to our own self-righteousness, which goes on with you and says: “vera ignatina, teach us?nd, to me my father gavar, why did you take care of the getae addiction, there are 10 rubles on the tab, please buy a cap and save yours.” i wouldn’t be happy that i went to the weaving museum. in your opinion, vera ignataina, it is so important for you to acquire eight these traditions, their history, why do we pass it on to our children, as it was for women in the past, to weave, to sew, to make a family, and to weave there both handlooms, and tassels, and davenports, and postils, everything, so that everything was in the house and ... the aesthetic views of belarusians on the patterns and ornaments of ancient towels and tablecloths, we have the opportunity to read the book of life of our ancestors, the pages of which are truly unique and priceless. today we have opened another page from the book of life of our ancestors, got acquainted with the traditions of double weaving and touched the wealth of belarusian culture. as long as that very thread of tradition is alive, thanks to the

vera ignatina, you have stood for the production of padvoyny weaving, zakhavanne, all the stories aboutaffliction, why the menavita of padvoyny weaving. here our people didn’t deal with this kind of weaving since the war, and even more troubles appeared in... in 1932, our tsarka was woven all the way, i don’t know, i didn’t care about any news, menavita with paddouble weavings already our museums have come to an end, ales mikalayevich is rightful to the geturai dyvan, i have learned from the supreme court that the war was fought on exhibitions of the people's dasyagnennya. at maskve ў 1987, and as our museum has become dzyarzhaўnym, the directors would be pelakos ales mikalaevich, he is engaged in these and collects the collected berries from the church, from the cathedral, from these fallen duvans, all of them, and all of them on this land that they were traveling yes, paradise peeps, like yanachy and paprasits, if he has learned. we weaved a lot on simple crosses... such flimsy fabrics, and then they began to weave, the workers of the dachshund museum wove, in just an hour, since i we

i’m telling you: “vera ignatina, teach us?nternet, telephones, all kinds of things, in the youth, but the elders ym daksama, me my father gavarov, why did you take this adcasation, there are 10 rubles on the tab, buy a cup and fix your spoon, you are not happy.” history, for this reason, this is all, transfer to our children, as it was for the ladies, in the past, weave everything, in vain, plow, apranut here, and weave there and hand-held, and abrass, and blown, and after all, everything was in the house and in the care of my daughter. hand weaving retained its importance in belarus until the beginning of the 20th century. century, when machine factory production began to win, a variety of technical methods, abusive, selective, openwork, sorting weaving made it possible to create real works of art that invariably reflected the worldview, philosophy and aesthetic views of belarusians. according to the patterns and ornaments of ancient towels from tablecloths, we have the opportunity to read the book of life of our ancestors, t