folk schools, olena pchilka suggested, she lived next to myrhorod in gadyach, she sent samples from herums, she collected folk art. there was another interesting element that could be found in some schools. this is a triple-hung turret window on the roof, which is called the skylight. this superstructure imitated the tops of national temples. such

church has come out of russian captivity, and even the invasion did not change the situation, in gadyachubny , the sbu conducted searches, and they also found russian literature, and this is at this time, not once there for 10 years. you won't ban them, you the government? this is a great question, but probably also in the other direction, no, no, actually in that direction , we recently literally discussed it a few days ago, our council finally accepted an appeal to the verkhovna rada, to the president, in order to finally adopt a law and to ban churches, because when local councils do it, it is about declaring a position, but there is no legitimacy in such decisions, and i do not want to imitate, pretend, tell people, look, well done, they banned the church, nothing actually happened, everyone continues to work, no you can deceive your people, and that is why we are turning to the verkhovna rada so that finally, i don't know how much longer it can be postponed, but we voted for your project, finally, on the third attempt in the city council, on the fourth attempt in the regional counci

brickwork. folk schools with brick ornamentation, suggested olena pchilka, she lived near myrhorod in gadyach, she sent samples from her albums, she collected this folk creativity. there was another interesting element that could be found in some schools. this is a triple-hung turret window on the roof, called a skylight. this superstructure imitated the tops of national temples. such towers. were rare even then, but today there are only a few unique hatches left. they are half-ruined, of course, but they are there, they are generally greatness, beauty, and maybe even the pride of our school. roofs touching the sky are especially poetic in ukrainian modernism. two-story, they resemble chinese ones pagodas, and decorative turrets were built as a reinterpretation of church baths to emphasize that the school. this is a temple of knowledge, but as we know, the soviet authorities did not like temples. during the soviet era, the steeples were dismantled, and the entrance was completely rebuilt, there is no vestibule, there is no second floor, so why do they strive for a high goal, they had one sing

of poviats of poltava province are placed, and there are lubny, and there is pyratyn, and there is gadyach. an important feature of modern architecture was the locality of both the materials themselves and handicrafts; for the implementation of the project, the architects involved individual local craftsmen and entire local industries. ceramic coats of arms were produced by the myrhorod art and industrial school. ornamental eyes, all compositions were made by opishna masters. separately, there were orders for the carving of an explosion. we see it also on the door, it is the carvings inside, this is the carving of the balconies in the main hall, the reinforced concrete is used, which makes this building very modern, many metal structures, that is, here ... serious industrial productions and craftsmen worked before that, and we can see this especially in the ceramic decoration of this courtyard entrance, these tiles, which are there, they are essentially different from the others, they are more folk, more irregular, somewhat chaotic, because, once again , krychevsky specifically wanted to g