which platonov was still considered to be during his lifetime, this is surprising , or his story yushkasuch a classic, by the way, these are also found here are the motives there, the children didn’t like the south well, they didn’t like the hedgehog, they repulsed the hedgehog, offended him, he was homeless and this, by the way, such a platonic accent, i want to throw a bridge and uh to your writings. yes, the name platonov occurs in an aviator in the last novel. eh, chagen is also such a surname platonic in terms of sound and composition. that's all the same, if we talk not only about the lavra, where the yurudievs are shown, as holy fools, in the conditions of the natural russian middle ages. and if we talk here, uh, about your work, about your novels, the actions that take place. we are closer to us. yes, in the twentieth century, even in the twenty-first , right here, as you would define it yourself, but this foolish accent that is in your books. it seems to me that the foolish accent, and about which you speak it to a greater or lesser extent. uh, carry all my novels, because it's

proletarian writer, as platonov was still considered during his lifetime, this is surprising , or his story yushkaare also these motives there, the children didn’t like the hedgehog, well, they didn’t like the hedgehog, they reflected , hedgehog, offended he was, uh, homeless, and this, by the way, such a platonic accent, i want to throw a bridge over to your writings. yes, the name platonov is found in the aviator in the last novel. eh, chagen is also such a surname platonic in terms of sound and composition. here after all, if we talk not only about the lavra, where the yurudievs are shown, as holy fools, in the conditions of the natural russian middle ages. and if we talk, uh, about your work , about your novels, the actions that are taking place, we are already closer to us. yes, in the twentieth century, even in the twenty-first, right here, as you would define it yourself, and here is the holy fool's accent, which is in your books. it seems to me that the foolish accent, as well, of which you speak of it to a greater or lesser extent. uh, carry all my uh novels, because on actually a joke, b

either his story, yushka, is so classic, or, by the way, these motives are also found there , the childrendgehog, well, not that they didn’t love, teased the hedgehog, hedgehog, offended, he was homeless and this one, by the way, and such a platonic accent, i want to throw a bridge to your writings. yes, the name platonov is found in the aviator. in the last novel. chaggin, also such a surname , platonic in sound and composition. that's all the same, if we talk not only about the lavra where yurudiyya are shown as holy fools in the natural conditions of the russian middle ages. and if we talk here, uh, about your work , about your novels, the actions that take place. we are closer to us. yes, in the twentieth century, even in the twenty-first , right here, as you would define yourself, and here is the accent and rhodium, which is in your books. it seems to me that the foolish accent, as well, of which you speak of it to a greater or lesser extent. uh, carry all my uh novels, because it's actually a joke, but julymar. this is already a prerequisite for thoughts of foolishness, and a joke -

proletarian writer, as platonov was still considered during his lifetime, this is surprising , or his story yushkaso classic, by the way, there are also these motives there, the children did not like, they loved the south, they squared the hedgehog, the hedgehog, offended, he was homeless and this one, by the way, such a platonic accent, i want to throw a bridge and uh to your writings. yes, the name platonov is found in the aviator in the last novel. eh, chagen is also such a surname platonic in terms of sound and composition. still, if to talk not only about the lavra, where the holy fools are shown, as the idolatrous here in the conditions of the natural russian middle ages. and if we talk here, uh, about your work, about your novels, the actions that take place. we are closer to us. yes, in the twentieth century, even in the twenty-first, right here, as you would define it yourself, but this foolish accent that is in your books. it seems to me that the foolish accent, as well, of which you speak of it to a greater or lesser extent. uh carry all my uh novels 'cause it's really a joke and julyma

i'm sergei mayorov hello, as a child, we were frightened by our uncle by a policeman, a grandmother-yushkae her to the camp, if you misbehave, childhood injuries. my colleague denis morozov met with irenna morozova, people's artist of the country, the star of the gypsy theater romen, to overcome stereotypes and find out how mysterious she is a gypsy soul, an amazing interweaving of cultures, customs and traditions, being a church-going person, irena morozova, as a hereditary gypsy, does not shy away from guessing, and can even cure some ailment with her bare hands, or even with her creativity. once in a store a woman approached her and almost fell at the feet of the gentlemen, what is with you she is not with me from my brother. or are you motionless. he said that only you can help him. i say thank god how can i help him? i have some of my discs. i gave the vocal there all sorts of different ones. and here's further this girl meets me again and says, thank you. i say what she says there, he began to get up, he began to move. you have left to live. 24 hours of pens there was something about