of humanity, to remove from the souls, from the hearts of these, hatred, cruelty, intolerance, vitaly dudin, was born on september 6, 1943. year in the village of ashuryata, perm region. in 1960 he graduated from the construction school, then the moscow state university of culture and arts, perm cultural and educational school and for 16 years worked as the head of drama circles, director and director in houses of culture. then there was study at the belarusian state theatre and art institute, higher courses for scriptwriters and directors in moscow, in nikita mikhalkov's workshop. since 1979 as. hello, vitaly andreevich, i am very glad that you are a guest of our studio today, i hope that the footage that we have prepared today will be interesting not only to you, but also to our tv viewers, i have the first question, perhaps such an unexpected one for you, tell me, when was the last time you were in your homeland, i was in my homeland the last time when i was filming the movie farewell tour, in in 1992, at the funeral, saying goodbye to my mother. well , you understand that it was not by

our guest is a screenwriter, playwright, director, vitaly andreevich dudin. i couldn't resist, i took him in his office by the ear to the table, to this scenario pressed with force. somehow you are ignored by the studios, probably with the wrong friends. yes, yes, friends with the wrong ones, who is that person who watches them and does not let them lie, began to understand the lie, to feel the untruth. in films, in films, they sing some songs, the song itself is good, they are neither here nor there, something is constantly laughing all the time, not funny, in general, there should be no laughter here, your curiosity about life, your sense of beauty, it is what distinguished you of all the others, probably teenagers, because this restlessness, curiosity, desire to look beyond the horizon, it... in the urals in novopolotsk i was always putting on plays, that is, you can say that you are an acting director, i mentally imagined this student or this student coming to the studio, what awaits them, if there is falseness, i try not to allow this, no swearing, no sh

i don't know what vitaly dudin's happiness is? well, i had the happiest birthday of my son, in creativity, the presence of fedeliko fillini at my film and the applause addressed to me, turned around, this is the highest award for me. thank you very much, thank you for your frankness, thank you for the shots that you gave us, and i want to wish you... health, strength, and maybe still some luck to make another film. according to the tradition of your program, i give you alexander davzhenko, thoughts at the map of the motherland. it seems to me very relevant, very modern, his film stories and his thoughts are written. i read it 50 years ago, bought it, and reread it. before your program, i am giving it to you because it is relevant in relation to the land, to the homeland, to poetry in life, thank you very much, thank you, thank you, thank you for this rare book, this is a rare book, i know, thank you very much that you gave it to us. once sings, twice sings, three sings, canary, plaintively in sing. nine song traditions are among t

i want this superpower, to understand the director right away, yes, well, here thanks to vitaly andreevich dudinelped so much that after the final scene... our dialogue with andrey, we shot this scene, and then i cried for 15 minutes, may your parents rest in peace, i couldn't kill them, they were bothering me... and i didn't kill your uncle stepan either, i asked him for help, after all, they're not strangers, then who, i don't know, i don't want to talk in vain, i stopped trusting people. yes, they, after such a bright debut, yes, such wonderful works, suddenly such a transformation happens, some kind of relief, here in your characters, lovers, alphonses, seducers of naive women, but there is a lot in me, there is a lot in me that is comical, if necessary, melodramatic, if necessary, brutal, if necessary. let's look at the footage from your film... at the crossroads, where you, in principle, again play such a brutal man, very mysterious, katya, katya. thank you, we met nastya there, my wife, yes, but i was wearing makeup all summer, when this film is on tv, we tell our daughter, look, daughter