are in korean, drumming, loud knocking, invented everything, this is a local musician, not very famous at that time, a professional drummer. one day, he just felt cramped in the genres known at that time. he decided to find something new

dad goes to the theater sovremennik and mom goes to the theater named after stanislavsky but when they time when he was born the case worked in the modern. yes, in life, yes, and nothing else is needed. he loved such happiness. how old are you? yes, i’m small there, this is the same letter that i read, only it’s written by hand. uh, georgy ivanovichal. i am in perm , after this letter, you made him an offer of the hand of the heart. i somehow already, when i started to think something, and you can see from thinking, it became immediately in love. i loved him very much and for me somehow it was something more than dad. this is something so big and mine and my favorite. and so, when i was already a little older, i began to say that in the elevator, and he was so shy, it was crazy. so and i said like that, well, if some snot is eight years old there is seven, how much i will marry you, and i now remember how he reacted. he so mashenka cheated mom to ask, so he dumped it on his mother all the time. no, well, of course, what to say, but for the car. i think a daughter's first love is always

formulated by the first artistic director sergei prokofiev, who founded the theater in 1923, and then developed by a student of stanislavskyhtangov , yevgeny zavadsky, the artist is the master here, the scenes are intelligent and multifaceted, and such great individuality, like any orlova faina ranevskaya rostislav beach. vera maretskaya uh-huh well, the performance storm a thousand spectators came, just to see a short episode of ranevskaya, but obviously i want to look for the main figure of the performance. well, if necessary for business, i can play worse. this is a scene from the serial film ranevskaya, which the audience of channel one will soon see, only the beginning of the legendary confrontation between the actresses. xie later during one of the rehearsals. he will shout to faina georgievna. get out of the theater, in response to him, get out of art, and yet ranevskaya is not going anywhere leaves and in the seventy-eighth will play in the most piercing performance in his performance. further silence about two elderly people who are separated by circumstances. hey i needed you. you are the kindest. why feel sorry

formulated by the first artistic director sergei prokofiev, who founded the theater in 1923, and then developed by a student of stanislavskygov, yevgeny zavadsky , here the artist is the owner, the scenes are intelligent and multifaceted, and such great individuals, like any orlova faina ranevskaya rostislavl vera maretskaya uh-huh i would dream of being an actress, well, the play storm, a thousand spectators came only to see a short episode with ranevskaya, but obviously want to become the main figure of the play failing georgievna if necessary for business, i can play worse this scene from the serial film ranevskaya, which will soon be seen by the audience of channel one, is only the beginning of the legendary confrontation of the actress. and rizhsky later during one of the rehearsals. he will shout in faina georgievna. get out of the theater in response to him, get out of art, and yet ranevskaya will not go anywhere, and in the eighth she will play in the most piercing performance in her performance. further silence about two elderly people who are separated by circumstances. you are the kindest. why feel sorry for me,

something like this is allowed in the theater, but this is also a bad sign, as they say in that plan, everything must be done according to conscience and the famous stanislavskyw often do you remember sergei today , all the best artists in the world were obsessed with it at one time. today i’m curious to know if this system is alive or has already been forgotten about her, too, everything is changing. you know, and now in general theatrical directing, it is more in the direction of form. i would say. uh, if before, let's say, and the director worked with the actor, he raised him. but he nurtured him, let's say, and what was good about the theater, and there was a corpse, which the director just, well, how did his mother nurse? you see, here's the situation, don't take anyone. there, it 's all . uh, uh, the director demands from the artist already. self-sufficiency, so that he could do everything that he and he will only arrange it, create a composition , make a drawing of roles. and you already work to engage in artists. now it seems to me that there is no time, never, but we will gradually approach the sore subject itself, which is being actively discussed i

original story about the theater bohemia of moscow at the beginning of the 20th century and the inhabitants of the khitrovsky slums among the heroes on the screen stanislavsky nemirovich danchenko gilyarovsky himself starring the absolute stars of our cinema konstantin kryukov mikhail porechenkov evgeny stychkin for large-scale cinema involved dozens of historical locations in st. petersburg in kronstadt in moscow , including the legendary interiors of the chekhov moscow art theater in the scenery of pre-revolutionary russia , an event of intrigue and tension takes place, not inferior to the most exciting modern detective story with chases, fights and races on the country's big screens. khitrovka , having known four since may 18, summed up the results of the open russian festival in suzdal. for animated films , in 5 days with a motor, several thousand viewers from all over the country gathered, who were able to see everything, the best that our animation industry has created over the past year, a film crew of the film industry has worked on suzdal face. program suzdal festa is so busy that sometimes you have to manage to be in several places at once, while

is an original story about theater bohemia of moscow at the beginning of the 20th century and the inhabitants of the khitrovsky slums among the heroes on the screen stanislavsky nemirovich danchenko gilyarovsky himself starring absolute stars of our cinema konstantin kryukov mikhail porechenkov evgeny stychkin for large-scale cinema involved dozens of historical locations in st. petersburg in kronstadt in moscow, including the legendary interiors of the moscow of the chekhov art theater, at the same time, in the scenery of pre-revolutionary russia, an event of intrigue and tension takes place, not inferior to the exciting modern detective with chases, fights and races on the big screens of the country. khitrovka sign of four on may 18 summed up the results of the open russian animation festival. cinema for 5 days, the show gathered several thousand viewers from all over the country who were able to see everything, the best that our animation industry has created over the past year , a film crew of the industry worked at suzdal fest, a film report by jennet the program of suzdal fest is so intense that sometimes you have to manage to be immediately in in sever

theater. it was staged more than once, and the first were stanislavsky and nemirovich-danchenko for the 125thto look at the play in a new way. for example, the villagers are the notion of the director, they are watching the main characters and taking into account the party of classical ballet in boots. as best they can, it’s not for nothing that the professor came to the house art historian, the heroes have them happen. yes , not love, they do not love those who love them, then in the background ordinary people experience something that they cannot come to anything. the main characters in the story, professor serebryakov , together with his young wife, arrive at the estate of his first wife, who has already died. where does the same uncle vanya live, the brother of his first wife, when it was uncle vanya who idolized the professor. now he hates, among other things, because he is in love with his young wife, the role is made up of my life from my feelings of impressions. and of course i'm very sad that ivan petrovich, uh, realized very late for himself that, after all, you have to be true to y

theater of the absurd. here is another exclusive video of the acting skills of the pastor, who energetically squirms, either casts out demons, or vice versa lets in a holy essence, even the great stanislavsky muscovite would envy him, he lies on the floor next to his wife as one of the assistants. he was ready to do anything, if only they would believe him and continue to carry money. suddenly death went out, and in the position of the finizers, and teenagers went out to cook fuck your jesus my by jesus, each sermon of the pastor is clearly spelled out, as if according to the script. pay attention to the woman who is waving the flag. as experts say, this is a standard psychotherapist's hypnosis technique, for example, they often use a pendulum or a swinging metronome. and in these frames , the muscovite himself leads a teenage girl into a trance. and this is another, at first glance, insignificant, but in fact , the sensitive moment of adherents asks to scatter pieces of paper on the floor, as a rule, with some messages. eg enumerate all your secrets of sins, and then throw them away with a frenzy, thereby giving it all to god, as if for correction. in fact, the leader of the sect could co