maybe you are too creative. >> i need to tap down the creativity. it is affecting my body and my person. i think the people that are like that creative wise are good at other things. i was always good at english in school, but that was it. d and f's all the way through in every thing. that allowed me to be humble because i can't do anything. >> it has more of a greek guy than in english. >> you saw me. >> i think there are creative people who are jerks and it is part of their being creative. i think there are people who are creative and they decide i am creative and that gives me license to be a jerk. i am an artist. >> i think there are a couple of different types. there is your hollywood star creative person because they are not in touch with the public. they think if they throw a few checks to the charity like sean penn with the shotgun in his hand. there is that type, but then there is the creative type that gives to society through invention and innovation. >> there is no joke here. >> i am being serious. >> i feel i give to society every night

our school lack creative skills and families lack creative skills. no one is able to community on that emotional level. we lack emotion because we lack creativity. everybody involved in a children's life to parlay that. >> how are we to do that? >> the cb o 's, these people that want to do the work. they have the heart. but they need a change. i know for myself. we all have a reason we need to get paid. but the major thing is, when you come to a community that is lacks so much, poor on so many levels. from all of those levels, you have to have a sense of creativity. at safe haven, i try to have every level of creativity. not even wants to sing or rap or play basketball. some people want to write books. these are different things we have to offer them. we have to keep move anything pushing this idea of creativity into their minds >> before we go on to another topic. how can we expand it. >> i will intervene. i will talk about what we need to be to be more effective. on average, san francisco spends $60 million on violence prevention. this is not the y

and looking for creative ways to deal with this issue. these are important and hopefully there are things that we can do to make this appealing to developers, and the architects and other people who are invested. >> i wanted to talk about a young woman who has shared her personal story with us, i want to thank you for your mother for speaking up to this early on. >> commissioner? >> i would like to see some work on substantiating the actual bird strikes, demonstrating the problem that we have, although i think you are on the right track i wish this was more voluntary and not mandatory, but i understand this is a very minor costs, but i hope that this is not another layer that can be used by the opponents of certain projects to say, we will take this issue on. and i have my doubts about this. we need a little bit more work, and with what you have provided -- we have documented the killing of wild birds in north america. this comes from several sources. this is not an issue that needs further documentation, because we have enough documentat

that is one of the things that keeps the creativity flowing through odc. it is a campus about the creative process at all times. >> the theater was part of a second phase of capital fund raising and community support. the previous one had renovated the space where the rehearsal studios are and the school is, sell what does that sort of say about the importance of the odc in the community? >> i think it's spoke to the two very different tracks of our organization. part of what we do is education and outreach. part of what we do is performance on the part of our company, odc dance, and a third part of what we do is this presenting an incubation stage. when we came to people to talk about the theater as a second investment after having built the dance commons, the distinct purpose of the theater really came through. what we were going to do with our venue was invest deeply in creativity, deeply in our regional artists, and we were going to do something that most mid-size san francisco venues have struggled to do. >> talk to me a little about the group other t

they are creative but less intelligent. tavis: i hear your point. when you say that they are more creative but less intelligent, what do you mean by that? >> intelligence in studying. tavis: they don't steady as hard? >> no, in my opinion. >> that has more to do with their habits. >> do you interpret the value of your degree the same way or differently? >> i think that this is just to get jobs and that is all. knowledge is not. maybe with more knowledge, you can earn more money. knowledge is a part of your system. this knowledge, i think that your mind is stronger than all of the others. we can gain wisdom. money can never give you that. tavis: you are right about that. >> i really appreciate the way of higher education and high education in america. the -- education of china is very great and it should not be so many people who are criticizing this. i think that we have different ways of learning things. in our school, we are just may be learning more than thinking but in america, they read a lot and they think more. i don't think that american stu

we can have lots of creative programs. we can have lots of permits and fees. but let us keep san francisco for san franciscans. thank you. >> good afternoon, supervisors. nice to see all of you today. i do not like this bill either. the vagaries of the wording is not done well. one of the problems we have when we look at this is we do not know where the funding you're going to cut out is going to come from. we basically look at it and say where are you going to get money. people are saying general fund. but isn't it every year you guys are talking about 10% general fund cuts from every department made year? where is that going to come from? parks should be free, but we cannot afford that in this economy. it just does not work, unfortunately. please do not pass this bill. thank you. supervisor avalos: next speaker, please come forward. >> i represent parkwide bike rental. we oppose this measure. bike rentals are an amenity to city parks, adding value to locals and visitors. this ordinance would block any future growth for us. our programs will initially create

well listen i've learned from everybody i've learned so much about the exacting specific creative nature of every moment from the from a jim carrey the life itself i would have to say the greatest teacher for me in show business was i worked with a gentleman who played god. his name was morgan freeman and i think we all wanted to give him the role of god in human form for a reason because he's so wise and after i did the film bruce almighty with him i went out to dinner with him and asked him what he believed and we put words words in your mouth is god what tell me what you believe morgan and morgan is so wise and well thought he turned me onto. a book he started with ishmael by daniel quinn which actually led me to utah i'm in the last hours of h. and sunlight and it really shook my paradigm you know here i was thinking that you know we humans had it kind of figured out and we were on a path that was good and positive and that shook me at the very core it's what ray anderson called it called the spear to the chest and that changed me deeply. and when i began to apply the principles that

they were wonderful, those days teaching creative writing. wanted to go back into creative writing and went back into ethnic studies later. but anyways, i went from poetry, i love poetry. i always say it's my first language, that it's really the thing i like to do the most. and i write poetry all the time. i keep doing it. no matter what else i'm working on. but i felt that i had to make a different, different kinds of statements and different kinds of ways of putting words together so that they would do different things. for instance, there are novels that are stories, poetry's like a weaving where fiction is like, you know, you do character development. you show change. it's more linear. you have to have plot, you have to have all these developments that take place. so i needed to teach myself how to do that, and then, um, essays. i find, i'm working on some now besides the essays on our histories. but i'm finding that, you know, that when i do essays, it's a different way of thinking. it's like, um, how do i put together two different noti

headlines first all eyes were on maria sharapova today box that was her opponent patrick creative alsoclaimed the wimbledon ladies' singles title with a straight sets victory over the russian. we find out perhaps the decade is just a few hours away with a lot to go and david haye preparing to go back heavyweight boxing belts on the line in hamburg. and also watching want to gaze in one of the corporate america opening highlights friday night in la plata. i got stuck with tennis where my day is shot up about was unable to defeat patrick pizza in the wimbledon fanatic the czech denying the two thousand and four champions hopes of a second title by winning in straight sets. exchanged early grades before the play levelled but we took over for the russians to the opening salvo in six games to free the second started with creative all pulling ahead posting yet another break but shut up about a two game seoul. however they continued to take each other so the law legally didn't check to eventually wrap up the match in straight sets six three six four and they say on the matchpoint there swenso

we want to get toward your book, which is forgiveness, the key to the creative life. it's a great contribution, honestly, into people who simply want to get in. you are talking about forgiveness long, long ago. we will come back to that, but start us off. you are a pencil boy. >> my dad taught at stanford. i have a great fondness for cal. i grew up there, the only child of my parents. dad was sick most of his days. he had tuberculosis from world war i. i also got it from him, so i really started out as being a consequence of the trances of world war i. that is where she got tv, and ultimately when i caught it, i got it from him. i didn't start school until the 3rd grade. i had to be homeschooled. i went to princeton for seminary. in a that was very, very serious in those days. in a very serious or you'd. >> so it was a full recovery? >> a full recovery. i do have lesions on my lungs that show me i have it, but there is no tv there. i asked the doctor if i had to worry about it, but he said not more than anybody else but everybody else needs to. >> so you were home unt

. >>> e-mails, does cycle creativity? what happens when one company put the stop on all those distractions >>> cooler than average high temperatures. i've got your forecast coming right up. betty ford. she ♪ i may be mud, but i have standards. mops? please. some of them have bacteria. ♪ and they try to pick me up? ew. i'm really hard to get. uh! ♪ what about love?! [ male announcer ] swiffer attracts dirt. used mops can grow bacteria. swiffer wetjet's antibacterial solution eliminates 99.9% of bacteria that mops can spread around. i like your pad! [ male announcer ] swiffer cleans better than a mop or your money back. at age 93. >>> we're learning details about services this week for betty ford. she died friday at age 93. funeral services held in palm desert. others on wednesday and thursday in grand rapids michigan. carter will be among the eulogieses. >>> president obama and congressional leaders will meet again tomorrow to try and strike a deal on the nation's borrowing limit. susan shows us republicans and democrats s

it was the first time i felt good but never thought i would be a creative writer. sort of reading more books. i love the theater. i have not lady friend who was an actress and used to go to theater all the time and started riding very naturalistic plays when sam shepard and those guys were happening. sort of writing about my family. i am not sure about the dialogue, but that let me into trying to write fiction and once i attempted that i had the incredible luck of writers in the day. there in her -- they encouraged me to write, being nice to me. on the other hand, something about the process was fulfilling and nurturing, it was taking the question i had about myself and putting them into a container space eventually. the beauty of that, isa this tooth young folks or older folks, i was in an old age home once and it is student who was 107 years old was just starting to write. >> never too late. >> never too late. if you have a strong emotion or memory about something get it down on paper because in five years or six years it could turn the hair. i didn't realize tha

sound creative and challenging conversation you're having

we actually are the best still and will be at creative thinking and connecting to it technology.ho is inventing google, facebook, who is invengt twitter. even if it's immigrants coming in, google as an immigrant, this is a country in which we have and we celebrate the free flow of information, the free flow of ideas, creativity. in china, it's hard for them to be creative in the information and and that will be the comparative advantage of the united states. >> a huge important point. there was a powerful piece i "business week" where he talked about keeping the manufacturing here. manufacturing generates the innovation because if you manufacture stuff elsewhere it's onhe

governor, creative service worker. everyone everyday is going to have to justify their value added. for some, it will be invented and a new product or service. for others it will be reinventing yourself to do a routine task in a new or better way. how many of us have elderly parents in a nursing home. you go to the nursing home and there's that one health-care worker who didn't just take care of mom and dad but engaged in a way that really brightened their day? that person found their extra. the first thing we do in see that as go to the manager and say we want that person to work with mom and an ad and we will pay more for that. everyone has some extra to find. that is really where education is going to have to go. i hate to say this, but so many americans are being educated not for $40 an hour jobs, but $12 an hour jobs. they may think they're being educated for $40 an hour jobs but they're not. the creative component of education has to be on the rise. we have to become a nation of starter uppers, whether it is star

and the ardela literary composition prize in creative nonfiction. her work has been published in several an tholologies including our cheers to muses. in addition to writing and performing she published and hand bound artist books and is a photographer and print maker. lives and creates in oakland. i would like to introduce ahmwa. [applause] flesh of my flesh. the woman who invented clothes was a woman. she knew the power of a well placed leash. knew there was no looking back. once man laid himself upon her he was cleave into her. need the clay of her. she knew then shield always need a sheath. a shield from shame. the early pain of having been divided. >> first sin. forgive me for coveting my mother's breast until it bled iodine to deceive me. 165. you cried when i left for california. you and bastand figure the driveway. i didn't expect that from you. wasn't prepare for the weeping that would last until i cross the the state border. when i got to oakland my emotions leaked like a wildfire. they are the kind that destroy you, your security your she

so just think about how can we be creative and solve problems for the future. that's what we're about. and then we have to figure out how can we make it so attractive that we absorb the majority of the country with us, that we're all working together? it's about absorption instead. so if we're going to do this thing, how do we do that? how do we work hard enough to make that happen? our nations stories help us. talk about abraham lincoln and his second inaugural address or talk about ronald reagan when he gave the branden burg speech and why words are important, to talk about jfk and his statement of ask not what your country can do for you, right? what everyone can do for their country. and to ask if we're doing what we should. that's the hardest thing that i do every day, and i fail every day usually by lunch. [laughter] sometimes i get a little later. but with two children i think you really understand what that means because they see everything you do, and they see how you ask them to do things and how you react to people around you or to them. and i think

we have a good chuckle about that the people believe but in fact this is the basis of all creativity, making a new scientific discovery and creating a new genre in art or music. is finding a pattern and seeing a pattern or creating a pattern that no one has seen or done before. that is a good thing. so the tension here's here is to keep an open mind so that you are creative and you can see something new. not so open-minded that your brains fall out and you think everything is real. and so, i have a discussion in "the believing brain" between the relation of creativity and that this. there is good creation that has been steady. there a disproportionate amount of paranoid schizophrenia either themselves or their immediate family. these are largely genetically programmed diseases we think they get passed along genetically. what is going on here is that if you are so creative you are able to find a patterns the patterns that no one else can see, perhaps you also find patterns that are not real. my favorite example that i use in the book is richard feynman and jon nash. richard feynman fri

. >> you're the guy who has a point of view, whether it was through creative commons or the work youid out at stanford, the advocating you've done on behalf of, i, i think the, that sonny bono extension of the copyright law and your arguments against that were just magnificent and interesting. can you in a sort of short form articulate what you think the rest of us should think about this stuff, about. >> yeah. >> .copyright, intellectual property and all that sort of stuff? >> yes, so, so there are a lot of copyright abolitionists out there. >> yeah. >> .who think that copyright was for the 19th and 20th century. we should get rid of it. >> right. >> i'm not one of those. i think copyright is an essential part of a rich culture. >> yeah. >> and i don't mean rich financially. i mean rich as in diverse. >> vibrant. yeah. >> right. artists have got to have a way to fund their creativity >> right. >> and if they don't they become just patrons to big companies, and that's completely boring. so i think copyright is isential. copyright used to have one problem to solve: how do i give incen

in not no creative not there to to form a new important or rational reference. staying domestically and for months now and also to coach andre corbett live has been named as the new manager it really is a bit of he's got a job to do this summer outfit to the bottom of the russian premier league forty two year old signing a three year deal after being sacked as did not the boss last year is expected to drastically restore clearly is something his predecessor alexander that failed to do told me this is science and national the heart of why i don't choose the following crazy years to nail home defeat to fellow strugglers scott not chick. golds now and it's been a great opening round for adam scott and hunter haas at the eighteen c. national grid power setting the pace in pennsylvania with a joint one shot lead haas with a decent start including a birdie on before here they were and however did most of his good work on the back nine sinking four straight birdies from the thirteenth to the sixteenth hole scott also with a solid show in the australian and new year's d

you get that closeness from somebody particularly in the creative environment either through framers or think you do. success but in the creative environment you learn to to know what somebody else might be thinking you might not always be right but you have a feeling for them and so i still feel and roger does as well in a particularly good applies more if we're working as queen in this and we think what would freddie say and you probably would say this. yeah he's part of the creative process because he's part of what we are because we really chiseled this thing out all together me pretty and roger so i mean for a while i didn't want to you know i was very. it was a point you know the grieving process where i just didn't want to talk about green didn't want to feel that it was there even the acceptance history but i sort of got through that and now i regard it as part of my life which will never go away and it shouldn't go away because it's a big part of what i worked to create to question what do you think happens after death after death you know the big questions in there. i don't

the soviet art here the nature of gallery is well worth seeing it off as a real insight into the creativity of the time this grand pieces called stallin and for a show of income and painted by alexander in one thousand thirty eight he was one of the few mostest courts to officially work on commission off each cell and i remember that all work had to celebrate the media and the state to pay to the myth of a happy country a daunting task for any artist of the time and soviet pieces like these have been gaining much more popular in the world school should houses. was now arrived at red square as burial sites by the kremlin moules many servia leaders military personnel and intervention figures were laid to rest here when stalin died in one nine hundred fifty three many openly wept for the man they called father teacher or god he was old enough still generally loved by the masses although lenin has a grand mostly i'm on red square not many people know that stalin is in fact here ok said right behind it next to the kremlin walls or is the embalmed in later arrest next to lenin fête years. after h

governor, creative service worker. everyone everyday is going to have to justify their value added. for some, it will be invented and a new product or service. for others it will be reinventing yourself to do a routine task in a new or better way. how many of us have elderly parents in a nursing home. you go to the nursing home and there's that one health-care worker who didn't just take care of mom and dad but engaged in a way that really brightened their day? that person found their extra. the first thing we do in see that as go to the manager and say we want that person to work with mom and an ad and we will pay more for that. everyone has some extra to find. that is really where education is going to have to go. i hate to say this, but so many americans are being educated not for $40 an hour jobs, but $12 an hour jobs. they may think they're being educated for $40 an hour jobs but they're not. the creative component of education has to be on the rise. we have to become a nation of starter uppers, whether it is star

we actually are the best still and will be at creative thinking and connecting to it technology.gle, facebook, who is invengt twitter. even if it's immigrants coming in, google as an immigrant, this is a country in which we have and we celebrate the free flow of information, the free flow of ideas, creativity. in china, it's hard for them to be creative in the information and and that will be the comparative advantage of the united states. >> a huge important point. there was a powerful piece in "business week" where he talked about keeping the manufacturing here. manufacturing generates the innovation because if you manufacture stuff elsewhere it's on the floor of the manufacturing facility that you get the ideas about what comes next second and third generation. >> steve jobs was talking to the president about that just the point you were making. if you put an apple factory in china soon the engineers have to be over there. eventually you're doing the research and development over there. so you got have both the engineers, the capacity to do the manufacturing here if you want t

you know he's part of the creative process because he's part of what we are. because we really chiseled this thing out all together me pretty and roger have you spoken to some of the brilliant brains time for the past three days what do you think what you think could be or is high priest in the twenty first century the high priest of the twenty first century boy oh boy oh boy. maybe nelson mandela. because he has a very important key thing apart from wisdom and knowledge. he has the key of forgiveness which i think saved his country completely from a blood. and i think of all the people who run this planet studied under nelson mandela and we would definitely get a better planet and i think that would be more than anyone else i think he has the key primate thank you very much melissa. lose. them a. wealthy british scientists some time to explain. markets why not. find out what's really happening to the global economy in these kinds of reports on our. own comes with. what makes a big splash in the world of high tech business questions in advance science in the i

i want to find a creative way -- i think there are ways to work around this. i am not right now comfortable that i personally know enough about the laws, and i would really value, as supervisor campos mentioned, having a dialogue in closed session with our chief economist, with our city attorney to think deeper and much broader about creative ways to solve these issues without burdening the employers in the city unduly. obviously, health care is an extremely important issue, and we need to solve for that, so i appreciate the comments on both sides of the aisle. i want to thank everyone who came out in the middle of their day as well. so i appreciate that. i think where it differs, and i know supervisor campos and i will differ, is that i would like to do that now and in committee. from my point of view, this is not something in my opinion that we can rush into, and this is not rushing into it, but this is something i want to take the time to do it right. that would be my preference. to do it here in committee. let me say very publicly that i will commit the wo

to do or even success but in the creative environment you learn to to know what somebody else might be thinking you might not always be right but you have a feeling so i still feel that roger does as well and particularly it applies more if we are working as queen and we think what would freddie say and you are probably would say this. you know he's. part of the creative process because he's part of what we are because we really chiseled this thing out all together me and john and freddie and roger so i mean for a while i didn't one you know i was very. it was a point you know the grieving process where i just didn't want to talk about queen didn't want to feel that it was there even except it's history but i sort of got through that and now i regard it as part of my life which will never go away and it shouldn't go away because it's a big part of what i worked to create to fashion. queens brown right talks to us in our less than ten minutes time but first our business are packed with. how i welcome to our business report here ninety thanks for joining me russia is looking forward t

if you do it or you can success but in the creative room for you. to know what somebody else might be thinking you might not always be right but you have a feeling of so i still feel it and roger there's we're in a particularly good applies more if we work in a screen and we think i would say and you would be would say this. you know he's part of the creative process because he's part of what we are because we really chiseled this thing out all together me and freddie and roger so you know i mean for a while i didn't want to you know i was very you know. there was a point you know the grieving process where i just didn't want to talk about we didn't want to feel that it was there and accept its history but it sort of got through that and now i regard it is part of my life which will never go away and it shouldn't go away it's so part of what i would create pressure. all crean's brian may toss r.t. in less than ten minutes the before that all leaders of the world of business with kareena. and welcome to business here in r.t. russia is looking forward

yeah he's part of the creative process because he's part of what we are because we really chiseled this thing out all together me and george pretty and roger so i mean for a while i didn't want to you know i was very. it was a point you know the grieving process where i just didn't want to talk about i mean didn't want to feel that it was there even though except it's history. i sort of got through that and now i regard it as part of my life which will never go away and it shouldn't go away and it's it's a big part of what i worked to create suppression what do you think happens after death after death you will be questions in there. i don't know. i'm inclined to think that our view of the universe is very simplified it's you know in a way that you know people crawling over a piece of paper has a very limited view of the universe so i think we also have been imaging you know so this existence that we know maybe just a very small part of the whole picture you know and i'm excited to think that that might be so. i'm not counting on it because maybe maybe in the new life but i don't know.