the creative industry podcast is on air and in the studio roman karmanov, elena kiper, our guests aresk a question that is constantly hanging in the air. here we have two absolutely creative ones, implemented many times. people in general and who could stay in general, continue to be creative people, but you have to be managers in general of this process, why is this... an administrative role has appeared in your life, tell me, actually, administering creative projects, i started in my first year at the moscow conservatory , when my festival appeared, which is 23 years old this year, in fact, this is administration for the sake of creativity, for the sake of the fact that you know that what you want to do, no one will build this process better than you, in principle, this is what i do in chargers are indeed - we all processes are subordinated to a creative task, the creative concept of charge is an important function, this is one of the leading concert venues not just in moscow, in the country, we must provide the opportunity to daily come into contact with high art, with culture, on

creative industry on channel one, elina kiper roman karmanov, at our guest today is vladimir moshkov,nd artistic director of the moscow oleg tobakov theater, the film is a challenge, because there has never been such a thing in the history of cinema that there are only actors, these are two worlds that come together on one platform, here is a work for you personally was there a challenge in a film like this? you know, when the decision had already come, because i didn’t trust people for a long time, everyone was really very happy that it happened successfully, the responsibility was huge. the attention of the whole world to this operation, and the program according to which klim was prepared shipenko and yulia peresilt, this is a new program for training tourists in six months, previously they prepared for at least a year, now, new knowledge allows you to prepare quite quickly and this gives opportunities in general to people who have some unique professions that are required there for certain experiences, discoveries, and it would be good if they had the opportunity, because space is

dear friends, the creative industry podcast is on air on channel one, today with vamlen. and roman karmanovn your inner core in ballet, please tell me, i think that ballet is a very closed art, few people can understand it to feel without being there, and when you are trying to find a certain one from the outside... in order to talk about ballet so that, well , roughly speaking, it would be interesting, it is very difficult, i understand very well those people who take on the theme of ballet is looking for this very dramaturgy in it, because the viewer needs to watch something, and with us, i think that maybe even ivan aleksandrovich will support me, in our art dramaturgy is inside our very work, because it's a huge challenge, but it's huge overcoming oneself. how to make sure that the audience is connected to this, you probably need to be, levo mikoilovich, fat and do those same monologues from anna karenina or andrei bolkonsky, in order to understand, yes, what is happening inside you when you yourself have to overcome, and i, for example, playing a play, my father marsley, and going thro

roman karmanov, podcast host and ceo of the presidential foundation cultural initiatives. let's go back to that interesting moment, in my opinion, when the minister of culture shvetkoy decided that he would also host a program on television at the same time, and we remember , why, in order to find out, the question is: did this number burn out, this one for ... did it justify itself in the end or not, you know, when i, in general, resigned from the post of minister, and then, when i left the post, head of the federal agency for culture and kinetography, the ministry’s budget was much higher, much stronger and the number burned out, another thing is that at this time the budget also began to fill up, everything worked, taxes were collected, in principle the country’s budget was much larger, yes, but our small budget is our own, yes , i tried to increase it as much as possible, because i’ll tell you this, this is also very important, there must be good relations with colleagues in the government, for them i was also a man out of the box, so some things were forgiven me, beca

roman karmanov, general director. the podcast ast lab project on the website of the first channel 1tv.ru, goodbye. i'm larisa guzeeva, let's get married, good afternoon, today the grooms are: vladimir, alexey, and sergey, and our bride is daria. daria, 35 years old, decided to divorce after her husband and his mistress began regularly coming to her with unexpected proposals. darya, head of the sales department in a legal office, lives in yaroslavl, is proud that she started her career as a cleaner, dreams of opening a holiday agency and visiting st. petersburg, admits that in the eleventh grade she ran away to an orphanage. daria will never enter into a relationship with a man who does not use deodorant forgets to clean his shoes until they shine. he sees an ideal life partner as an adult, bald businessman who will resolve conflicts in the family with hugs. hello. both are beautiful, but the fact that she dreams of creating a holiday agency is generally very impressive, well, can you imagine, it’s about bringing a hol

whole story, we we continue the conversation, with you today is a creative industry podcast , roman karmanovhost and general director of the presidential fund for cultural initiatives, and elena kiper, producer and music video director... today's guest, mikhail midkoy, let's get back to that interesting the moment, in my opinion, when the minister of culture shvetkoy decided that he would also host a program on television at the same time, and you and i remember why, in order to be recognized, the question was: did this number burn out, this idea, did it pay off in the end or no? you know, when i, in general, left the post of minister, and then when i left the post... the head of the federal agency for culture and cinematography, the budget of the ministry was much higher, much stronger, and the number burned out, another thing is that this time , too, the budget began to fill up, that’s it it worked, taxes were collected, in principle the country’s budget was larger, significantly, yes, but our small budget, yes, i tried to increase it as much as possible, because i told you... this is also

podcast, a creative industry podcast on channel one, with you as before - your favorite hosts, roman karmanovper, visiting us: today my legs have been numb all day, to be honest, from fear contact with a super legend, people 's artist of the russian federation, artistic director of the moscow oleg tobakov theater vladimirov, when did you decide that you were an artist, how did that happen? well, i, i have such an unusual fate for a person who ended up in the theater, i just grew up in a family of an artist and... my mother was a puppet theater director, an amazing director, and my dad was a brilliant actor in a puppet theater, we lived, first in tula, then in frunze, then in novokuznetsk, this theater, it was on my head, i’m not very i loved it, because firstly, they were arguing in the evening and this conversation about how pinocchio or karabas-brabass went the wrong way or was it a routine for a child, at such a level of passion, of course, at first it didn’t bother me even as a child scarecrow, so i was adapted, minded my own business, studied, i really liked biology, studied bugs there,