the theatres don't mix. i urge you to expand the definition to address the sound to include small theatres and sound to this project. this theatre like the marsh can continue. for those who have not that had pleasure, the marsh and the best audience is an affordable theatre experience in a cultural heart beated of this corner of the mission of san francisco. finally this issue is as much about coexistence as it is about preservation of the marsh. latino culture and the mission as it is about the arts. thank you. >> good afternoon, supervisors, i'm going to be brief and ask that the eir conduct a full analysis. thank you. >> hi, my name is josh. i'm a solo performer. i have developed a number of shows. i was this a year before him, so i think i win. i used to li around the corner from the marsh on hill street in a basement and i would walk around and i would get the tell the story of my totally unknown family as i was growing up in this environment. it's a privilege to speak to this democratic body. it's a pr

when you are moving in the theatre you want your body in the theatre motion. if you perform something a number of times, construction sound from the construction can throw you off and makes the audience extremely hard to hear you. >> my name is sherriesteiner with the a little bit liberty. with 12 units and no garnls but in case we don't find enough people who want those kind of condos without cars, we are going the give them parking p because the neighborhood doesn't care. the neighborhood cares. it's a horrible impact on us and the whole idea that it not going to be a significant is by somebody who doesn't live there. i also feel as a historic district person that it's ridiculous to have this kind of a building come in with no historic attitude towards a design or the concept that we are going to have 12 tiny units which means no families. the elderly or the disabled are not going to be able to drive to the hospital or whatever they need to do by car because no parking except that you can get your parking permit and park on the street. i live in a historic b

theatre has been part of my life a long time. i know for leno and kim and supervisor wiener perhaps we can do something like that political theatre here (laughter) what do i think. what was their little envisioning thing. in college i did drama and little plays and - (laughter) that's why i of those a bureaucrat for years. look it up butterflies are free. that's what i thought about when i came up open stage. i would be proud of any great city like san francisco to display this to talk about why we're able to get this together and talk about the history of effort that's gone on. thirty years of investment on market street 83 and now we're at that time, people want to invest in the cultural life. without that culture of san francisco and the arts i don't think the technology workers would want to be here by a theirs attracted atkins and the talent is attracted to places like this because of the arts. besides our taking care of people and the shared economy we have a rich rich art. this will be a wonderful display >> again jeff and

as well. >> does document mention the marsh theatre? >> we are flipping now the. but in the noise analysis we did not do so. it identifies sensitive receptors residential uses. we did not identify a theatre as a sensitive receptor and therefore we didn't focus our analysis on that. >> from a common sense approach, i'm just wondering if the documents doesn't mention the theatre, how can it consider the noise impact on the theatre if it's not even mentioned in it. >> the analysis that we conducted pursuant to ceqa is to evaluate the project and we look at the noise standards to when the project was complied, st san francisco noise identifies the receptors. the theatre is not identified as a receptor for noise ordinance. the impact is characterized how to types of impact that would occur during construction with regard to during construction impact equipment whether it's the marsh theatre or another use, it's the same physical transmission of noise that would occur. i'm hearing today that the suggestion that the mash theatre is worthy of m

theatre has been part of my life a long time.now for leno and kim and supervisor wiener perhaps we can do something like that political theatre here (laughter) what do i think. what was their little envisioning thing. in college i did drama and little plays and - (laughter) that's why i of those a bureaucrat for years. look it up butterflies are free. that's what i thought about when i came up open stage. i

now you get the photo op moment of inarguing the theatre. >> and are we ready. let's do a count down 9, 8, 7, 6, 5, 4, 3, 2, 1 (clapping) >> yeah. ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ >> wonderful now that your seated rise for the national anthem please welcome from the folk ann semi booerl cruising. oh, can you see by the dawns early light. what so proudly we hail. at the twilights last gleaming. who's bright strips and bright stars. through the perilous fight. over the rampart we watched were so balconyly streaming. and the rockets red glare. the bombs busting in air. gave prove through the night. that our flag was still there are. oh, say does that star spanked banner yet wave? over the land of the free. and the home of the brave (clapping.) by your lucky n singing in another language). (clapping) >> thank you. >> ladies and gentlemen, please keep it going for beverly cruz from the filipino folk unacceptable. i'm honored to be here to celebrate filipino history month. yes. contrary to biefl of belief this has nothing to do when the filipinos took over sincerely monday night alt

now you get the photo op moment of inarguing the theatre. >> and are we ready. let's do a count down 9, 8, 7, 6, 5, 4, 3, 2, 1 (clapping) >> yeah. you. >> the of have you gone irate when i can see you're all quite interested in. very glad to see you ear good afternoon this thing and i'm the occur rapport of the decorative arts him martin chapman and i'm here to introduce tour speaker this evening. amanda is really the powerhouse behind all that goes on with bull before i in the heritage department she's the xoult with the herman collection and she formed the collection. the meaningless pieces of jeweler you'll see upstairs are largely the result of a mademoiselle reach and diligence that people's 3. she's also the great handwriting for bonus i didn't and she's the one we've depend upon on so much for what we're got in the exhibition. she's really will occur rapport i've been tagging along. and she's also written the lion share of the catalog. so i'm really enjoying working with awe madam and she know really you tell that into mailers context as well as the daily

a 2 hundred seat black box theatre and a double story lobby. great coffee we promised. to really welcome the neighborhood and to light up this block. part of what gives me joy is expanded the story of kc e t. this city helped us donors and trustees people that work here and they helped to rebuild gary and we knew that c e t are here. a lot of the students raise your hand. the merge theatre folks standing here we've got educational proomz programs. we're deeply involved with this neighborhood and we incubate a lot of newark. it's such a beautiful cathedral of a spates. in the another way for us to partner with the community. this this space we hope to produce newark and engage new and local and old after the. we hope to share this space. in the a neighborhood filled with arts. a lessons king and luggage store. we're privileged to be part of this community. we look across the street to the museum. thank you for being here today. we know we've got the art community here and scott wiener is a big supporter. thank you scott. it's been an amazing jou

we are building theatre and a cafe. we ask for your help with the physical transition but more than that, we invite you to be part of the dreaming for a larger organization that this room is possible. we are a space for possibility. we have a sign up sheet going around because we want to invite you. we couldn't do it today but we want to invite you at our new home and talk to you about your vision for the neighborhood because we are all in this together. thank you so much. [ applause ] >> thank you very much, jessica. i want to make sure we acknowledge the rain an foundation president and ronnie fung. and in addition to the services we have available we want to make sure we announce the technical program to ensure those organizations that want to be here can be here and we have the resources available to do that work here in the central market tenderloin. for more information visit our website and follow us on twitter. thank you for coming. congratulations. [ applause ] >> >> so what brought you out here for the bike ri

we are building theatre and a cafe. we ask for your help with the physical transition but more than that, we invite you to be part of

now you get the photo op moment of inarguing the theatre. >> and are we ready. let's do a count down 9, 8, 7, 6, 5, 4, 3, 2, 1 (clapping) >> yeah. >> hi today we have a special edition of building san francisco, stay safe, what we are going to be talking about san francisco's earth quakes, what you can do before an earthquake in your home, to be ready and after an earthquake to make sure that you are comfortable staying at home, while the city recovers. ♪ >> the next episode of stay safe, we have alicia johnson from san francisco's department of emergency management. hi, alicia thanks to coming >> it is a pleasure to be here with you. >> i wonder if you could tell us what you think people can do to get ready for what we know is a coming earthquake in san francisco. >> well, one of the most things that people can do is to make sure that you have a plan to communicate with people who live both in and out of state. having an out of state contact, to call, text or post on your social network is really important and being able to know how you are going to communicate

if you go to the theatres they don't represent this. they represent one demographic for the whole year. the march they really represent the whole community. this is only a fraction of our community. it's so much bigger than this. thank you. >> thank you, next speaker. >> hello, my name is candice roberts. i'm a resident of san francisco. i came here in 2000 and it was an instant love affair. i have worked at the marsh for 3 years. the place that represents diversity. i have been priced out of my own city. do we want artist to remain here. do we want service workers to have a place and do we want diversity to have a voice. it a house -- allows memo to have a voice. it negatively impacts the marsh. please think of the negative impact this project is going to have on the marsh and essentially like i said it's the last stronghold and the way i stay connected to san francisco. >> hi. my name is alex. first i want to thank everyone who is out here to support the marsh. thank you supervisor for your attention. first one of the things i would l

we looked at how construction noise would affect the marsh theatre. it's regulated by the noise ordinance with very specific terms regarding when construction is permitted. as part of to discretionary review. the construction would be allows from 7 to 6 and 7 to one on saturday. the mr. -- m and d doesn't analyze -- but does in the impact. in this case cop -- construction is to last about 18 months and it's only when construction is really noisy. so the rest of the time construction noise is limited to interior project modifications. >> i know there are a number of mitigations that have been proposed by the marsh and i'm wondering whether planning has looked at those and considered those whether you are incorporating many of those into mitigations that you are recommending. >> good afternoon, sarah jones. environmental review. the noise issues and analyzed under ceqa are mitigated. they were raised in the context of the discretionary review hearing but there were further conditions applied through that process and rich dra can address that. >> yes. as

testimony toed that there are great concerns about construction period noise effects on the marsh theatre. the mmd acknowledges the project would result in construction hearing noise. there would be perceptible noise. it's not to say there won't be any adverse environmental fkts. those would not be significant and short-term and intermittent and not rise to a level of significance. >> i would like to note too that during the discretionary review hearing the project sponsor agrees the further limit the noise. the noise from 7:00 a.m.-8:00 p.m. to holidays. 7:00 a.m. to 6:00 p.m. monday through friday and no construction on sunday. the agreements that were established at that hearing. any remaining concerns regarding noise is beyond the ceqa review and significant impact. we also heard that during the testimony that the m and d was alleged to be superficial and riddle with errors, unstantdubstantiated and filled with flaws. there were a few errors that were identified, one was that dr is -- is that the end of my time. over all i include that this project is not affecting the environmental a

celebrate the livmusic with dance and theatre performances and film screening and tours and more. checkout the public library unbuilt san francisco exhibit featuring architectural rendering of what never was in the public spaces

(music) >> herb theatre,open rehearsal. listen to the rehearsal. i think it is fun for them, they see our work process, our discussions, the decisions we make. it is good for us. we kind of behavior little bit when we have people in the audience. msk (music) >> we are rehearsing for our most expensive tour; plus two concerts here. we are proud that the growth of the orchestra, and how it is expanded and it is being accepted. my ambition when i came on as music director here -- it was evident we needed absolutely excellent work. also evident to me that i thought everyone should know that. this was my purpose. and after we opened, which was a spectacular opening concert about five weeks after that the economy completely crashed. my plan -- and i'm absolutely dogmatic about my plans --were delayed slightly. i would say that in this very difficult timefor the arts and everyone, especially the arts, it's phenomenal how new century has grown where many unfortunate organizations have stopped. during this period we got ourselves on national radio presence;