not agree with him, it was 2012, i don’t know the reason, suddenly, when he turned ninety, and zhenya tsyganovd everything to make it a comedy, and the most important thing is that on the screen there is an hour and a half of recordings of how fomenko rehearsed, and pyotr naumovich participates in this performance from the screen, maybe i’m the only one who adore this performance, because i i wasn’t at the rehearsals, i very often like to drop in and watch, so he makes a remark, and the current... artists , young ones who haven’t worked with him, whether they do it or not, this is some kind of amazing new genre, it seems to me, thanks to tsyganov invented our theater, and it seems to me that this it’s very cool that this exists, we are often reproached that we, how can i say this, are either hiding behind fomenko’s shadow, or something , this doesn’t bother me at all, because our literary part, after the departure of pyotr naumovich, means it brought it to me, i i can’t call it a spiritual... testament, she brought me a list of works that he was thinking about, well , i think my life and this